An Edo period Kogo incense case of pale earth tones decorated with geometric shapes and green copper glaze in the oribe style with a scrawling streak of kintsugi gold extending down two sides. Kintsugi is the art of repairing using lacquer and powdered gold. Kintsugi is a traditional Japanese art form of repairing broken pottery or ceramics using lacquer and powdered precious metals. Instead of hiding the cracks and flaws, kintsugi embraces them and turns them into a beautiful and unique feature...

A narrow open-mouthed vessel decorated with autumnal trees by Ito Tozan II enclosed in the original signed wooden box. The piece could serve as a vase, but comes with a black lacquered wooden lid and is titled Mizusashi, making it rightfully a fresh water jar for the Japanese Tea Ceremony. It is 11.7 cm (4-3/4 inches) diameter 22 cm (9 inches) tall and in excellent condition, likely dating from the 1950s.
Ito Tozan I (1846-1920) began as a painter in the Maruyama school studying under Ko...

Small cabinet with drawers in precious wood. It opens with a sliding door revealing 3 drawers. The door is inlaid with silver threads depicting the Chinese character "Shou" meaning longevity, the other panels are inlaid with a simple silver thread. This small cabinet with a simple shape is made of very hard wood with a dense grain, almost black in color with red reflections. It is probably some kind of rosewood, perhaps red sandalwood, called zitan in China. The cabinet work is of good quality...

Hiroshige Ando
Fuchu, Nichomachi (Titled in image)
Size: Approximately 8.5 x 3.5 inches.
Date: ca 1910.
Publisher: Matsumoto Print Works. No. 40 publisher's tag on back.
Medium: Japanese woodblock print.
Condition: Bend lower right corner. Chip upper left corner.

19th Century Korean Silver Enamel Samjak Norigae with Tassel & Coral Beads for Hanbok Dress Accessory

The overall length is 14.96 inches (38 cm). The vase charm is 2.36 inches (6 cm) long by 1.77 inches (4.5 cm) wide. The total weight is 180.7 gram.

They are tarnished and are missing enamels, beads, and tassel and knot strings, and have oxidation, a small dent at one vase charm, stains, discoloration at the string, and surface wears and scratches (as seen in the photos).

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Bronze sculpture with dark brown patina of a cicada.

The cicada (in Japanese, semi) is considered as a symbol of humanity. Together with a praying mantis and a spider, they represent the three virtues of a general: humanity, courage and skill.

Japan – Meiji era (1868-1912)
Height: 0.79 in / 2.5 cm – width: 0.79 in / 7.5 cm – depth : 1.96 in / 5 cm

Cedar wooden ryoshibako (or bunko) document box, decorated with deer and crane on the outer lid and bat on the inner lid in takamaki-e lacquer. As a wedding box, these animals are symbols of happiness, longevity and good luck.

Kawachi Hisaya seal lower right. Includes its transport box with inscriptions: "(...) / made by Kawachi Hisaya" (高[閑 ?]市/河内瓢也造).

Japan, Kawachi Hisaya – Showa era (1926-1989)
Height: 3.9 in (10 cm) – width: 10.2 i...

Ohara Koson
Bullfinch on the branch of a blossoming plum tree
Date: Saturday, April 27th, 1940.
Size: 7.5 x 5.375 inches (19 x 13.6 centimeters).
Note: Cover of a dinner menu for the passenger liner Nitta Maru of the Trans-Pacific Line.
Publisher: Likely Nippon Mokuhan Co. Tokio (Japan Woodblock Co. Tokyo), who produced another of our ship menu woodblock prints.
Medium: Japanese woodblock print made from a carved wood block. Mechanization was added to the printing...

YAMABUSHI

Wood carving seated image of Shugendo mountain priest as 'Yamabushi' (https://en.wikipedia.org/wiki/Yamabushi), once enshrined at kamidana household altar of esoteric Buddhist believer's house in Shonai region, Japan. Keio era (1865-1868) in the late Edo period. H 26 x W 16 x D 11 cm (10.23 x 6.29 x 4.33in). In naturally sooted condition by the smoke from fireplace (sunken hearth) for many years. Also aged deterioration as is as seen.


