A rectangular and exceptionally designed top horse saddle rug or seating mat made of wool in knotted pile. Centrally two flying birds, between them quite invisible Chinese characters, bordered by swastika pattern. Lined and edged with different blue fabrics. Condition: faded, few small areas with missing pile (moth damage). Dimension total: 77.5 cm x 62.5 cm.

Width: 11.8 cm (4.8 in)
Height: 7.8 cm (3.2 in)

Chinese porcelain famille verte floral bowl with birds; raised carved decoration; Guangxu mark to the base; good condition

Five 19th century Chinese School export paintings showing a torture, punishment or execution scene. Painted with watercolor on peepal leaf, fixed with an iridiscent glaze, individually framed in a later red lacquer frame. Condition: fine, few traces of usage. Dimension: frame: c. 19.3 x 16.5 cm, leaf: c. 14 cm high.

Height: 4.2 cm (1.6 in)
Width: 3.2 cm (1.3 in)
Depth: 1.8 cm (0.7 in)

Very high quality wooden mask netsuke depicting Okame; fine carved modelling throughout; signed to the reverse, Ryukei; good condition

Framed Japanese woodblock theater triptych, circa 1860. In good condition, it has not been examined out of frame, but the prints appear to be loosely attached. The 3 prints measure as seen, site size: 27.75 x 13.5 site, Frame measures: 32.5" x 18.25" . Please note this is shot through glass and there are some reflections, the prints do NOT have white spots or white streaks.

A Pottery pouch covered in polka-dot silver glaze inspired by traditional textiles by pioneering female artist Tsuboi Asuka threaded with genuine silver couched chord and enclosed in the original signed wooden box. It is 11 cm (4-1/4 inches) tall and is in excellent condition.
Tsuboi Asuka was born in Osaka in 1932, but the family moved to Tokyo when she was 12. She graduated the prestigious and progressive Jiyu Gakkuen (A progressive girls School established in 1921) then moved to Kyot...

DESCRIPTION: A large, non-damper opium pipe, consisting of a long bamboo tube terminating at one end with a bowl of brass and copper overlay acting as the saddle, socket and damper. A tapering brass tip finishes the other end. Around the bowl is a double flower design in copper and brass, and on each side is a decorative brass fish with scales. Attached along the bamboo stem are lengths of braded yarn, one of which terminates in a brass ring for hanging. Purchased from the collection of Jean-P...

Height: 9.3 cm (3.7 in)
Width: 3.5 cm (1.4 in)

Fine and precisely gilt Japanese hundred-faces vase; square in section with four panels of Hotei depicted in various settings; fine diaper and border-work throughout; minor gilt loss; signed; good condition

Width: 2.8 cm (1.3 in)
Height: 2.7 cm (1.2 in)
Chinese bronze seal in the form of a Chilong; some surface rusts present

Width: 6.6 cm (2.3 in)
Height: 3.6 cm (1.4 in)
Depth: 5.5 cm (2.2 in)

Fine Chinese carved hard stone / white jade libation cup in the lotus form; floral depictions proud on the sides; good condition

Chogappo made of fragments of ramie which is recycled from old textiles. Pojagi is the general name for the wrapping cloth and "chogappo" is one kind of pojagi which is patchworked with asa (choma or hemp) fragments. (Reference source: "Korean Embroidery and Wrapping Cloths from the Choson Dynasty" published by Japan Art & Culture Association in 1995). Hemp or ramie ones are for wrapping summer clothing. In excellent condition. Late 19th to early 20th century. 100cm x 104cm

A striking sake set by Okushima Keiji consisting of a glass Tokkuri embedded and a glass Guinomi sake cup mixed with porcelain and lacquered inside with silver leaf, each enclosed in their original signed wooden boxes. When I first saw his work, although made of glass, I had the impression that it was made by a potter, and Keiji attempts to bridge these mediums, with the addition of lacquer and gold/silver leaf, applied, baked, charred, to create art works never before seen. The Tokkuri is 15 c...

Playful imagery shines vibrant on this white porcelain tea bowl by female artist Takahashi Aki enclosed in the original signed wooden box titled Gold Sai Chawan. It is 12 cm (5 inches) diameter, 8 cm (3 inches) tall and in excellent condition.
Takahashi Aki was born in Kyoto in 1976 and graduated from Saga prefectural Arita College of Ceramics in 1999. In 2003 she was first awarded at the the 2nd Developing Young Artist Craft Competition, before going on to further study. In 2006 she c...

An elegant porcelain incense burner of draped form by porcelain master Kubota Yasuyoshi enclosed in the original signed wooden box titled Seihakuji Ryusen -mon Koro. It is 15.5 cm (6 inches) to the top of the finial and is in excellent condition.
Kubota Yasuyoshi was born in Hitoyoshi, Kumamoto on the Southern Island of Kyushu in 1952. He was awarded top prize at the Yamaguchi Ceramics Exhibition in 1982, and since has been awarded at the National Ceramics Exhibition as well as the Nati...

Japanese blue and white glazed imari plate with dove on peony branch, Edo Period (19th century, two very minor cracks at rim, beautifully painted. 11 3/4" wide x 1 3/4" high.

Finely hand carved Japanese Obidome in the shape of a Hannya Noh mask with horns and shiny metal eyes. A Hannya mask in Noh represents a mad woman who turns into a demon out of jealousy. She is vicious and haunts the “other woman” to death. The term, 'Hannya' is used today by a husband who happens to come home late without good enough excuses. He could say (to his buddy) that his wife looked like a Hannya mask when she greeted him at the door.

Obidome is an accent piece used on the ...

This is a representation of Shotoku taishi (574 A.D.-622 A.D.), the young princely protector of Buddhism in Japan. At the age of twenty, he reorganized Japan by promoting Chinese Confucian and Buddhist principles. His well known "Constitution with 17 Articles" was the first written law of Japan. The articles begin by emphasizing the importance of harmony, which is still the foundation of the Japanese culture. The figure is from the Kutani kilns, 7 inches tall

Miniature shrine with inside the sitting figure of Dainichi Nyorai. He sits on a lotus base, in front of an open-worked halo. Written on top, probably in red lacquer, underneath a thick layer of soot: Dainichi. Height 2 ¾ in. (6.8 cm). Japan, Edo period, 19th century. Outside: some tiny lacquer chips at edges of one door. Inside: some of the outer lotus petals missing, otherwise very good condition. Very finely carved.