Height: 12.7 cm (5.1 in)
Width: 7.7 cm (3.1 in)
Depth: 4.2 cm (1.7 in)

Fine Japanese Satsuma moon vase; shows two panels of nobles and samurai in rural settings; the edges, along with top and bottom borders, are decorated in raised gilt diaper work; collection number and old label present on the base; good condition

A Blue and White Snuff Bottle. Decorated with a scaly Dragon coiled around the cylindrical body. Chinese C1820/60. Height: 7.5 cm. Condition: perfect. There is a group of bottles with the same unglazed base with ring marks from the potting and with similar decoration. Jingdezhen 1820/60. See, 'Chinese Snuff Bottles from the collection of John Ault', by Robert Kleiner, No. 185

An Attractive Archaic Bronze Tripod Censer and Cover. The body cast with Taotie masks on a key fret ground. The pierced cover with a well cast Dog of Fo. His left paw resting on a ribboned brocade ball. Chinese 19thC. Height; 7 3/4" (19.6 cm). Condition; both handles have been reattached with solder

Momoyama period (1568-1600) Ko Karatsu Sake Cup with beautiful greenish glaze.
Shallow body with reddish unglazed base typical for Momoyama period.
Painted with iron pigment at the mouth on one side. It was more likely unearthed and repaired long time ago.

Size
Height 3.5cm
Width 13cm
Weight 175g

Condtion
Repaired with kintsugi

Karatsu ware, also known as "Karatsu-yaki" in Japanese, is a traditional style of pottery that originated...

Chogappo made of fragments of ramie which is recycled from old textiles. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). Both warps and wefts are hand-plied. Hemp or ramie ones are for wrapping summer clothing. In excellent condition except for a mending and two pin...

Height: 6.6 cm (2.7 in)
Width: 6.8 cm (2.8 in)

Chinese porcelain blue and white Kangxi Period lidded pot; floral decoration throughout; minor internal lid frit; good condition

Small jar. Slender body with short, cylindrical neck and wide mouth. On the shoulder four lugs. Upper two third of the body covered in a dull brown speckled glaze. Thailand, Sukhothai, 14-16th century.
Height 11½ inches.
One small chip underneath rim, missing areas (mouth and shoulder) in glaze, generally in very good condition.

Nan brown glazed jar with double mouthrim. Nan is a Northern Thai ceramic which kilns were found in Nan province.

Ages: Thailand, Sukhothai period, Nan kiln, circa 14th-16th century

Measurement: Height 23.5 C.M. / Diameter 20 C.M.

Condition: Nice condition overall (some repairs on mouthrim, and a minor chip on the base). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the ship...

A nice stoneware plate in off blue and white with two fish swimming among water plants. Probably from Northern Thailand or Vietnam. Size: Diameter. 31cm. H. 7.7cm. Condition: Some of the glossy is gone and there is one chip on the rim. See photos.

Taisho Period Japanese Bronze Tear Drop Vase with original box. A classic shape with a gorgeous caramel patina. 8 inches (20.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Vintage Korean front opening bandaji (storage chest) decorated with white brass hardware incised with fish and yin/yang designs. The front drops open to reveal three interior drawers and a removable shelf above a large hidden lower compartment. Complete with the original functioning key and lock, which is finely incised with a calligraphy motif. Side carrying handles. Appears to dates from the first half of the 20th century. 31 ½”H x 38 ¼”W x 17”D. Very good overall condition. Th...

Creamy glazed Samkanpaeng dish with plain design. Northern Thai Ceramic, Sankampaeng, kilns were found in Chiangmai province.

Age: Thailand, Sukhothai Period, Sankampaeng kiln, 14th-16th Century
Size: Diameter 26 C.M. / Thickness 5.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Edo Period Japanese woodblock print triptych by Kunisada II (1823-1880) titled "Moon" from the series "Snow, Moon and Flowers" published by Yamamotoya Heikichi in 1852. Each panel bears the signature "Kunisada ga", a publisher's seal, date and censor's seals (see enlargement 7). Each panel measures nearly 14 1/4"V x 9 7/8"H. Very good overall condition. The triptych is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains. There is an ink spot on the b...

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting actors portraying a scene from the kabuki theater. Published by Yamazakiya Seishichi in 1855. Each panel bears the signature "Toyokuni ga" in a red cartouche with yellow snow, a publisher's seal, date seal, and censor's seal (see enlargement 5). Each panel measures about 14 1/2"V x 9 3/4" - 10"H. Very good overall condition with margins. The triptych is not backed and the baren marks and image are cle...

A spectacular Meiji Period Satsuma vase by Kinzan I. In 2001, the Kinzan kiln was designated a National treasure by the Japanese government. The Kinzan kiln pioneered and developed unique gilding techniques, such as underglaze gold leaf. This rare vase is a wonderful example of Kinzan's mastery. Height: 10.5 inches (27cm), circumference: 21.75 inches ((55cm).

A set of seven (7) miniature paintings on canvas of winged Tibetan protector deities and gods surrounded by flames including Vajrapani and Yama Dharma Raja. Four (4) of the miniatures are finely executed line drawings with color washes on a light-weight canvas. These four appear to have been done by the same artist and are of approximately the same size. The other three are painted on a heavier canvas - two of which are painted in full with darker pigments. The last of the seven is a red line...

Early 1900 Japanese silk fukusa featuring a turtle and a crane. Techniques used to create this wonderful fukusa are sumi-e hand painting, yuzen resist dying, some embroidery, and gold foil couching. On the reverse is red rinzu silk with crane and mons motif. Two original tassels are still intact at the bottom. There is a small cluster of tiny gray spots by the crane, see last photo. Otherwise, in very good condition/excellent, it measures 25” wide x 27” high.

Osvald Siren: Chinese Painting: Leading Masters and Principles. Part I; The First Millennium (3 vols.), London: Lund Humphries/New York: Ronald Press, 1956.
Vol.I: Early Chinese Paintings (xi+235pp., colored frontispiece and b/w ills.)
Vol.II: The Sung Period (vi+189pp. and annotated lists 95pp., colored frontispiece and b/w ills.)
Vol.III: Plates (xviii pp., 372 b/w plates).
Bound with red cloth, gilt title to front board and spine. With slip cases. 28.5x23cm.
Books very g...