A nice (Adze)stone tool used during the early neolithic period in Southeast Asia. Originally the stone was attached to a wooden handle. Size: L. 20.5cm. W. 7cm. H. 2.3cm. Condition: Small chip at the cutting edge.

Takahashi Shotei (Hiroaki)
Spring Snow
Size: Approximately 15.0 x 6.75 inches.
Date: pre-1936.
Publisher: Watanabe Shozaburo. No. 244 in 1936 Watanabe catalog. M-35 in Shotei catalog.
"Made in Japan" stamped on verso.
Condition: A few faint spots on the back and very slight toning.

Of oval shape with lovely feet in the shape of leaves (lotus ?). The inside richly decorated with panels with trmple gardens, flowers and butterflies. Originally this bowl was part of a large dinner service, commisioned by the Dutch East-India Company. Dimensions: 31x24x8 cm. Condition: one chip of 1x0,5 cm, otherwise perfect.

With a sturdy foot firmly grounded, the upper rim of this piece rises and falls, somewhat reminiscent of a mountain path. Combined with the plum blossoms floating on the white background, these elements together suggest balance and harmony.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe (as pictured here) with their jet-black glazes and feldspar ornamentation tend toward the minimalistic, abstract; and, some would say, Zen-l...

Kawase Hasui
Snow at Itsukushima.
Publisher: Watanabe Shozaburo. No publisher's seal but clearly on old paper.
Bears the Hasui signature and seal.
Date: 1932.
Size: Oban. Approximately 15.5 x 10.5 inches.
Condition: Very good. Edge of right margin is toned.

Japanese limited edition sosaku hanga “kappa-ban” (stencil print) on crumpled hand-made momigami paper by Sadao Watanabe (1913-1996) titled “The Crucifixion.” The black and white image of Jesus nailed to a red cross is set against a blue background. Mary and Saint John kneel in prayer at each side. The print is signed and dated 1980 at the lower right and numbered 11/80 at the lower left, all in white ink. The paper measures about 26”V x 23”H. The print was not previously framed...

A stone carved Han lion scratching his ear used as a weight. These weights were used to hold down the corners of tents and other tied down items.The ropes were tied to the leg that is scratching the ear. Size: L.20cm. W. 9.5cm.Condition: No repairs. Normal wear.

A intricately formed obidome (kimono rope ornament) of a golden woven basket overflowing with chrysanthemums of silver and golden tones. Chrysanthemums are a symbol of steadfast friendship. Signed by the artist. Size: W. 4.3cm. H. 3.3cm. Condition: Natural ageing. No repairs.

Done in the Annan style which is a Japanese adaptation of porcelain-wares imported from a region of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea devotees and this enthusiasm continues into the modern day. The scene portrayed on the tea bowl is the classic image of the “shichikenjin” or the Seven Sages of the Bamboo Grove.

Although reports vary, it is generally thought that...

A decorated covered bowl from the Arakan State. The bowl is in two parts with three clawed foot stand.These bowls were created mostly for Buddhist votive use. Age: Late 19th century. Size: H. 42.5cm. W. 28.5cm. Condition: No repairs. Some loss of the glass inserts from age.

Toshi Yoshida (1911-1925)
Crabs
Date: 1925.
Size: 11.25 x 6.0 inches.
"Toshi" Japanese signature and seal.
Pencil signed and titled in English.
Condition: Excellent. Small tape remnants at top back.
This is the first woodblock print created by Toshi Yoshida. He was 14 years of age.

The image of the brush-drawn circle, known most commonly as the “enso” of Japanese Buddhism, has long been a symbol of strength, elegance, and the simultaneous being and nonbeing (mu) of the universe. A closed enso is associated with the idea of perfection while an open enso represents movement, fluidity, and attainment in the corporeal world. In this composition by veteran Mino potter Takuzo Mizuno, we can see an open enso done in thick feldsparic glaze on a classic background of nezumi Shi...

Ohara Koson (Shoson)
Cockatoo and Pomegranate at Night
Size: Chuban. Approximately 10.5 x 7.25 inches.
Date: ca. 1930.
Publisher: Watanabe Shozaburo.
Shoson signature and seal.
Medium: Japanese woodblock print.
Reference: AS.27 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

A very rare ancient necklace made up of ten silver medallions (coins) from Southeast Asia dating back to over 2,000 years. The necklace can be separated to make two necklaces five silver medallions. Size: See last photo.

Ito Shinsui (1898-1972)
Early Spring.
Date: 1930-1931.
Size: Approximately 14.5 x 9.75 inches.
This famous woodblock print was an insert of the Jiji Newspaper Company.
Artist's signature and seal.
Medium: Japanese woodblock print.
Condition: A few spots in the background as shown. Still faintly has the original center folds.

DESCRIPTION: A lovely Chinese bamboo-framed cabinet having painted scenes of bamboo and birds on a yellow ground. The rectangular top is mounted over a door that opens to an interior cabinet with three shelves. A delightful piece for the bedroom or country/cottage interior, 20th C. Good condition with minor wear. DIMENSIONS: 35.25" H x 20.5" W x 14.5" D.

A gilded bird with stand in relief molded lacquer, gilded with inset colored glass. The bird is the symbol of Burma. Age:late 19th century Size with stand: H.22cm. L.23cm. W.13.5cm. Condition: No repairs

This finely crafted Japanese yakkan (copper teapot) shows the kind of beautiful patina that can only be achieved with time and careful used and looks to date from the Meiji period of the late 1800s.

The brilliant rich auburn color of this type of metalwork is achieved by adding smoked straw during the firing process and often deepens in character over time. The resulting stained metal canvas makes the perfect backdrop for the decorative autumn grasses, flowers, maple trees, and drif...