Urushi sakazuki (sake cup) made of wood and painted with black urushi. It has hand-painted sculp with red urushi which is for a charm against evil spirits and used in a temple or a shrine. It is from Akita prefecture in Tohoku. Late Edo period (The first half of the 19th century). In good condition. H:3.5cm, Diameter:10.3cm

Rare Chinese Neolithic Twin-Handled Pottery Jar - Qijia Culture (c. 2050 - 1700 BC)

This rare pottery jar was made around 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province, China. They produced a variety of pottery vessels including cord-impressed pottery of many shapes and sizes as well as higher-fired jars such as this. This is quite an unusual shape with its wide body and two small loop handles on opposing sides of its ...

Chinese Neolithic Xindian Culture Painted Pottery Jar

This rare pottery jar was made around 3,000 years ago by peoples of the Neolithic Xindian culture (c. 1200 - 500 BC). The Xindian culture is a relatively late Neolithic culture and overlaps with the Chinese Bronze Age. Xindian pottery is rarer and generally less refined, more coarse and brittle than pottery from some earlier Chinese Neolithic cultures. 

The lower body is quite wide and there is a tall neck ending with a flared mouth...

Shoda Koho
Moonlit Sea
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 9.75 x 7 inches.
Date: 1910-1938.
Publisher: Hasegawa/Nishinomiya Yosaku.
An early marginless edition as originally issued.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Two thin surface scratches - lower left and top. Top back corners have paper residue. Two small surface marks in water near right horizon.

An elongated bowl playfully decorated in vivid color by Matsuda Yuriko enclosed in the original signed wooden box titled Zukini Nagabachi. It is 49 x 16 x 7.5 cm (19-1/2 x 6 x 3 inches) and is in excellent condition.
Matsuda Yuriko is an avid exhibitor; it is a wonder she has time to do any work at all. Both within Japan (Nihon Togei Ten, Gendai Togei Ten etc.) and without she has an impressive list of exhibitions in a host of countries. She received the Yagi Kazuo prize in 1986 among ma...

Enigmatic Blue Lines like the singsong lilt of twilit vespers jag rhythmically across the surface of this deep bowl by Shigemori Yoko enclosed in a wooden box titled simply Ao-sen Hachi (Bowl with blue lines). It is slightly misshapen, as she almost always purposely off-threw her work, giving it a sense of dynamism. The bowl is 17.5 cm (7 inches) diameter, 9 cm (3-1/2 inches) deep and in excellent condition, enclosed in a box annotated by her brother Naoki.
Shigemori Yoko (1953-2021) was...

A crumpled news print from the New York Times dated 82-5 by pioneering Ceramic Sculpture Icon Mishima Kimiyo enclosed in the original signed wooden box. It is 25 x 14 x 13.5 cm (10 x 5-1/2 x 5-1/2 inches) and is in excellent condition.
Mishima Kimiyo was born in Osaka in 1932, and began her artistic career as a painter in the early 1960s. She started making collages with newspapers, discarded waste papers from printing companies, and old movie posters. As the materials she used for her co...

A radical Bizen Mizusashi with two lacquered wooden lids enclosed in a black lacquered wooden box with gold lacquer writing titled Samidare which is in turn enclosed in a kiri-wood storage box by the same title compartmentalized to allow the lids to be stored safely. Samidare is a poetic reading for Rain of the Fifth Month (June in the traditional calendar). It has a seal of overlapping rings impressed into the earth of the base, and dates from the Edo period. The lids are for differing event...

Kano School painting depicted Inkwash landscape/Suiboku Sansui. Painted with ink on paper. Signed Naonobu and sealed. It is attributed to Kano Naonobu.

Kanō Naonobu (1607–1650) was a Japanese painter of the Kanō school of painting during the early Edo period. He was the younger brother of Kanō Tan'yū, who was to continue the line and become one of the foremost painters of the school. Together with Tan'yu, Naonobu completed a number of prominent commissions for the Tokugawa shogunate...

Late 19th early 20th century blue satin silk woman’s wide sleeved upper garment (ao/shan). Excellent condition (appears to have never been worn) with glass buttons and greenish patterned lining. All hand sewn upper width: 118cm46in (sleeve end and to sleeve end), mid width 72cm/28in height 108cm/42in (top of collar to bottom)

Good Ming blue and white porcelain bowl with images of boatmen on a lake. Good condition- no cracks or chips. D: 13.4cm/5.6in and H: 5.1cm/2in.

LARGE RITUAL BRASS TRAY

Originally made and used as the traditional ritual tray for offerings in Korean Peninsula, early 20th century. Large and massive for this type. approx. D 17.5 x H 14.5 cm (6.88 x 5.70in). Slight stain due to aging, but in generally good condition.


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NAMU AMIDA BUTSU IN SWORD STYLE

Japanese Buddhist hanging scroll mounted with woodblock-printed paper talisman so-called 'Riken Myogo' ("Namu Amida Butsu" in sword style) as a chanting of homage to Amida Buddha written in sharp‐pointed font like the sword that protect from evil spirit. Showa period, 20th century. Mounting: 26.5 x 127.2 cm (10.43 x 50.07in). Worm holes as seen.


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A covered container made as an incense burner by Koyama Kiyoko slabbed and cored from Shigaraki clay and covered in glassy green motlen ash enclosed in the original signed wooden box. It is 13.5 cm (5-1/2 inches) diameter, roughly the same height and in excellent condition.
Koyama Kiyoko was born in Sasebo, Nagasaki in 1936. Following the second world war the family moved to Shiga prefecture, eventually settling in the pottery village of Shigaraki. She took a job as a ceramic painter's ...

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi. It is in perfect antique condition and comes with its original wooden box, a cloth bag (shifuku) and the attestation of a tea master inside.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides. La...

Amazing boro made of hand-spun and vegetable indigo dye cotton fragments. It used to be the lining of yogi, which is one kind of futon, in the shape of kimono. It is from the Japan Sea side district in Kansai, such as Fukui or Kyoto. It is partly sewn with hemp yarn. Late 19th to early 20th century. W:95cm, L:165cm

Bronze okimono depicting the study of a powerful tiger in a furtive position. The animal is represented with its legs bent, its tail curled upwards and its body in a lowered position just before launching the attack. The streaks of the fur, typical of the animal, are depicted in a masterful way and highlighted with a marked engraving. This okimono is signed Hideyoshi 秀義 under the belly. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 10 x 36 x 9 cm....

Okimono expertly carved from a single block of ivory depicting a hunter in the company of an Onagadori rooster. A child stands at the hunter's feet while he strokes the rooster's feathers. This okimono features the Yukiharu 之晴 signature in relief under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good