An elegant bowl swept in a Zen circle of ink by Shigemori Yoko, the vessel evidencing several dips in white slip, creating a captivating sensibility which contests the simplicity of the coloration. It is 14 cm diameter, 8 cm tall and in perfect condition, directly from the artist’ family and comes enclosed in a wooden box annotated by her nephew.
Shigemori Yoko (1953-2021) was born in Kagoshima. Yoko came to Kyoto where she initially studied painting at the Kyoto Tankidai Art College, th...

Kano school painting depicted a white heron rests on the willow tree. Painted with ink and pigments on silk. Sealed. It is inscribed the name Kano Motonobu on the side of the scroll.

The condition is reasonable due to its great age, with some marks, crease, damage are present on the painting and scroll mounting due to its great age. There are more crease than you see in the image.

Painting: W13 3/4” x H42 1/8” (W35cm x H107cm)
Scroll: W18 3/4"x H57 1/2” (W47.5cm x H146cm) ...

Chinese hard porcelain dish with an elegant scalloped shape, decorated in famille rose enamels with 5 dragons competing for the sacred pearls. The vigorous dragons are very well drawn, their contortions are harmonious. They only have 4 claws. The marli is decorated with a Greek frieze enamelled in a pretty bright blue. The Greeks could indicate a European order, but the central, typically Chinese decoration of the 5 dragons circumscribed in a circle is more reminiscent of an order for the Chines...

Height: 18.6 cm (7.5 in)
Width: 9 cm (3.6 in)

Fine quality Japanese cloisonne vase depicting birds amongst wisteria; fine gold and silver wire-work throughout with excellent enamel shading; attributed to Hayashi Kodenji; fine diaper enamel patination below and above the rims; excellent condition; email for more pictures

Unusual Ming Dynasty stoneware celadon glazed censer on a reddish clay body, possibly Longquan or an allied kiln, uncommon to see fine translucent craquelure. Good condition- no cracks or damage just some bits of kiln grit adhering to the glaze surface. D: 11.5cm/4.5in and H: 5.5cm/2.1in

Black lacquer box finely incised with motifs of birds, dormice, vines and flowers, the golden designs stand out pleasantly against the black background with discretion. This Chinese lacquer technique called Ch'iang Chin is very old, it consists of making slight incisions on the dry lacquer then filling them with gold powder mixed with fresh lacquer for good, lasting adhesion. On the box presented here, the very thick and solid lacquer is a sign of excellent quality which has allowed it to calmly...

A beautifully crafted and remarkable example of an early Edo period (1603-1868) Raku Chawan. This bowl is strongly reminiscent of the Chōjirō tea bowls, the first head of the Raku family.

This exceptionally well-crafted tea bowl has a very meditative presence and reveals its highlights of a typically Momoyama Period classic black glaze. It comes with an old Japanese wooden box.

Raku tea bowls occupy a unique space in the world of tea because they strongly embody the ae...

Nihonbashi
Sealed "S". Artist unidentified.
Date: ca. 1940s.
Print size: 3.75 x 2.75 inches.
Publisher: Unsodo. From a group included in an Unsodo client sample book.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Excellent.

Rain at Shinobazu Pond
Sealed "S". Artist unidentified.
Date: ca. 1940s.
Print size: 3.75 x 2.75 inches.
Publisher: Unsodo. From a group included in an Unsodo client sample book.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Tiny dot in sky.

Rare Chinese Eastern Han Dynasty Pottery Money Tree Base (AD 25 - 220)

This very rare and unusual moulded pottery object was made during the Eastern Han Dynasty (AD 25 - 220). It is the base to a "money tree" and has been excavated from Sichuan province. The coin-shedding, or money, tree is known from late Han Dynasty funerary art from the south-west of China. It was believed that if shaken, coins would fall from it. The money tree itself would comprise a bronze trunk, or pole, to which were...

Shrine in Forest
Seal not read. Artist unidentified. Elsewhere attributed to Okamoto Kouen
Date: ca. 1940s.
Print size: 3.75 x 2.75 inches.
Publisher: Unsodo. From a group included in an Unsodo client sample book.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Excellent.

Very Rare Chinese Eastern Han Dynasty Stone Toad Money Tree Base (AD 25 - 220)

This extremely rare toad-shaped pedestal, or base, for the legendary coin-shedding tree dates to the Eastern Han Dynasty (AD 25 - 220) and has been excavated from Sichuan province. The coin-shedding, or money, tree is known from late Han Dynasty funerary art from the south-west of China. It was believed that if shaken, coins would fall from it. The money tree itself would comprise a bronze trunk, or pole, to which...

Rare Chinese Eastern Han Dynasty Pottery Money Tree Base (AD 25 - 220)

This very rare and large moulded pottery object was made during the Eastern Han Dynasty (AD 25 - 220). It is the base to a "money tree" and has been excavated from Sichuan province. The coin-shedding, or money tree is known from late Han Dynasty funerary art from the south-west of China. It was believed that if shaken, coins would fall from it. The money tree itself would comprise a bronze trunk, or pole, to which were at...

Fine LARGE Chinese Neolithic Banpo Cord-Impressed Pottery Amphora with Oxford TL Test

This fine and incredibly ancient pottery vessel was made over 6,000 years ago during the Banpo phase (c. 4800 - 4300 BC) of the Yangshao culture in present-day Shaanxi province. This form is probably the most well-known of Banpo pottery, if not of all Chinese Neolithic pottery, and no serious collection of Chinese ceramics should be without an example!

It has a tall cup-shaped mouth and a pointed base....

Fine Chinese Tang Dynasty Painted Pottery Figure (AD 618 - 906)

This rare and interesting pottery figure was made during the Tang Dynasty (AD 618 - 906). It is fairly highly-fired, having a distinct ring to it when tapped. It has been "cold painted" in white, red and black pigments, good amounts of which still remain. Note the details to the facial features, clothing and head gear. He stands as if in attendance awaiting instructions! On the surface in places, particularly to the back, are mi...

Chinese Neolithic Twin-Handled Pottery Jar - Qijia Culture (c. 2050 - 1700 BC)

This attractively-shaped pottery jar was made around 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province, China. It is very thinly-potted and quite highly-fired, having an almost "metallic" ring to it when tapped. There are two "strap" handles joined at the waist and mouth edge. Much of the upper surface is coated with a thin layer of "calcified" s...

Chinese Neolithic Twin-Handled Pottery Jar - Qijia Culture (c. 2050 - 1700 BC)

This attractively-shaped pottery jar was made around 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province, China. It is made from a pale buff-coloured pottery that is fairly highly-fired. There are two "strap" handles joined at the waist and mouth edge. The surface has been burnished making it smooth to the touch. The pottery at the constricted neck...

Chinese Tang Dynasty Painted Pottery Figure

This pottery figure was made during the Tang Dynasty (AD 618 - 906). It represents a male figure wearing a hooded cloak. It is "heavily-potted" and has been "cold painted" in various coloured pigments, traces of which still remain. Height 19.5 cm. Very faint signs of possible repair at the waist.

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