Antique Japanese framed painting, with silver and gold flake accent clouds, sprouting ferns with pebbles in gray and green pigment, red chop and signature possibly by Ogata Korin (1658-1716), Rinpa School.

Size: (entire frame) 28.5" L x 25" H (artwork only) 18.75" L x 13.5" H

Antique Japanese framed floral painting, with silver and gold flake accent clouds, of sprouting white lilies, with red chop, possibly by Ogata Korin (1658-1716), Rinpa School.

Size: (entire frame) 28.5" L x 25" H (artwork only) 18.75" L x 13.5" H

A wonderful patina lacquered Japanese black power container. Consisting of lacquered washi paper wooven tightly onto a natural gourd. The woven basketry work is detailed with the original attached stopper and copper lined interior neck.

Meiji period (1868-1912)

Size: 7.5" L x 3.5" W

Antique Japanese wood carving of Hotei, one of the Seven Lucky Gods of fortune, with beautiful remnants of old lacquer.

18th century, Edo period (1603-1868)

Size: 5.5" W x 8.5" H

A circular form rising to a shallow point at the center, this jingasa is made of hide and cloth shaped in a mold, then finally black lacquered. It is decorated in front with a gold lacquered mon of an enzo which represents eternity. Mounted on a custom iron stand.

Edo Period 19th Century

Size: 18.5" diameter x 4" H (29.5" H on stand)

14 images spanning two pages each are sandwiched between the silk binding of this two sided accordion album by Zen Priest Inaba Shinden enclosed in the original storage sleeve. The images span from Mount fuji to the Daruma to Zen Circles, each annotated with some verse or Buddhist anecdote. It is in excellent condition, the album (closed) measuring 8-1/4 x 12 inches (21 x 30 cm).
Inaba Shinden (1906-1986) was an important priest of the Rinzai sect of Japanese Buddhism...

Japanese indigo ikat cotton coat, with neutral color sakiori (rag woven) cotton collar, its edges reinforced with white sashiko stitching.

Size: 35.25" L x 36" H

Beautiful half cylinder shaped (hanzutsu) tea bowl from the early stage of the Edo Period (1603 - 1868) with a rounded brim, made of iron bearing, coarse, unrefined Narumi Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part.

The unglazed foot is relatively large...

Antique Japanese half section Mizuya (kitchen tansu) made of Hinoki (cedar) and Sugi (cypress) hardwoods in a dark lacquer finish. The tansu has two sliding front doors with horizontal slats and side bracing, with very roomy storage interior complete with middle shelf.

Meiji period (1868-1912)

Size: 47.5" L x 17" W x 32" H

This Hirado-yaki brush-rest—fashioned for the scholars desk of a bygone era—features meticulously sculpted plum blossoms set in a porcelain reproduction of a knotted plum branch. Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship and date back at least as far as the mid-18th century when they were produced exclusively for powerful lords and their families...

Here is a fine hand formed tea pot of dark clay by Otagaki Rengetsu engraved with a poem and enclosed in the original signed and age darkened wooden box...

Fired for days at over 1,400C degrees, this primordial-looking wonder of ancient potting technology displays a number of beautiful natural effects from the interaction of the clay, minerals, and ash from the unique style of kiln.

The creator of this work Michio Furutani (1946 - 2000) is regarded as one of the true greats of Shigaraki potting and is noted for being the first to revive the ancient art of anagama kiln firing in this region...

Antique Japanese Oribe mizusashi (water container) for use during the Tea Ceremony. Coil form body, glazed with thick deep green glaze with hints of a lovely deep red in areas. Custom fitted with a simple black lacquer lid.

Meiji Period (1868-1912)

Dimensions:5 3/4" high x 5" wide diameter.

Japanese 20th century silver bowl. This contemporary designed bowl was made by Living National Treasure artist, SEKIYA SHIRO. The bowl is signed SHIRO on the bottom. It measures 11 1/2" in diameter and 2 1/2" tall. The bowl comes with TOMOBAKO or original artist signed wooden storage box.

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials...

A Tokkuri decorated with an Otsu-e image of a sword bearer and a poem by Otagaki Rengetsu enclosed in a wooden box annotated by the head of Jinkoin Temple and titled Rengetsu-ni saku, Otsu-e Tokkuri, The poem reads:
Furi tate shi As if raising and lowering
mameshi gokoro no his true heart like a standard
hitosuji ni in one line
koyuru ka imo ni will he pass through to meet his love
Osaka no seki...

A signed, matched, pair of Abumi with a geometric design of interwoven maple leafs. The design has been hand chiselled and inlaid with silver and bronze. The stirrups measure 11" long x 5 1/4" wide x 10 1/4" high, and date to the late Edo period. The maker has inlaid his Name and City on both stirrups and this translate as follows: "Made by Yamada Nagamoto living in Kanazawa". Nagamoto is the seventh generation Yamada chiseller to work at Kanazawa, and he was born in 1810...