Lavender and aquamarine coat the surface of this vase from the Kairakuen Kilns of the Ki branch of the Tokugawa family dating from the 19th century. The circular window between floral scrolls is made in the shape of the archaic character Kotobuki. The vase is 18 cm (7 inches) tall and in excellent condition, and bears the Kairakuen seal impressed into the base. It comes enclosed in an old kiri-wood collectors box titled Kairakuen-ki Juji Moyo Kabin (Kairakuen Vessel decorated with Character of f...

Katsugi or Kazuki which is worn over the head down and fully covers the body, which is made of hemp, whose wefts and warps are hand-plied. Originally, the kazuki was worn by a noble woman when she went out from Heian to Kamakura period (about 9th to 13th century) over kimono. The collar is lowered to cover a head. This one is probably made in early Meiji period (the latter half of the 19th century) in Shonai region in Yamagata Prefecture and worn at the wedding. It has nice painting of the scene...

Kishi school neko tora tiger in the bamboo. Painted with ink and pigments on silk. Signed and sealed. Circa 19th C. Edo era.

In the 18th century, the activities of Maruyama Okyo (1733-95): Maruyama School painting and Matsumura Goshun (1752-1811) are well known. The Maruyama school had an easy-to-understand and decorative painting style based on sketching, and had a great influence. On the other hand, Ganku (1746 or 1856-1838), who is said to have been born in Iwasehama (Toyama City in Ja...

A bucolic scene of temples and rugged seaside hills dotted with pagodas in silver and gold wraps around the black surface of this deep tray dating from the Momoyama to early Edo period (16th-17th century). It is 27 cm (10-1/2 inches) diameter, 8.5 cm (3-3/8 inches) tall. The bottom has been re-lacquered at some time in the past. There is wear and cracks to the inside typical of age and use, and the rim has been re-done in gin-dame powdered tarnished-silver, which blends well with the ancient ...

Zen calligraphy: 花開萬国春(Hana Hiraku Bankoku no Haru) - A single flower opens and announces the arrival of spring to the world. Painted with ink on paper. Sealed.

The meaning of the word "flower bloom(花開)" in Zen wording is to become free of mind. It signifies the splendor of eternal time that can be felt by attaining the precious state of enlightenment.

Yamada Mumon(1900-1988) was a zen monk from the Showa era. He studied under Kawaguchi Keikai and later studied at Ri...

A covered container made as an incense burner by Koyama Kiyoko slabbed and cored from Shigaraki clay and covered in glassy green motlen ash enclosed in the original signed wooden box. It is 13.5 cm (5-1/2 inches) diameter, roughly the same height and in excellent condition.
Koyama Kiyoko was born in Sasebo, Nagasaki in 1936. Following the second world war the family moved to Shiga prefecture, eventually settling in the pottery village of Shigaraki. She took a job as a ceramic painter's ...

A Chinese Qingbai Glazed Water-Dropper. Circa, 13th-14th Century, Yuan Dynasty. Found in the Philippines. Featuring a rounded body with a short cylindrical mouth and applied handles in 'Chimera" form and is covered in a translucent green-white glaze, stopping well above its foot. Measurements: height (3"inches), width (2.5"inches). Condition: in perfect condition. Photos by: The Oriental Room® Feel free to contact me at theorientalroomph@gmail.com for further inquiries, price ...

Chinese dignitary cast in stoneware, enamelled with Sancaî type colors (three colors), here in fact there are 4, a manganese, a yellow ocher, a green and a beautiful celestial blue. The colors were particularly well fired and are bright. The character is grimacing. This type of sandstone was widely used in China for creating tiles and large statues. The famous tower pagoda of Nanking, destroyed in the 19th century, was partly covered by plates of this type of Sancaï enameled stoneware. China ...

Special offer- reduced from $1200- now $800 with shipping included. Rare stoneware jar circa Southern Song or Jin Dynasties jar with soy brown glaze and russet and Jun type, phosphatic splashes. This is heavily potted with an applied dragon chasing a flaming pearl. The brown glaze has a subtle metallic iron oxide patina. It is usually assumed that the blue splashes are accidental (serendipitous) rather than intentional in these brown glazes. This piece is in perfect original condition, t...

