Japanese persimmon wood cha tansu (tea chest), made chestnut wood frame, kiri (paulownia) wood drawer interiors, and beautiful solid persimmon wood panels, dramatic grain, large compartment opens with sliding panels to reveal stepped level shelf inside, Taisho Period (c1920). Size: 35 1/4" high x 29 1/4" wide x 12 3/4" deep.

An exotic white inko in a pine tree enclosed in the original red lacquered double signed wooden box (Niju bako). Pigment and ink on silk in a fine brown silk border patterned with Kiri leaves, extended with blue gray and featuring large ivory rollers. It measures 23-1/2 x 80-1/2 inches (60 x 204 cm). There is light foxing, mostly concentrated to the right of the tree. The seals are pubished in the large museum Anthology “Keinen” figures B and D...

A large Gohon pottery Sweets bowl by Kiyomizu Rokubei V with expertly rendered Sparrows ascending into the sky painted by Imao Keinen enclosed in the original wooden box signed by both artists. It is 8-1/2 inches (21 cm) diameter, 4 inches (10 cm) tall and in excellent condition.
Kiyomizu Rokubei V (1875-1959) began by studying painting from the age of 12 under the 19th century master Kono Bairei...

An Art-Deco Revival vase by Nakajima Yasumi II enclosed in the original signed wooden box titled Jundo Homan Kabin dated 1959. It is 8-1/2 inches (22 cm) tall and in fine condition.
The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1951) was awarded at the Senkatsu Kinen Exhibition...

DESCRIPTION: A large Japanese Sumida vase with three children in high relief playing on a bridge against the red ribbed body. The neck rim is covered in a rich, thick flambé glaze that runs down the shoulders onto the traditional, cold painted body. This vase is in excellent condition with no chips and very little rubbing...

A silver inlayed bronze incense burner by Inami Keishu enclosed in the original signed wooden box. It is 5-1/2 inches (14 cm) tall and in fine condition. Inami Keishu worked in metal for more than 60 years. He has been often exhibited and prized with the Nihon Kogei Kai (National Crafts Association) among many other National Events.

A massive Oribe Slab by Hayashi Shotaro enclosed in the original signed wooden box titled Oribe Cho-ho-Zara. It is 25-1/2 x 13 x 4-1/2 inches (65 x 35 x 11.5 cm) and in excellent condition. Due to size the cost of shipping will be accrued separately for this item.
Shotaro is one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception...

Feeling frisky that day, perhaps a wry self portrait by this most famous of Nuns, Otagaki Rengetsu with a poem brushed above in her unique script...

The surface of this rough slab is like an eroded plain with rivulets of glass running to a clouded pool in the center, signed along the edge and enclosed in the original signed wooden box by Sugimoto Sadamitsu. It is roughly 20-1/2 x 8-1/2 x 3 inches (52 x 21.5 x 8 cm) and in perfect condition.
Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki...

Japanese shunga woodblock print from the Meiji period.

The print features a close-up of a Japanese woman and her lover - a rare find!

The print was purchased in an antique bookstore in Jinbocho Tokyo 1951 and is in good condition with minor staining (see photos below).

Size of print: Approx. 19.5cm x 13cm.

Shipping included

Impressing black Raku tea bowl, signed Kichizaemon, of the Raku family.

The signed box is labeled “10th generation”, which means Tan-nyu (1795-1854). It represents true Japanese Chado, made from of one of the most famous potter clans in Japan. Most pieces of Kichizaemon Tan-nyu are hold in museums.

Tan-nyu Raku was born the second son of Ryonyu, he succeeded as the 10th generation Kichizaemon in 1811...

Very old Japanese large size red negoro lacquer wood tray for tea ceremony. It dates from the late Edo / early Meiji Period approx. 150 years ago.

Condition is excellent with some wears due to age. This carved oval wood tray is an authentic item of old Japanese tea ceremony culture.

Description / Height: 1.05inches, Width: 16.77x11.77inches, Weight: 582g

Condition / Good

Material / Wood

Shipping included

A refined and elegant statue of Amida Buddha along with Samantabhadra and Avalokitesvara also known as either the Amida Triad or the Three Sages of the Pureland. The triad became popular during the Kamakura Period around the 12th- 13th centuries and a rich visual culture surrounding the triad emerged. Age: Edo Period Size: length: 21.5" width: 13" height" 37.5"

Paul Jacoulet
Le Nid, Coree (The Nest, Korea).
Date: December 14, 1941.
Size: Dai-oban.
Edition: 120/150. Prints from this original edition of 150, which has more muted colors, are exceedingly rare.
Carver: Maeda.
Condition: Very good...

Paul Jacoulet
Le Mandarin Aux Lunettes, Mandchoukuo (The Mandarin with Glasses, Manchuria).
Date: May 22, 1950.
Size: Dai-oban. Approximately 19 x 14 inches.
Edition: 231/250.
Carver: Maeda, Printer: Uchikawa.
"Note the mica of the lenses, made by using crushed pink pearls." - Richard Miles, The Prints of Paul Jacoulet.
Medium: Japanese woodblock print.
Condition: Slight fading. Toning on verso.

Antique Japanese Bizen ware figure of Tanuki, he is dressed as a monk, a jar for drinking hangs from one arm, in the other hand he holds his ledger book. Very charming expression and lovely detail.

Meiji Period 1868 - 1912

Size: 9 1/2" high

'Remote Landscape' by Tanomura Chokunyu (1814~1907)

Chokunyu was the step son of Tanomura Chikuden and he studied Chikuden's work. Chokunyu started to learn from Chikuden when he was 9 years old, and Chikuden found his talent and adopted him. Chokunyu learned Confucianism from Tsunoda Kyuka and Chinese poetry from Hirose Gyokuso. He also learned and got skills of Omotesenke Tea Ceremony, Kodo (Japanese art of appreciating incence) and Kenjutsu (the art of the sword)...

Paul Jacoulet
Les Perles, Mandchoukuo
Size: Dai-oban.
Date: December 28, 1950.
Edition: 297/350.
Carver: Maeda, Printer: Ogawa.
Medium: Japanese woodblock print.
Condition: Very good color and condition. Toning at back.
"More than 300 individual impressions of nearly 60 blocks were needed to create this ultimate technical tour de force of twentieth century art." - Richard Miles, The Prints of Paul Jacoulet.