An pair of antique blue ceramic Vietnamese mini bottles. Found in a ship wreck from the Hoi An Hoard ship with a numbered label. Provenance: Prominent Private Collection from San Diego, CA

Date:12-13th C

Dimensions: 2.75" tall X 1.75" wide

A superb example of the mastery of Bizen Saiku-mono sculptures by Nishimura Shunko dating to the pre-war era. The musculature and bone structure of the creature is clearly visible, and it wears a cloak of ash glaze like fur, the tail actually covered in dry “goma” textured ash, and the lower extremities showing a fine assortment of Hi-iro flame colors on the raw clay. Stylistically there appears to be some influence of the pottery technique of Okinawan Shisa (lions). This is very likely, ...

A lovely unusual Korean wood soban tray table featuring a round top with a scalloped edge. The table has decorative apron and strong tiger legs that taper to thin ankles. This table would be perfect for serving tea to guests or could be used as stunning display stand. In very good antique condition and very sturdy, it measures 17.5" x 11" high.

Head of Buddha with a serene expression. Grey sandstone, with some remnants of the original lacquering and gilding at the back. Ears partly missing, nose restored. Thai Ayuthaya period, 16th/17th century. The head is nicely mounted on a custom stand. Height of the head: 18 cm.

A very unusual covered urn made to hold fresh water for the tea ceremony of pristine white clay splashed with rivulets of emerald Seihakuji glaze by Tokuda Junko (Yasokichi IV) enclosed in the original signed wooden box titled Seihakuji-yu Mizusashi dating from 2003. More commonly we see the pieces made in the vein of her father’s style, and I am proud to be able to offer this piece which is both feminine and quite unique to her. It is 8 inches (20 cm) diameter and in excellent condition. <...

A pair of antique Chinese Stone Fu-Dog Seals, with decorative designs around perimeter, old repair to one. Dramatic patina and well carved will seals on bottom.

LA Collector
Dates 19th century or early 20th
Size (each) H 7" x W 3.5" x D 1.5"

An antique Chinese Fu Dog artist rendered from one piece of natural Wisteria root wood. Designed with its mouth open, it is expelling evil spirits. Its angled posture combined with its knobby and swirling texture adds visual movement to this magnificent burl root .

Age: Republic Period, circa 1920s

Dimensions: 12" High x 15 1/2" Wide x 9" Deep

An antique Japanese Kansai Tansu in an unusual and unique multi-drawer design made of Kirinoki (Paulownia) wood. All original bronze hardware with straight dovetail joinery and using hardened wood nails in its construction. Divided compartment behind the sliding upper doors with wall separator allows for strength on its top where heavy objects can be displayed. Handles were designed in the Hirute style.

Age: Late Meiji Period (1890-1912)

Dimensions: 33 1/4" Wide x 36 3/8" High x ...

Map of British India c1867, labeled Johnson's Hindoostan & Father India, Published by A J Johnson, New York, hand colored, steel engraved.

Seattle Collection
Date 1867
Size H 18" x W 26 1/2"

Miniature statue of Bodhisattva Avalokiteshvara, standing in formal attire, backed by an aureola, holding an object in his left hand. Gilt bronze. China, Sui Dynasty (581-618 A.D.). Height: 5.7 cm. The statue is mounted on a custom plexi stand. Mandorla partly missing, soil encrustation, otherwise good condition.

As mentioned before, what I love about the work of Teramoto Mamoru is it is so vivacious and full of life, full of movement. This vase has all that life and movement on a perfect, elegant form. Here also is another dimension, with the pebble textured surface breaking up the reflection of light granting a tactile quality to the silver. It comes enclosed in the original signed wooden box titled Ginasi Hachi (Silver Glazed Bowl) complete with Shiroi and shifuku. The designs of various colors ar...

A good Chinese boxwood carving of Budai. Three children clamor over him. A bat appears on his right hand. Bone and horn inlays detail his eyes and teeth. Rich, mellow old patina. Nice grain figure in places. Late Qing to early Republic. Ca 1900. Very good condition with typical minor distress checks in the old hardwood surface. Remnants of old label. Height, about 4 5/8 inches high.

Late 18th C. Early 19th C. Japanese Iwami Kurogaki Netsuke: Gama Sennin with Toad This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Gama Sennin with a Toad on top of his shoulders, by an unknown artist from the Iwami Province carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region. Observe the Ukibori work on the sennin's toad (photo #3) that resembles the finish of the toad s...

Antique Korean nong, personal beside storage chest. Made with genko and cypress woods with burl panels. Hardware is made of brass and includes a chased brass square lock plate with double happiness characters. Doors open to reveal a large compartment for storage. On original stand with matching hardware.

Age: early 20th century

Dimensions: 29 3/4" high x 34" wide x 15 1/4" deep

Ito Yuhan
Pagoda at Nikko
Date: 1930s. A pre-war or early postwar edition.
Size: Oban. Approximately 16.0 x 10.75 inches.
Publisher: Nishinomiya Yosaku.
Signed Y. Ito at lower left.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Ito Yuhan
Evening at Miyajima
Date: 1930s. A pre-war or early postwar edition.
Size: Oban. Approximately 16.0 x 10.5 inches.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Artist's signature at lower right.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Ito Yuhan
Lantern in Pond
Date: 1930s. A pre-war or early postwar edition.
Size: Oban. Approximately 15.75 x 10.75 inches.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Artist's signature at lower right.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Condition: Excellent.

Antique Japanese yari saya, carved wooden cover for a yari spear. Favored by many samurai and ashigaru (foot soldiers) for the reached allowed by the long pole arm, the yari was a popular weapon for greater military use. At times of peace during the Edo Period, the yari also acted as a ceremonial weapon. The job of the yari saya was to protect the blade when not in use. Often the yari saya was decorated, in this case with inlaid shell. Over the shell is a very fine scrolling vine motif ...