Girl's kimono made of hand-spun cotton with flower motif which is Yuzen-zome (hand-painting). The ground cloth is benibana (safflower) dye. Benibana was grown in Yamagata prefecture in Edo period, and it was very precious. It was traded to Kyoto and dyed there for kosode kimono or others for women of a family of high-ranking samurai or merchants. Benibana dye has faded in upper back, but generally in good condition. Late Edo period (mid 19th century) W122cm, L:124cm

Flowers. Painted with ink and pigments on paper. Signed Baiitsu and sealed. It is attributed to Yamamoto Baiitsu(1783-1856). Circa 19th c.

Yamamoto Baiitsu(1783-1856) was a Japanese Nanga/literati style painter of the late Edo period (1603-1868). Studied painting with famous painter Cho Gessho（1772-1832）. Baiitsu was excellent at painting flowers and birds. In his later years, he remained as the official painter of the Nagoya clan.

Some light marks and light crease are present on...

The elephant is made of hard enameled porcelain, the artist modeled it with care, it is very likely that it was created using several molds. It carries on its back a vase which serves as a receptacle for incense. The statuette is hollow, vents to evacuate gases during cooking were discreetly made under the ears. Examining the underside we can see the shrinkage slots in the porcelain, which could have broken during firing. In the 19th century it was difficult to fire porcelain with this complex...

Height: 16 cm (6.3 in)
Width: 12.5 cm (5 in)
Depth: 7.5 cm (3 in)

Fine Chinese porcelain tea caddy in hexagonal form; decorated with two main panels of individuals in grisaille colour-way; the original lid and shoulders decorated in famille rose colours and shows florals and a young boy; minor frits and hairline to the lid

Chinese Qing dynasty Tongzhi mark and period (1862-1874) cylindrical food container decorated around the circumference with four overglaze iron-red five-clawed dragons in profile above a band of underglaze blue waves. Each dragon is among underglaze blue clouds and separated from each other by a pair of vertical blue cloud bands shaped like opposing bats. A geometric blue band extends along the top. Each side has twisted metal handles supported by two animal mask lugs with gilt highlights. W...

A Chinese White Glazed Brush Washer. Circa, 14th Century, Dehua Kilns, Yuan Dynasty. Found in the Philippines. In bamboo form with its gently rounded sides divided into upright segments and is joined by a raised horizontal band around its exterior wall. Its chalky white body is covered in a white glaze, stopping short above the feet. Measurements: diameter (4.6”inches) across. Condition: some age related wear around the body with tape stains on the bottom but is in very good condi...

An antique Japanese small Kimono Tansu chest made of Kiri (Paulownia) and Sugi (Cyrptomeria) woods. All original Urushi lacquer finish and hand forged iron hardware including the Hirute style handles. Four drawers of varying sizes and a hinged door that secured 2 small drawers where valuables were kept. This would make a great side chest or a compact dresser for a small bedroom.

Age: Meiji Era (1880-1890)

Dimensions: 36" Wide by 26" High by 16 1/4" Deep

Antique Japanese musha-ningyo samurai doll of the old warrior, Takenouchi no Sukune and the baby Ōjin. Takenouchi was the vassal of the Empress warrior, Jingū-kōgō.
The wife of the 14th sovereign, Chuai, Jingū ruled as empress-regent after her husband was killed in battle in 200 A.D. Considered the 15th Japanese imperial ruler, she lead an invasion of "the promise" land (believed to be the Korean Peninsula). After 3 years away, Empress Jingū returned to Japan, surviving a s...

SHIBUGAMI

Huge tanned washi Japanese paper coated in kakishibu persimmon tannin repaired with paper patchwork like an unintentional collage work, used to be laid under tatami mat or pasted on the wall of kura warehouse for humidity control and sunburn prevention. Early 20th century, 296 x 174cm (116.53 x 68.50in). Condition is as is as seen.


selected by Jinta




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