Superb Canton silk hand embroidered coverlet panel, circa late 1800-early 1900, featuring a turquoise background with an overall floral design, a centered peony, bordered with flowers in vases and bat motifs in vibrant shades of reds, greens and orange. The coverlet is made in two panels and measures 54" x 77". The linen backing has been removed showing only border remnants. The condition is near mint with minor fading of the background color. This piece is a beautiful combination of colors, des...

Description:

A wood Lohan was carved in sitting posture.
In simple form, the Lohan was well depicted on the wearing robe with delicately lacquered motifs.
He was finely preserved on the surface with enduring old patina, like the sheen of the old bronze. The patina was charming and was hardly found from the wood pieces.
Some defects were noticed on the decayed hands and at the bottom which were caused from long time of age. They can be easily overlooked comparing to the imposi...

A beautiful robins’-egg-blue gu-shaped vase with ring handles and engraved decoration by Ito Tozan with the original rosewood stand dating from the early 20th century (c. 1920). The pale blue bleeds to white over the high points of the decoration, the florals raised about the bulbous center and highlighting the rim and edges of the beast head handles. Meanwhile pools of dark shadow the fretwork emanating up and down the body. The vase is 12-1/2 inches (31 cm) tall plus the base and is in ex...

Description:
A pair of Jizhou tiger toys were excavated in original condition.
It is very hard to find genuine Jizhou wares with tortoisshell glaze.
It was unique too to find them in pairs even though they're dolls.
And most importantly they were in obvious condition for authentication.
The buried deposits were firmly left here and there on the surface.
And the glaze were partially crackled due to age.
The body clay were light brownish with soft matrix quality.
W...

From our Chinese Blue and White Collection, an absolutely superb Kangxi Mark and Period Charger, 1662-1722, depicting an elegant lady in a garden pavilion tending to a lit censer while her servant stands adjacent with a ruyi-shaped fan. An egret flies overhead and two rabbits sit in the foreground beneath a banana leaf plant. On the outer rim, there are four cartouches of other elegant ladies interspersed with four cartouches of flowering plants, all separated by key fret reserves. The reverse d...

Description:

A charming white jade belt hook was exquisitely carved in dragon's head shape.
By the precious Hertien pebble quality, the jade piece was reflected with fine greasy-feel sheen on the surface.
Characteristic old jade's tissues were revealed under the reflection when some incursions were occurred to the material verifying its authenticity.

Date: Ming Dynasty ,1368-1644

Length:8.3cm, Width: 1.3cm, Weight: 30 grams.

Condition: Perfect.

Hand spun, hand woven Japanese Tsumugi silk obi. This obi was made from a full obi roll without being cut; the front fabric was turned into the back and the sides of obi were simply sewn together without padding inside. The design area covers exactly half of the front. New Condition (almost). Dimensions: 11 3/4" x 10'8" (128")

This is the upper part of a kamishimo; samurai's formal attire without the trousers. It was worn over a kosode (kimono with small sleeves) with trousers. The texture is hemp like; coarse, slightly translucent, thick threads (thicker than other kamishimo). The family crest is the feathers of a hawk. Kami-shimo (upper-lower) that we currently have are quite dandy and fashionable. The amazing thing is the work that is involved when making these fabrics. You can make a kamishimo top into a g...

Beautiful antique Chinese porcelain bowl, underglaze painting of flowers, interior of bowl painted with pomegranates, six side foliate, Ching dynasty- Tao Kuang (1821-1850). Size: 3 1/8" high x 7" wide.

From our Early Chinese Collection, a very fine Ming bronze of Guanyin, 16th-17th century, crisply cast with a wonderfully serene countenance, a tiered and pierced diadem (crown), urna on the forehead signifying divine sight, body jewelry, and seated with right hand in verada mudra upon a double lotus base. This piece has developed a nice deep brown / dark gray patina with several areas of greenish verdigris suggesting high copper content to the bronze. We think this piece compares well with tw...

Matching pair of Japanese Imari porcelain jars of inverted pear form covered with a high domed lid topped with a round chrysanthemum bud form finial. The vertically ribbed body is decorated in underglaze cobalt blue and overglaze rust-red enamel and gilt highlights. A large panel on the front features two shishi on opposing sides of a prominent floral pattern while the back holds a smaller cartouche with a bird and flower motif. 18-petal chrysanthemum (kiku) mon are also set against a backgro...

Long Chinese/Tibetan rug, made of wool, woven with design of 5 dragons and swirling clouds on rust color ground, circa first quarter of 20th century. Size: 181" long x 32" wide

From our Japanese Collection, a fine and large eight-sided imari charger, Meiji Period 1868-1912, depicting a flower basket beautifully executed in traditional palette of iron red, orange, blue, and gilt on a white porcelain body, and as a lovely extra on this particular piece, the addition of Kakiemon-style greenish turquoise enamel highlights in the corners and tastefully interspersed throughout the design. Floral and cloud motifs appear on the reverse, along with 6 spur marks from the kiln s...

From our Southeast Asia Collection, a lacquerware masterpiece from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the yun style, an extremely labor intensive craft where ...

From our Indian Subcontinent Collection, a large and fine vintage thangka, either Tibetan or Nepalese, executed in a subdued yet very elegant palette emphasizing substantial gold use, along with blue, coral, gray, brown, taupe, white, and light green, all painted in an unusually meticulous and finely detailed fashion that is almost more like satsuma workmanship than typical thangka painting. For those who enjoy the look and spirituality conveyed in thangka paintings but do not care for the gaudy...

Stunning 19th Century gilded wooden structure from Burma (ca. 1858, Mandalay) resembling Palace Throne. Composed of several large individual hand carved pieces, easily assembled and suitable as stunning large Mirror or entrance/passage into special alcove/room. High quality gilding. Good condition. Size: H. 114" x W. 71" Very rare, high impact!

Original Painting by Thai Artist Jantana Jaembai, signed and dated Buddhist Year 2532 (1989 A.D.), depicting a Siamese Princess and her entourage making merit at a temple to the Lord Shiva. Size: H. 11" x W. 8", available framed or unframed.

This is an old mitsuore ningyo (triple jointed doll) from the Meiji period (1868-1912) or possibly earlier (late Edo period). The body of this doll was made with the Ikkanbari method. In this method, layers of washi (Japanese paper) were glued (lacquered) together over a wooden mold to form the shape of the body parts. It was then coated with layers of gofun, the mixture of ground oyster shells and animal glue. The eyes of the doll are painted from the inside, the arms can be shaped to a c...