Yasuo Tamaoki (b. 1941) Shino Ware ChawanYasuo Tamaoki (b. 1941) Shino Ware Chawan

Size
Height 8cm
Width 12cm

In excellent condition
Supplied with signed wooden box

Tamaoki Yasuo was born in Tajimi, Gifu Prefecture in 1941 as the 4th generation heir of Gyokuzan-gama, a family kiln. He completed his education at Gifu Prefecture Industrial High School in 1960 and joined the family kiln thereafter...

A contemporary Shigaraki Yunomi Cup in Natural Ash Glaze by Furutani Taketoshi enclosed in the original signed wooden box titled Shizen-yu Yunomi. It is 7 x 7 x 7 cm (3 x 3 x 3 inches) and is in excellent condition, directly from the artist...

Oribe Style Dish by renowned Koie Ryoji (1938-2020)

Size
Width 23.2cm
Height 6cm

In excellent condition
Supplied with signed wooden box

Koie Ryoji
Born in the historic city of Tokoname, Japan, in 1938, Koie Ryoji emerged as a prominent figure in the world of ceramics. Tokoname, renowned for its rich ceramic heritage, served as an ideal backdrop for Koie's artistic journey...

Remarkable Shino sake cup featuring exquisite glazing made by Mino legend Ando Hidetake.

Size
Height 4.6cm
Width 6.2cm

Condition
Unused
Supplied with signed box

Ando Hidetake, born in 1938, hails from the esteemed Mino pottery family of Gifu prefecture. In 1960, he embarked on a remarkable journey as an apprentice under the guidance of Kato Tokuro...

A brooding Tokkuri sake flask by Furutani Taketoshi, the glistening glaze like infidel skies, a storm rapidly approaching, the stone-like surface reaching a crescendo with a dusky bead of glass reaching out to the viewer. It comes enclosed in the original signed wooden box titled Shigaraki Shizen-yu Tokkuri. It is 16.5 cm (6-1/2 inches) tall and in excellent condition, directly from the artist...

This is a most unique work, a faceted Kurinuki chawan carved and hollowed out from a solid block of clay by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Shinogi Chawan. Shinogi is a term referring to a blade, and is the artist’s term for pieces from which he has cut away the surface. In this case, he carved and formed the outside from a single lump of clay, cutting away to reveal the form...

A small scorched vessel by Furutani Taketoshi encapsulating in a microcosm the various aspects of Anagama-kiln firing enclosed in the original signed wooden box titled Shizen-yu Guinomi. It is 6.5 cm (2-1/2 inches) diameter and in excellent condition, directly from the artist...

A cluster of ash and slag has adhered to the shoulder of this scarred and charred single flower vase by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Shinogi Ichirin Hanaire. The exterior has been thickly potted then sliced away in a slightly swirlin pattern in a style the artist calls Shinogi. This allows the flying ash plenty of hold to create the keshiki, or landscape effects) for which this family is known...

Antique Japanese ikebana basket with tall, arching handle. Oval form body on a round foot. Fine split bamboo is tightly woven around the upper and lower portion of the body. A wide band in the center is accented with a wave pattern. The handle is tightly wrapped to create a series of small squares. The basket utilizes many different types of knot work.

Age: Meiji Period (1868-1912)

Dimensions: 22 1/2" high x 10 1/2" wide x 9" wide

Limited edition Japanese silkscreen over metal leaf by Kazutoshi Sugiura (b. 1938) depicting an ikebana arrangement titled "Iris No. 48" dated 1985. Pencil-signed, dated '85, titled in kanji, and numbered 32/100 in the bottom margin. Paper: 20” x 12 1/2" (image: 17” x 9 3/8”). Excellent original condition.

Antique Japanese tall rectangular form basket for ikebana flower arrangements. Made of split bamboo woven tightly in a vertical zigzag pattern. The corners have larger sections of bamboo that end in four feet. The bamboo has been left it's natural color and acquired an attractive patina over time.

Age: Meiji Period (circa early 1900's)

Dimensions: 15" high x 5 3/4" wide x 5 1/2" wide

Antique Japanese lacquer suzuri bako (writing box) and matching large stationary box inspired by Korin Ogata of the Rinpa School tradition. The larger box was used for writing paper while the smaller box was used for writing implements. Inside the suzuri bako is an ink stone and a metal water dropper. Both boxes are decorated entirely with a highly raised design of blossoming cherry branches on a gold lacquer ground. Each flower is made of inlaid shell...

Antique Japanese rectangular box decorated with gold and silver dragonflies on a black lacquer ground. The lid is fastened on by a green chord. Inside is a removable tray lacquered with gold and silver crickets in wisps of golden grass. This box comes in a cedar tomobako.

Age: Meiji Period (1868-1912)

Dimensions: 5 1/8" high x 7 3/4" long x 5 1/2" wide

Kawase Hasui
Morning at Niju Bridge (Nijubashi no Asa)
Date: 1938.
Size: 7.5 x 5.375 inches. 19 x 14 centimeters.
Note: This rare print was the cover of a dinner menu for the Tatsuta Maru, a cruise ship on the NYK Line (Nippon Yusen Kabushiki Kaisha)...

Japanese bronze representing two mice, one of them pulling a treasure bag.

The mouse or the rat (both called nezumi in Japanese), one of the zodiac signs, is a symbol of fortune. This bag can be compared to the treasure bag of Hotei, one of the seven gods of Happiness. A figure of prosperity, he is also the god of joy, abundance and the guardian of children...

Jûbako picnic box made of paulownia wood and shaped like a paulownia flower. It is composed of three compartments with the interior in red lacquer.

With its original box with several inscriptions, included the datation "- 2nd year of Kaei era", namely 1848

Paulownia (kiri) is considered as a symbol of nobility, honor and longevity...

DECORATIVE HORSE ROPE

Tied-up rope made of twisting white and organic indigo dyed cotton once used for ritual horse-decoration, early 20th century, Japan. Tied as seen: approx. 30 x 90 x D 18 cm (11.81 x 35.43 x 7.08 in), Untied: approx...

An historically important work by Furutani Hiromu (Churoku I) from the initial firing of their newly established Nobori-gama climbing kiln in 1974. This type of work is called Hatsugama, or first from the kiln. It is the only piece in the show from the climbing kiln (which has not been fired in over 20 years) and the earliest piece in the show as well. It is 32 x 8 x 35 cm (13 x 3 x 14 inches) and in excellent condition, directly from the family.
Furutani Taketoshi was born the son of ...