Art deco free flowing Japanese bold style 'wagumi' bamboo flower basket. Not signed but definitely a masterpiece. Ca. 1930. Bamboo inset with lined copper. H:42cm; W:29cm. Great condition. Ask for shipping quote.

Lovely serene buddhist Jizo bodhisattva diety with almost a knowing smile breaking. Carved out of granite in the Late Meiji Period. H:32cm; W:19cm; depth 13cm. Ask for shipping quote.

Fine Large Chinese Qin / Western Han Dynasty Burnished Pottery Cocoon Jar with Oxford TL Test

This wonderfully-shaped pottery jar was made during the early part of the Western Han Dynasty (206 BC - AD 8) or possibly as early as the Qin Dynasty (221 - 206 BC). This type of jar is often referred to as a "cocoon jar" due to the shape of its body. The shape, named after its similarity to the silkworm cocoon, evolved during the late Warring States period (475 - 221 BC) and then generally died out...

Rare Chinese Han Dynasty Glazed Pottery Hill Jar (Tigers, Stags, Horsemen)

This rare and unusual pottery vessel, the type known as a "hill jar", was made during the Eastern Han Dynasty (AD 25 - 220). It is made from a relatively high-fired reddish pottery that has been coated in a green glaze, the colour of which varies according its thickness.

Although many examples of "hill jars" are known, this particular example is unusually decorated. The cover depicts various peaks in between whic...

Fine Large Chinese Tang Dynasty Glazed Stoneware Jar (AD 618 - 906)

This fine and attractively-shaped high-fired jar was made during the Tang Dynasty (AD 618 - 906). It is quite "heavily-potted" and has a pale grey, almost white porcelaneous body. The flat base is relatively small from which the body expands outwards to quite a bulbous shape, and then in again to a fairly narrow neck with a rolled rim to the mouth. The upper outer surface and inner mouth have been coated in a finely-crackled...

A set of Burmese amulets in lacquered wood and gilded with gold leaf.
It is believed that this type of statuette had special powers due to the paste made from sacred ashes and medicinal herbs, which was inserted into the hole in the base of the statuette and carried by healers.

Age: Burma, Mandalay Period, 19th Century
Size: Height 5 - 9.5 C.M. / Width 4 - 5 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlarg...

Kishimoto Kennin at his best, deep in the clay of Iga, a slightly misshapen vase covered in a splash of ash glaze and dark charring, one side flattened down like a beret, a single drip of crystalline jade clinging to the rim. The vase is 29 cm (just under 12 inches) tall and in perfect condition, enclosed in the original signed wooden box.
Kishimoto Kennin has been working with clay since the 1950s, devouring styles along the way. Shino, Seto, Oribe, Iga and Celadon, all very different a...

Japanese bronze mirror with stand.

Age: Japan, Showa Period, Early 20th Century
Size: Diameter 14.8 C.M. / Height 24.7 C.M.
Size including stand: Height 34 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A set of Burmese amulets in lacquered wood and gilded with gold leaf.
It is believed that this type of statuette had special powers due to the paste made from sacred ashes and medicinal herbs, which was inserted into the hole in the base of the statuette and carried by healers.

Age: Burma, Mandalay Period, 19th Century
Size: Height 4.8 - 9.4 C.M. / Width 4 - 5.2 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the en...

Intricately carved clay adorned with a complex and multi-layer Oribe glaze, this piece is one of the best I have encountered by this talented and multifaceted artist. Though Oribe dates back to the 15th century, Tsukamoto has managed to keep it fresh and engaging for his many fans.

A native of the city of Toki in Gifu Prefecture, from 1977 he studied under Harukiyo Nonaka and was trained in the techniques of Shino ware. A year later he graduated from Aichi Prefectural Se...

LARGE Chinese Western Han Dynasty Painted Pottery Hu Jar

This large and imposing jar, of "hu" form, was made during the Western Han Dynasty (206 BC - AD 8). It is made from a fairly high-fired grey pottery. It has a particularly wide body with a tall neck that flares out into a wide mouth. Interestingly it has a convex base within which are fabric impressions, the flared foot having then been luted to the body prior to firing. There are three raised bands of decoration surrounding the body: ...

Antique Samurai drinking vessel with red lacquer and wooden stopper in excellent condition. The hand made cord tassels complete the set.

Dark old patina due to its age enhances its historical beauty. The sake gourd was a common attribute of the Samurai, it was traditionally attached to the waist by a cord.

In Japan, gourd or "hyotan" is a symbol of good luck or success.

Symbolic belief of gourd in Japan has existed for a long time. Based on the Japanese history, Hideyoshi...

Striking Japanese sweets shop sign with the kanji 'ame' sweets and the name of the store ' Koko Ame Ya' written on the bottom in stylized kanji. Koko means 'with the intention of doing good for all'. 16" tall by 13" wide. great condition. Ask for shipping quote.

Japanese shin hanga woodblock print titled "A Glimpse of Ueno Park" by Hiroshi Yoshida (1876-1950) dated Showa 12 (1937). First edition impression with "jizure" (self-printed) seal in the upper left margin. The artist's black ink brush signature and red seal is at the lower right with the pencil-signature in the margin below it. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #218. Paper measures 16 1/8" x 11" (image size: 14 3/4" x 9 3/4"). Very ...

With a masterfully applied black Raku glaze and a noticeable aesthetic of austerity and stillness, this piece is what is refereed to in Japanese as an “utsushi” or what we might call in English a “tribute piece.” Such pieces are typically made by all Raku potters, regardless of the kiln and tradition, and seek to emulate famous works from the early masters over 400 years ago—in this case, a tea bowl created by the brother of the second Kichizaemon, Tanaka Somi, born sometim...

Plum Tree. Painted with ink on paper. Signed and sealed.

The piece has been restored and remounted, so some traces of restoration are present, otherwise it is in excellent condition. It is accompanied by a paulownia wood storage box, which is slightly damaged.

Painting: W8 5/8” x H37 3/8” (W22cm x H95cm)
Scroll: W13 5/8”x H67 3/4” (W34.5cm x H172cm)

Written on the box in Japanese script are the words “Awai Sakura Yu” translating to English as “Pale Cherry Blossom Glaze”—amply describing the appearance of this unique and frankly stunning work of Kutani pottery by artist Nakata Kazuo. Reminiscent of pieces by well-known artist Ōno Hakuko, there are striated lines of silver leaf running vertical below the surface of the glaze, interrupted in places, allowing the eye to wander across the entire surface. Soft and inviting,...

Rare Chinese Neolithic Pottery Tripod with Oxford TL Test

This fine and interesting pottery vessel was made over 3,000 years ago during the Chinese Neolithic or early Bronze Age. The form is of a cooking vessel and the three wide udder-shaped legs allow it to be stood in a fire with as much heat as possible being transmitted to its contents. It is not always easy to determine exactly which culture such vessels come from as similar vessels were made by various Chinese cultures. However, we un...