This charming Japanese netsuke has the face of Noh theatre character surrounded with intricate basket weave pattern. It is signed under the chin dimensions 2.5 x 2 x 1 inch

The detacheable central Tirthankara surrounded by other Tirthankaras, two elephants holding his princely parasol, his throne supported by two lions. On the back there is a lengthy inscription, holding the date 1674 in Samvat, which is 1617 in the Western calendar. The shrine is inlaid all over with silver. H. 28 cm, W. 19 cm. Condition: some old damage and an old repair to the thinly cast back of the stand. Otherwise in wonderful original condition.

It is amazing the number of shades of gray playing across this simple tile-sculpture by Hayami Shiro. Just less than 2 feet (59 cm) tall. There is a small chip in the base (see photos). Due to size shipping will be accrued separately.
Hayami Shiro (b. 1927) was born in Kagawa Prefecture in 1927, and graduated the Tokushima Industrial University in 1949. His first exhibitions did not materialize until 1964, and from there he flourished. From the late 60s he began exhibiting in Nationa...

Large and heavy piece, 500 grams of silver, finely cast and in good condition. Diameter 12,5 cm outside and 7 cm inside. H. 10,5 cm. Made in the first half of the 20th century. Marked on the inside with an "M".

This Mughal piece was made of a zinc alloy inlaid with flower patterns of silver and brass. A similar huqqa base in the book "Bidri Ware, inlaid metalwork from India" by Susan Stronge is dated in the first half of the 18th century. H. 18 cm. Diameter 16 cm. Very good condition with the inlay intact.

Egg shaped vase with a black-red patina. Signed on the bottom. H. 18 cm. Showa period (1926-1989). Good condition, original tomobako. Master casting artist Kazan Yokokura continued to enter contests, mainly centered on Nitten Exhibition. 1915 Born in Yamagata Prefecture, northern Japan 1951 Won for the first time a prize at the Nitten Exhibition (and won many prizes at later exhibitions). 1959 Won special commendation "Hokuto Prize" at the Nitten Exhibition. 1966 Joined the jury of th...

Indo Portuguese work, made in the 18th to early 19th century. Very well carved, note the eleborate dress. Remains of gilding. H. 22,5 cm. Condition: A part of the stand has been professionally restored (see picture) as well as the pinky fingers of the Virgin.

Kraak porcelain export dish from the Wanli period (1573-1619). Diameter 14,8 cm. , H. 4,5 cm. Condition: very minor flea bites to the rim, a 6 mm rough spot in the glaze on the rim, probably a firing flaw. No cracks or repairs. Some oven sand attached to the foot rim.

A Chinese literati themed landscape fan painting with a signature reading the name of Li Ching-yi. The soft pastel colors and brush strokes of the landscape evoke the preferences of the literati scholar tradition. Age: Qing Dynasty 18th/19th century. Size: Length: 19.75" Width: 12.6"

A refined Chinese fan painting of a literati scholar enjoying the breeze within the pine grove from the window. The writing expresses the view of the fan painting where the scholar is listening to the wind among the bamboo groves in the evening, signed "Ke Mou"?. Title "Listening to the Scholartree". Age: Qing Dynasty 18th/19th century. Size: Length 22" Width 10.2"

A circular shaped album leaf painting done on silk of a peony. The work contains an inscription, signature and seal of an artist named Xu Zhiping. The work and style appear similar to examples seen in China during the mid to late Qing Dynasty. Age: 19th century Size: Length 23.5" Width 14.2"

A pair of Chinese semi precious stone crafted into a small magnolia tree. The tree is planted in a Chinese cloisonne pot. The container's body has a lovely blue background with abstracted lotus design, old gilt on edges. The entire tree is crafted as if an actual plant is planted in the pots.The cloisonne appears to be late 19th century. The semiprecious stones are of a later vintage. Age: Republic Period Size: Length 17.5" Width 7" Height 14"

This beautiful chawan (tea bowl) was made in the oribe style, a more than four hundred year old tradition from the central part of Japan in the ancient Mino province.

That tradition was in part influenced by tea master and warrior Furuta Oribe (1545-1615) who developed his own style of tea ceremony. The bowl is very well made and in perfect condition. It dates from the mid Edo Period and has no repairs or damages except inborn kiln cracks. The green glaze is very vivid and strong.

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This is a cotton textile of the Edo era. This was introduced by Muneyosi Yanagi in the world in the 1900s. And it became very famous after it. It is woven by cotton and silk dyed with natural plant dye beautifully. You can enjoy cotton of Japan by touching it and the delicate change of the thread will be comfortable to your eyes. There are four places patchwork such as figure 1. It has a thin dirt of the aging in the whole. The same type of Tanba cloth is placed in the folk handicraft library...

In good condition

Broken neck n chip mouth

In good condition