A dark blue hemp fabric forms the base of these kote sleeve guards. The upper area is covered in iron chain mail with pair of double gourd plates, crest mon, gilt iron plates, throughout the kote. The shoulder edge has three hinge plates to fashion to the Do armor. Unusually mounted on a custom black iron stand.

Edo Period 18th Century

Size: 27.25" L x 12.5" H (17.5" H on stand)

Kawase Hasui
Zaimoku Island, Matsushima
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1933.
Publisher: Watanabe Shozaburo. Round 6mm seal, indicating a lifetime print produced 1946-1957.
Reference: Hotei #298.
Condition: Excellent. Light crease in water at lower left.

Antique Japanese carved Keyaki hardwood Raijin, God of lightning, thunder, and Storm. A protector deity for the Shinto religion. The surface of the grain is raised with the original red rimpa paint still intact. Typically these sculptures would be very fierce with demonic features. Which in this case, is contrary which makes it more benevolent, compassionate, and sympathetic in its appeal. The condition of the piece is consistent of its age. Minor repairs on base with large iron staple...

Antique Japanese tamba storage jar. Large open mouth with akadobe glaze, which consists of russet and blue runny glaze. Tapers in shape down to the base. This form is animated through the irregularities of the firing of the kiln.

Edo Period 19th Century

25" Diameter x 24"

A delicate image of a Zari-gani fresh water shrimp by Oishi Junkyo enclosed in a period wooden box. The poem reads:
nanigotomo
naseba naratefu
kotono wa wo
Mune ni Kizamite
Ikite Kishiware.
Whatever happens, no matter the hardships and pain, Set it in your heart to live with Spirit! This little fellow looks up to the challenge, a stern look on his face and his dukes up, ready to battle giants. What a fitting image for this artist...

This superb helmet bowl is comprised of 64 iron plates that are slightly embossed between the suji, double front plates, and a washer underneath the top front riveted inside. The bowl has been given a very dark russet finish and fitted with a simple iron visor. The meadate is a forged iron hornet with gilt brass wings. The shikkoro of five - lames of false scale laced in blue silk and brown russet lacquer...

Antique Japanese iron tomiodai candleholder. Includes full five tiered with twenty five iron prickets, used in traditional buddhist or Shinto rituals. Forged iron with age consistent to usage.

Meiji Period 19th Century

Size: 27.5" L x 14.5" W x 26.25" H

A very large celadon platter by Yoshikawa Masamichi enclosed in the original signed wooden box. It is made to either sit or hang suspended from wire on the back. The platter is 75 x 20 x 5 cm (29-1/2 x 8 x 2 inches) and is in excellent condition. Due to size the cost of shipping will be accrued separately.
Yoshikawa Masamichi was born in Kanagawa in 1946, and graduated the Japanese Design Academy in 1968...

A stunning POLYCHROME JAPANESE OBI depicting a Phoenix in flight, Crashing Waves and Peacock Feathers. Folded and suspended from a wooden dowel, also comes with Tassels. Very good condition. Size: 160" x 13" (400 cm. x 32 cm.). Can be used as an embroidered Wall Hanging Tapestry or as a Central Runner on a long Table.

A gorgeous JAPANESE OBI DEPICTING IMPERIAL 5-CLAWED DRAGONS AMONGST CLOUDS, THE PEARL, suspended from a dowel and comes with 2 Tassels. Size: 152" x 12.5" (386 cm. x 32 cm.). Very good condition. Can be used as an embroidered Wall Hanging Tapestry or folded as a Central Runner on a long Table.

A pottery tradition that harkens from the Mino region of Japan, Shino-yaki dates from the Azuchi Momoyama period. It came into fashion when first commissioned by renowned Muromachi cha-jin (tea masters) Shino Soushin. This is thought to be the first type of pottery in Japan to feature drawn paintings on the ceramic surface.

This attractive e-Shino bowl (“e” meaning picture) bears an abstract motif on a background of white feldspar...

A beautiful and delicate white porcelain composition with low-relief molded seashell design lining the inside. The overall condition of the bowl and several oxidation marks on the bottom suggest considerable age—at least several hundred years. The box lid bears the character “定” which can be translated as “truth” or “certainty.” The origin of this piece is unknown, though the previous owner regarded it as Chinese (Northern Song)...

Really important Ko-Karatsu (kogaratsu - oldest Karatsu ware made during the 16th century) Madara tea bowl with a yobitsugi repair of highest quality.

The bowl is a so called Madara Karatsu tea bowl (provenance is the legendary Hobashira-kiln) due to its typical cookie-like sandy clay and wonderful blue-purplish flecks.

But its true highlight is the perfect traditional yobitsugi restoration with a pure silver gintsugi (kintsugi)...

The Japanese matchlock was introduced to the Japanese by the Portuguese during the Sengoku period. Originally called teppo, it was known as the name tanegashima where its origins was founded.
The tanegashima rifle where used by the samurai class and their foot solders (ashiguru) and within a few years of the introduction of the munition it completely altered Japanese warfare. This long rifle gun has an octagonal russet iron barrel with a flat sighting plain on top and a bore of 3/4”...

Introduced to Japan through the Portuguese in 1543. Intended for use by mounted samurai, these pistols where called horsemen cannon's (Bajo zutsu).
They proved however to be totally impractical weapons to fire, since the rider had to ignite a piece of chord to the lock, while aiming the chamber and at the same time controlling his moving horse. None the less, owning a pistol remained a symbol of a samurai family's power, rank, and wealth...

Of Steeply conical form with a bulbous top. This jingasa is constructed of hide and cloth, shaped in a mold, lacquered in reddish brown lacquer, with a gilt rising sun mon on the rounded apex.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather...

A circular form rising to a shallow point at the center, this jingasa is made of hide and cloth shaped in a mold, then finally black lacquered. It is decorated in front with a gold lacquered mon of an enzo which represents eternity. Mounted on a custom iron stand.

Edo Period 19th Century

Size: 18.5" diameter x 4" H (29.5" H on stand)

Kawase Hasui
Spring Rain at Arakawa (Literally "May Rain")
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1932.
Publisher: Doi Hangaten. Carver: Harada. Printer: Yokoi. Also bears the Doi watermark.
"Made in Japan" stamped on verso. This seal combination indicates printing between 1950-1963.
Excellent color and condition.