Dating from the 17th century, Kutani-ware is a type of fine porcelain that takes its name from the region from which it originates—the name literally means “nine valleys.” In sharp contrast to many other styles of Japanese ceramics which tend towards more modest color palettes, Kutani-ware are known for their vibrant red enameles, gold trimming, and complementary greens, yellows, and blues. This set of tokkuri is painted with a common hanging-lantern ornamental pattern known as youraku...

Contemporary Korean single section kitchen cabinet, made with bold elm wood (Keyaki in Japanese). This piece has an upper and lower set of sliding doors with attractive latticework over rice paper. The top and mid region have four small drawers across, with the very top middle drawers as hidden compartments. The bottom of the piece has two doors on hinges, and a middle lock to match the others.

Size: 37.75" L x 17.25" W x 65" H

A charming candlestick figure of Ashinaga, a playful spirit in Japanese folklore with incredibly long legs. His counterpart, Tenaga, is the long-armed spirit who would ride on Ashinaga's shoulders and, working together, they would catch many fish from the ocean. Ashinaga is hand-carved with adorable features.

Size: 4.25" L x 3.5" D 16" H

A medium sized ido-gata (well shaped) tea bowl with exceptionally fine and beautifully crafted kintsugi gold repairs. One side of the bowl features a thickly applied ferrous glaze that pools generously near the base, while the pale green ashen glaze on the outside is decorated with impressed textured patterns...

A beautiful Japanese Noh Theatre Choken robe for dance performance. Hand-woven Asawith intricate gold thread motifs of flying phoenixes and cherry blossoms on branches against a white ground.

Date: Taisho Period

Size: 49" L x 31" H

Japanese section of silk fabric, hand-woven in cream white and gold thread in delicate patterns of flowers.

Size: 79.5" x 40"

Antique Japanese 15ft long section of silk fabric, hand-woven with gold thread in motifs of flora and fauna on a bright orange background.

Size: 180" L (15ft) x 27.5"

It is commonly said that beauty is in the eye of the beholder, yet, in the real world, there seems to be a fair amount of congruity about what people consider beautiful, with most arguments about particular instances being about degree, not direction. This chawan is pure beauty - no matter from which angle you look at it.

Slightly distorted cylinder shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay in the early Edo Period around 1620...

Japanese silk kimono with shibori style ground, motifs of coins with peonies, kiri leaves, pine trees, and other floral elements against geometric patterns. Splashes of pink add a touch of feminine color to the kimono.

Size: 49" L x 66" H

Japanese kabuki actor doll, dressed as a fearsome white lion with long, flowing mane, made with real hair. He wears silk garments of bright orange, white and grey, with his face done in traditional cat eye makeup of white, black, and red.

Size: 16.75" x 13.75" x 20.5" H

Japanese carved Bone standing Okimono on black carved wooden stand, all one piece, Ca. 1930, 5" high, condition is good, no damages.

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

Japanese Sumida Gawa lidded sake pot or teapot with brown, blue, cream, and pale gray flambé glaze coating dripping down the exterior of the pottery surface. Two applied children in high relief are on the side. A glazed white plaque with a Ban-ni mark in underglaze blue is on the back. 6” diameter x 3" high. Early 20th century. Very good overall condition with no cracks, chips, or losses. Typical wear and production imperfections. The handle is missing...

Japanese Keyaki wood with beautiful bold grain two(2) section Tansu with movable Brass Turtle and Eagle decoration on Black Iron Round Back Plate with Brass rim, heavy weight, Meiji period, 1890-1900, 46" high, 48" wide, 17 1/2" deep with two(2) graduated long drawers in upper section above one(1) shorter drawer next to two(2) small secret drawers inside the heavy black iron mounted blind door on the bottom right side...

Old (1920's) Japanese Lacquer Inro with Boxwood Toad Netsuke by Masanao III Miyake Kisaburo

It is 2.8 inches (7.2 cm) tall and 2.2 inches (5.5cm) wide. The netsuke is 1.2 inches (3 cm) by 0.97 inch (2.5 cm) wide. It is 42.9 gram.

It is in good condition with no repairs except chips, peeling of lacquer and surface scratches (as seen in the photos).

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This is natural indigo dyeing Shirusi-Hanten made at the beginning of the Meiji period. This gets texture and others by cotton and silk. As for this, cotton and silk are spun by hand. It is rare that Shirusi-Hanten is woven by cotton and silk. Most are only cotton. This has fading with several places of a few holes, but the state is good. This was sewed for a child again. Size 65cm x 103cm (25.5 "x40.5")

Done in the Annan style which is a Japanese adaptation of porcelain-wares imported from a region of ancient Imperial China (now part of Vietnam) from the late Muromachi period (1392 - 1573). At the time this type of pottery was hugely popular among tea devotees and this enthusiasm continues into the modern day...