This is a Japanese antique Boro noragi indigo dye hemp Meiji (1868-1912). The indigo dye hemp fades with use is very charming. size: Length 75cm (29.5inch) sleeve to sleeve 123cm (48.4inch)

Porcelain dish from japan, arita, kakiemon kilns. end of the 17th century. Decor in the center of phoenixes, rocks and peonies in overglaze enamels and underglaze cobalt blue (which is unusual for Kakiemon). On the edge, decoration of the three friends, bamboo, pine and prunus, by fantasy the artist added chrysanthemums. On the reverse the apocryphal mark of the Chinese emperor Tcheng-hoa. Traces of 4 pernettes of cooking. Diameter about 20cm...

Japanese chuban format shin hanga woodblock print by Takahashi Shotei, also known as Hiroaki (1871 - 1945) depicting two figures walking in the snow in the foreground, one holding a parasol walking toward a hut, the second crossing a bridge over a stream. A snow laden tree and torii gate are at the left. Titled "Snow at Ozawa; Torii Gate and a Cottage" the print was published by Watanabe prior to 1930. The title and artist's red Shotei seal are at the upper left...

A very modern and sleek interpretation of the classic lacquer sake warmer otherwise known as a “chōshi” in Japanese. The author of this piece, Kado Isaburō, was born in the town of Wajima in Ishikawa in 1940. Born into a crafting family, he learned the family trade from a young age from both his mother and father and would later go on to do an apprenticeship under Hashimoto Tetsuhiro...

1937's Kawase Hasui Unmounted Woodblock Print Zentsuji Temple in Rain

It is 15.35 inches (39 cm) in length by 10.3 inches (26.2 cm) wide. The watanabe seal is 6.58 mm in diameter.

It has discoloration, fading, toning, yellowing, and wears (as seen in the photos).

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PRINCESS

Bizarrely kawaii anonymous drawing in pencil (as child's work or outsider art work) on the paper attached to the lid of decayed wooden box as its primitively handmade frame, Showa period, 20th century, Japan, 42.5 x 33 x 2cm (16.73 x 12.99 x 0.78in)


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BLACK AND RED LACQURED CONTAINER

Old wooden lidded container for storing food like vegetables, lacqured up in the refined two tones of black (for surface) and red (for inside), once used among the middle class or richer in the Edo period (1603-1868) in Japan, D 35 x H 26cm (13.77 x 10.23in). Some lacqure-peelings due to aging as is...

Platinum thorns erupt from the brilliant smooth orange body of this Guinomi by Masatomo Toi enclosed in the original signed wooden box. When I asked the artist about his concept, he explained the clay body is the individual formed by self-image, societal pressure, ego, all the things which constrict our actions and channel our emotions. The thorns are the true inner self bursting out of the surface, irrepressible, they pierce the shell and shine like the sun...

First edition Japanese woodblock print, large Oban 9.5” x 12.5”, of “Owl” by Iwao Akiyama. Printed on handmade paper, it is numbered 130/200, and dated 1973. Measures including frame 12” x 15”. Note: Color is excellent, any variations is from reflections in the glass.

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe pieces are the most common with their jet-black glazes and feldspar ornamentation tending towards the minimalistic, abstract; and, some would say, Zen-like aesthetic. While the piece shown here is not entirely typical of Oribe pieces, the black glaze, contrast window, and unmistakable kutsugata shape all point to this genre of Minō pottery...

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

HOUSE OF DAIKOKU AND EBISU

Wood carving deities of Daikoku (God of Good harvest) and Ebisu (God of Good catch) that is the most auspicious pair worshiped as the Gods of Business success based on traditional folk belief in Japan. Showa period, 20th century, Japan. House: 20 x 20 x D 10.5cm (7.87 x 7.87 x 4.13in)...

Interesting Arita Imari bowl, late Edo with scalloped rim and panels with reserves of flowers and figural scenes of an elderly teacher (?) surrounded by pupils, the reserves contoured in raised overglaze black. Brocade or diaper patterns in green, red, blue and gilt surrounding a stylized turtle in underglaze blue. The exterior shows three Buddhist symbols repeated three times in underglaze blue, red enamels and gilt. Bull’s eye base and a green-glazed Uzu-Fuku mark...

A contemporary Hanaire, flower vase of Oribe yaki by Sone Yoshiyuki Powerfully build vase in the distinctive colours of Oribe, fresh green glaze capturing the atmosphere of forest undergrowth and spring moss. It comes with artist’s information paper, a stamped cloth and fully inscribed and signed storage box. H 25 x 16 cm. Perfect condition. Sone Yoshiyuki (1951- ).
Born in Toki City, Gifu Prefecture. Graduated from the Ceramics Department of Tajimi Technical High School...

SEA BREAMS AND WAVES

Wood carving decoration with the remains of original bule paint as the actual fragment of a certain Japanese temple/shrine construction, Edo-Meiji period, 19th century, approx. 58 x 30 x 6.5cm (22.83 x 11.81 x 2.55in). Unusual type as a rare find.


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Antique Japanese kannon biraki tansu. Single section with hinged doors which open to reveal 4 interior drawers; two large and two small. Made all of kiri (paulownia) wood with iron hardware. The large, round lock plate and cross bracing are classical aspects of this type of chest. Used for storing clothing and outfitted with handles for carrying.

Age: Meiji Period (1868-1912)

Dimensions: 20 1/2" high x 37" wide x 16 1/4" deep

Small gilt copper pot, decorated with flowers in cloisonné enamel. No artist signature but excellent quality. Small precious object Height: 6cm Diameter: 8cm. Good condition. Japon Taisho period.

Nabeshima hard porcelain dish. Okawachi kilns. Decoration in underglaze cobalt blue and overglaze enamels. Although the model already exists at the beginning of the 18th century, we do not believe that the dish presented here is authentic. The enamels are perfect, one can distinguish with a magnifying glass discreet wear of use and the enamels show age cracks, but the cobalt blue on the reverse is too pale. It is not a modern copy, as it has been in the Sakura collection for about forty years. I...