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OGRE DECORATION

Unique practical substitute made of tin plate for the roof ornamentation found in traditional Japanese architecture so-called 'Onigawara' (lit. 'Ogre tile' / https://en.wikipedia.org/wiki/Onigawara), with the implication of talisman as well. Showa period, 20th century. H 29 x W 26 x D 19.5 cm (11.41 x 10.23 x 7.67in). Some rust, stain, and scratches as is as seen.


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Quirky set of Tibetan tools/utensils in copper and shagreen sheath. The blades and other bits are good quality steel with good bone handles. Possibly a surgeons or dentists set, I honestly don’t know- there are no chopsticks or forks, as is typical, so I don’t think these were used for eating. The knife has a good edge, this will clean up with a bit of baking powder and effort. All pieces in good condition and functional. Old circa 19th CE. See scale in last enlargement.

Gold forms a billowing pine tree lavishly applied to the dark lacquered body of this wooden water jar enclosed in the original wooden box titled Ikkan Mage-Mizusashi, Oimatsu signed by both the wood craftsman and the lacquer artist. It is 15 cm (6 inches) diameter 16cm tall and in excellent condition, dating from the early 20th century.
The term Ikkan in the title is after Hirai Ikkan, who mastered the technique of creating lacquered receptacles of thin bent and glued wood which were incr...

A sage admires pine boughs billowing out over the waves from his seat upon a stone carved into this fine bamboo tea container capped with a wooden lid opposite the archaic characters Seishin (Pure heart) signed Chikuzan on the bottom and enclosed in the original signed wooden box titled Take-sei Chatsubo (Bamboo tea container). The fine kiri-wood box has been decorated on all surfaces with a landscape of Mu-chi style forested hills and a long verse by Chikuzan. Dating from the early 20th centu...

1900's Chinese Famille Rose Porcelain Plate with Flowers & Insects Marked

It is 1.85 inches (4.7 cm) tall 6.3 inches (16 cm) wide. It is 0.9 Lb.

It has rubbing golds, dark spots, mild skip glazes, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All y...

Meiji (1868-1912) Japanese Patinated Bronze Bactrian Camel Okimono by Genryusai Seiya 源龍斎誠谷, Signed "Seiya Zo"

It is 10.15 inches (25.8 cm) tall by 10.3 inches (26.2 cm) wide. It is 8.1 Lb.

It has tarnished eyes and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amou...

Aoki Seiko (b. 1880)
Red Berries and Birds (aka. Waxwings)
Size: Approximately 9.75 x 4.75 inches (24.9 x 12 cm).
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #368 tags on back.
Medium: Japanese woodblock print.
Condition: Upper left corner margin chip. Pinhole near signature.
- Rarely seen.
The Matsumoto catalog identifies the birds as kashidori, "a noisy, quarrelsome species of jay."

Aoki Seiko
Waxwings (Red Berries and Birds)
Date: Friday, July 5th, 1929.
Accordion format. Opened out size: 10.375 x 7.625 inches (23.4 x 19.2 cm).
Note: Dinner menu for the Kashima Maru on the N.Y.K. Line
Medium: Japanese woodblock print made from a carved wood block. Mechanization was added to the printing process.
Condition: Toning, marks, and scuff on map page.

Kawase Hasui
Morning at Niju Bridge (Nijubashi no Asa)
Date: Monday, August 17, 1936.
Size: 7.5 x 5.375 inches (19 x 13.6 centimeters).
Note: This rare print was the cover of a dinner menu for the Yasukuni Maru, a cruise ship on the N.Y.K. Line (Nippon Yusen Kabushiki Kaisha). It is identified as a Hasui in the Japanese publication, "The Nippon From Japan - Menu Design of the Cruise Ship Era (2017)(日本が運んだニッポンー客船時代のメニューデザイン).