Four Japanese Tsuba dating from 16th/17th century with display stand.
-iron circular tsuba with gold incised patterns on edge with interior incised groves.
-iron clover shaped tsuba with interior heart shaped openings, applied gold groves of trees.
-iron persimmon shaped tsuba with moon showing through a cherry blossoms and leaves. Back side has bamboo with gold leaves. Overlay uses silver, gold over raised iron bamboo and cherry tree...

An antique Japanese Choba Tansu also known as a merchant chest made of Kirinoki (Paulownia) and Hinoki (Cypress) woods,most likely from the Nigata area of Japan. Featuring a Ryo Biraki (hinged double door) design it has a split level shelf where documents and merchant books were stored. Gumpai style handles and hand made iron fittings decorate this chest.

Merchant chests such as these were primarily displayed in a prominent location in the store...

Lilian May Miller (1895-1943)
Hong Kong Junk.
Date: 1928. Marked first edition in pencil.
Signed, dated, and monogrammed within the image.
Stamped "Lilian Miller Oriental Woodcuts" in margin.
Size: Oban. Approximately 14.25 x 10.25 inches.
Medium: Japanese woodblock print.
Condition: Back margin has marks from former matte.

An antique Japanese Gifu Mizuya (kitchen chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) with Kakinoki (Persimmon) wood drawer fronts and sliding door panels. All original bronze hand made hardware including handwoven bronze screen wire on the bottom sliding doors. Also, original etched glass on the center sliding doors. Small lift out door covers an additional storage area.

Age: Meiji period (1868-1912)
Dimensions: 36 5/8" Wide x 66" High x 18 5/8" Deep

This lovely Hagi chawan rests firmly on a wari kodai or “split foot” that shows the iron-rich clay this antique piece is fashioned from. The milky glaze varies in consistency across the curves and contours of the bowl with areas tending towards pale ash, ivory, and faint lavender...

An antique Japanese 2 section Gifu Choba Tansu (merchant chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. Uncommon and rare small size. The sides feature horizontal cross ribs for added strength and durability. Its construction included mortise and tenon as well as through mortise and tenon joinery. Behind the two sets of sliding doors are storage areas originally used to keep business store records and ledgers...

Japanese scroll painting by the Nanga School painter, Rai Sanyo. Calligraphy and a large ink painting of a gourd covered with individual signature seals on paper. Mounted with silk boarder and wooden rollers.

Rai Sanyo (1780-1832) was born to a samurai family of the Hiroshima Domain. He entered into a training school for government bureaucrats in Edo but decide to devote himself to writing instead...

Antique Japanese ceramic figure of the moon faced Otafuku. Her name was once Uzume and evolved into Okame which means "tortoise", a symbol of longevity. Otafuku or Okame is considered the goddess of mirth, a cheerful woman who's name means "abundant good fortune". A bringer of victory and success, she is good-natured, good-humored, good-hearted, generous, kind, serene, and patient. She is smart, strong-willed and competent as well as powerful enough to easily frighten away evil spirits...

This is an awesome Gunto Imperial Japan Military Katana Sword in Black Koshirae fitting, made during the Showa period (1926-1989), by the Gunto swordsmith KANEHARU 兼玄: (Index of Japanese Swordsmiths by Markus Sesko), from the Seki School (Modern Japanese Swords and Swordsmiths, by Leon and Hiropo Kapp). The sword's nakago has been marked as shown in the photos. The blade has a bright and clean polish, and it is in excellent condition...

An antique Japanese Choba Tansu (merchant chest) made of Keyaki (Zelkova) and Hinoki (Cypress) woods. Original wiped lacquer technique finish and hand made iron hardware. The lock knobs feature a Plum Blossom design and the design of the handles is a straight Gumbai. Sliding side by side doors open to a spacious area where once merchant books and records were stored.

A rare feature of this chest are the hidden compartments under the four bottom side by side drawers...

Antique Japanese wooden temple carving of a fu dog (fu lion, or shishi). Carved of keyaki (zelkova elm) wood with wonderful details including characteristic swirling fur and wide, toothy jaws, this fu dog is a powerful Shinto temple guardian. Wide eyes are made of reverse-painted glass with irises of two different colors and with pupils of varying width, adding an intensity to his expression...

A tripod koro with custom silver lid and rosewood stand by Miura Chikusen II enclosed in a wooden box dated early Autumn 1920 signed by Ume, the mother of the second generation head of the family who died young that year. The white porcelain is roughly 15 cm (6 inches) tall on the stand, 10 cm (4 inches) diameter. This type of Sinophile work was very popular throughout the Meiji and Taisho periods, and Sencha steeped tea had a profound impact on Japanese culture at the time...

A fine example of Edo period Kano painting, this generously proportioned hanging scroll illustrates a late autumn scene from the Japanese countryside over 300 years ago...

Japanese antique small Buddhist zushi shrine in the form of a lotus blossom enclosing a tiny figure of Buddha Amitābha. Also known simply as Amida Buddha, he stands on a lotus blossom, floating on swirling clouds. His hands are in vitarka mudra, also known as Raikō gesture of welcoming souls to Paradise (Jōdō or Sukhavati in Sanskrit). Amitābha (which means Infinite or Immeasurable light) is much loved for his gentle wisdom and his all accepting nature. Carved of wood and intricately dec...

A breathtaking Koro in the shape of a roaring lion by Miyanaga Tozan I enclosed in the original signed wooden box. This is one of the best pieces I have ever seen by this important artist. It is 25 cm (10 inches) tall and in excellent condition.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art. While a government employee, he represented Japan at Arts Expositions, a...

Horses dash past in a fervent black mass both carved into and built up onto the paddled surface of this large vessel ballooning open from a narrow base by Nakazato Tarouemon XIII enclosed in the original signed wooden box. Inside the box is written Tataki Tsubo (Paddled Vessel), Kurabe Uma (Horse Race), exhibited Autumn 1958 at the Tokyo Mitsukoshi Sports Theme Art Exhibition; Ochawangama, Nakazato Tadao (given name of Nakazato Tarouemon XIII) followed by the artists seal. An excellent exampl...

Considered auspicious symbols of wealth, status, and good fortune; foo dogs—commonly referred to as shishi or koma-inu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. Here we have a fierce guardian adorning an incense cady (kogo). Rendered in fine celadon porcelain that Sozan was so renowned for, this pieces would be a rare addition for any collector interested in Sozan’s body of work.

Suwa Sozan I (1852—1...

First born son to Living National Treasure Isezaki Jun, Koichiro (b. 1974) has quickly made a name for himself as an independent artist. Not content to rely solely on family reputation, he has set off on his own path, making innovations in clay and also in the ideas and principles surrounding his craft. With its well-proportioned ridged design, natural ash glaze, and coarse grade of Bizen clay still containing visible stones; the vessel seen here would be a good choice for someone looking for a ...