Japanese framed woodblock print by Nakayama Tadashi of a stylized multicolored horse with gold and silver leaf. Signed in pencil, number 23/85.

Dated 1968.

Dimensions: 12" x 17 1/2" H (entire frame) 5 1/4" x 17 1/2" H (mat opening)

Japanese framed woodblock print by Nakayama Tadashi of a stylized horse with gold and silver leaf. Signed in pencil, number 48/85.

Dated 1968.

Dimensions: 12" x 17 1/2" H (entire frame) 5 1/4" x 17 1/2" H (mat opening)

A lidded container in a divided, compressed form of finely, carved bamboo root. Good luck bringing Bats (bianfu) carved in relief decorate the sides and lid. Bottom with a la grec pattern. Mid Qing, around 1800. H 10 cm, W 8.2 cm. Condition: Very good. Traces of wear. One short crack on the middle part of the bottom panel filled.

Diameter approximately 37.5 cm. Some soft chips at the rim. In good condition.

Diameter approximately 25.5 cm. In good condition.

A Rare Tang Dynasty White Glaze Xing Ware Bowl. High ping sound with finger tip.Dimension: Diameter 14.8cm Height 4.4cm. Condition: no chips, no cracks, no hairlines, free from restoration.

A Rare Tang Dynasty White Glaze Xing Ware Bowl. High ping sound with finger tip.Dimension: Diameter 13.8cm Height 4cm. Condition: no chips, no cracks, no hairlines, free from restoration.

A Rare Tang Dynasty White Glaze Xing Ware Bowl. High ping sound with finger tip.Dimension: Diameter 15.3cm Height 4.5cm. Condition: no chips, no cracks, no hairlines, free from restoration.

A Rare Tang Dynasty White Glaze Xing Ware Bowl. High ping sound with finger tip.Dimension: Diameter 14.8cm Height 4.4cm. Condition: no chips, no cracks, no hairlines, free from restoration.

A Rare Tang Dynasty White Glaze Xing Ware Bowl. High ping sound with finger tip.Dimension: Diameter 13.7cm Height 4cm. Condition: no chips, no cracks, no hairlines, free from restoration.

Yuan Dinasty Qing Bai with Incised Floral Scroll Decoration Bowl. High ping sound with finger tip.Dimension: Diameter 12.3cm Height 3.8cm. Condition: have one chip (as seen in the picture), no cracks, no hairlines, free from restoration.

Chinese Tang dynasty Changsha bowl. Diameter 14 cm Height 5 cm. Bowl in good condition except glaze erosion. Free from any restorations or repainted.

Chinese Tang dynasty Changsha bowl. Diameter 15.5 cm Height 5.5 cm. Bowl in good condition except glaze erosion. Free from any restorations or repainted.

Chinese ink and color on paper painting of a tiger on the prowl set against rockery and bamboo by Weng Wenguang (Ong Boon Kong). Signed in black ink and with two red artist seals below the signature reading "Weng Wenguang" and "Shi Zhaohua." 20th century. Painting: 53” x 29 1/4” (with silk border: 58” x 34 1/2"). The painting is silk bordered for framing and can be rolled for shipping. Very good, clean condition with only minor soiling evident. Weng Wenguang was born in Fujian Provinc...

Antique 19th century Tibetan, huge Drinking Horn used to hold and dispense Chhaang or barley beer. The slightly curved large horn body mounted with four brass mounts each hammered and finely repoussed with Ruyi heads and roiling waves ornaments and fitted with three suspension loops. The wider end has been plugged with a disk of wood. The other end has been similarly plugged but leaving a small hole from which the liquid can be poured.

Chhaang is a Tibetan beer brewed from barley, millet o...

Rare and Important Work of Calligraphy by the man designated in every textbook in the East and West as the Pioneering Father of 20th Century Art in Korea, An Jung Sik (also spelled Ahn Jung Sik), 1861-1919 (pen name Simjeon), calligrapher, scholar, royal court painter (he painted the portraits of the last two kings of Korea), and co-founder of KOrea's first modern art school. Paintings by An Jung Sik are by law not allowed to leave Korea, so they are rare in the West. His works of calligraphy ar...

A beautifully sculpted leopard carved from grayish nephrite. Qing Dynasty. Condition: A small chip and an age crack on the base. Length: 3-5/16".

Chinese Tang dynasty (618-907) pottery figure of a standing lady (often referred to as a “fat lady”), dressed in a long-sleeved, high-waisted, full-length robe. One boat-shaped shoe protrudes from the bottom of the robe. The sleeve of her gown covers her right hand while the left hand is exposed. Her hair is gathered in a double-topknot at the top of her head. Cold painted red pigment remains over the thin layer of white slip covering the red pottery. Traces of red and black pigment are...