Lovely hand silk embroidered alter “skirt” with the Eight Chinese Immortals and three double happiness roundels at the top. I recently acquired this with a group of other vintage textiles; this is in perfect condition with a lovely palate of colors. Late 20th century, this would have been hung in in front of a temple altar table’s legs. H: 100cm/40in x W: 94cm/37in. Appears never to have been used.

Good Shiwan censer with beautiful and subtle white flambé moon white glaze circa late 19th or early 20th century - there is one hairline on the rim noted in enlargements. D: 15cm/5.8in and H: 9cm/3.5i

Lovely ceramic amber and green sancai glaze fish offering from the Ming Dynasty. These were put on small pottery altar tables and interred with ancestor to provide for them in the afterlife. Good condition , no damage. L: 10cm/4.9in.

Lovely ceramic amber and green sancai glaze fish offering from the Ming Dynasty. These were put on small pottery altar tables and interred with ancestor to provide for them in the afterlife. Good condition , no damage. L: 10cm/4.9in.

Rare Chinese Northern Wei Dynasty Glazed Pottery Stove (AD 386 - 534)

This very rare pottery model of a stove was made during the early Northern Wei Dynasty (AD 386 - 534). It is "heavily-potted" and made from a reddish pottery that is highly-fired and coated with a dark amber glaze that has been applied unevenly and has degraded in places. To the top of the stove are various items of kitchen ware, although they are indistinct as the moulding is not very crisp and the glaze is quite thick i...

New Reference Book: Classical Chinese Furniture – Marcus Flacks

Unlike other Asian cultures of the 17th and 18th centuries, the Chinese did not sit on the floor. The simple fact that the Manchu invaders imported highly flexible furniture from their yurts influenced the development of Chinese design and decorative arts. Within a few years of the Manchu invasion, Chinese craftsmen combined their highly refined design aesthetic with extraordinary exotic woods, veneers, and lacquer to create s...

Chinese Southern Song Dynasty Moulded Qingbai Porcelain Vase

This attractive pear-shaped vase was made during the Southern Song Dynasty (AD 1127 - 1279), most likely at one of the kilns in Fujian province. Interestingly it is made in several sections that have been luted together. The mid section is decorated with a scrolling lotus blossom pattern, below which is a repeating lotus leaf pattern. It is coated in a finely-crackled pale greenish-blue qingbai glaze of good colour, the colour at i...

Very finely crafted repoussé and pierced silver gold washed medallions depicting the He He Erxian Twins. This was most likely sewn onto a garment- possibly part of wedding outfit. Good condition no damage; some gold has rubbed off as typical with old gold washed jewelry. (6.5cm x 3.5cm, 4 grams). Late Qing Dynasty circa 1890-1910. Free shipping.

Large furoshiki made of hand spun cotton and vegetable indigo dye. It has tsutsugaki (freehand drawing with paste-resist-dye technique) crane and turtle motif. Used and has some stains and tiny holes. The second half of the 19th century. The crest is "Ken-ni-Katabami Mon, (sword and oxalis). W:132cm, L:145cm

Vintage teak Buddha, carved around 1980/90, traces of pigment and signed at the bottom in Burmese script, in the classical Pagan style. H: 14cm/5.5in and base W: 9.5cm/3.9in. Sculpturally very well proportioned. Free shipping

Qing Dynasty, rare (no one I know has seen one before), silver amulet with a rat (definitely not a mouse). 2020 was the Chinese Lunar Calendar for the Metal Rat so this being a silver piece represents a full 60 year lunar cyclical completion this year. In Chinese society the Rat is considered clever, cultured, shrewd and intelligent although a bit manipulative (Mark Zuckerberg is a Rat). The reverse side wishes the owner “May you live 100 years”. In Hinduism the, the Rat aka Anindya is the v...

Lovely traditional red silk satin child’s jacket with floral sprigs, circa first half 20th century, maybe even earlier. Excellent condition, except for the trim all hand embroidered and hand sewn. Old commercial trade cloth cotton lining. Would look good as a wall hanging. Width straight across shoulder 63cm/24.8in and H: 37cm/14.5in. Free shipping

Late 20th century emulation of a Song Dynasty of Guan Yao glazed vase. If you don’t have $2000,000 for an original this the nest best thing. Excellent condition with fine celadon glaze and well potted. H: 21cm/8.2in and D: 14cm/5.5in.

Chinese Neolithic Twin-Handled Pottery Jar - Qijia Culture (c. 2050 - 1700 BC)

This attractively-shaped pottery jar was made around 4,000 years ago by peoples of the Neolithic Qijia Culture (c. 2050 - 1700 BC), from what is now eastern Gansu province, China. It is very thinly-potted and quite highly-fired, having an almost "metallic" ring to it when tapped. There are two "strap" handles joined at the waist and mouth edge. Much of the upper surface is coated with a thin layer of "calcified" s...

Chinese Song / Yuan Dynasty Glazed Stoneware Jar

This sturdy storage jar dates to the 12th - 14th centuries. It is quite "heavily-potted" and has a rolled rim with four loo-handles speared equidistant around the shoulder. The streaky yellowish-brown glaze falls short of the unglazed base. Most likely it was made for export to south-east Asia.

Height 15.5 cm. There is an old crack to the mouth that has been stabilised; otherwise it is in good condition.

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Good early Yuan Dynasty Qingbai bowl from a Jingdezhen kiln. This has a porcelain quality body with a clear bell like ring when tapped. The “spinning lines” that spiral up to the rim, are quite unusual and actually give it some grip when holding the bowl in both hands- ideal for using it as a “chawan” in a Japanese tea drinking ceremony. There are no cracks or warpage but there are couple of chips on the rim and foot-please examine enlargements, also there are traces of Chin...

Shien
Temple in Snow
Date: 1930s-1950s.
Publisher: Watanabe Shozaburo.
Size: Approximately 6 x 4 inches.
Sealed by the artist at lower left.
Medium: Japanese woodblock print.
Condition: Near bottom small indentation in snow and lower margin bump.

Meisen haori (jacket) with dots pattern, which are double kasuri. Both warp and weft kasuri yarns are stencil-resist-dye. It has hand-braided cords in front. Mid 20th century. Generally, in good condition except for a few stains in the white silk lining. W:123cm, L:90cm