An exquisite hand-crafted Japanese cinnabar lacquered Inro with five compartments and Manju. It has a meticulously carved scene with 2 scholars or sages on one side and the other with two sages. The scholars are on a bridge surrounded by fronds in a garden setting. The Inro shows a beautiful style, the entire surface of the lacquer Inro boasts fine incised patterns incorporating various plant decors and geometric shapes...

A decidedly different version of this theme, a Festive carved wooden Tai (Red Snapper) fish with removable side for sashimi coated inside in gold with bone teeth and inlayed bone eyes. The craftsman ahs gone to great lengths to make this as realistic as possible, from the textures of the skin to the folds in the fins and coloring. Unusually, most dishes in this vein are one sided, however this is equally realistically carved on both sides...

A very unusual lacquered Jubako stacking box in the shape of a water cauldron made for serving food at events and celebrations. It is finshed with metallic textured silver-black lacquer simulating old iron. The lid and base are shiny black lacquer, the interior coated in festive red. Cranes and turtles, symbols of longevity, populate the inside in gold. It is 20.5 cm (8 inches) diameter and comes enclosed in an age darkened period wood box titled Kamagata Kashiki...

Old Chago, Japanese tea leaf measuring scoop made out of bamboo. Taisho period. 6 1/4" x 2"

An antique Japanese Cha Tansu (Tea Chest) made of Suginoki (Cryptomeria) wood and hand lacquered with hand applied Mother of Pearl inlay. The central theme is longevity as the landscape design captures the Pine tree throughout the chest. Foliated accents highlight the front outline and sides...

Antique Japanese tea bowl made by Sen Sosa VI, Kakukakusai Genso (1678-1730) who was the 6th Iemoto of Omotesenke school.
There is the "Fu-niko" mark and the inscription which says "with Shigaraki sand soil".

A museum quality masterpiece made by the head of one of the main tea ceremony school in Japan.

Kakukakusai Genso, the son of Soei Hisada, was adopted by the 5th generation Zuiryusai Ryokyu, and inherited the Iemoto title of Grand Master of Omotesenke tea ceremony ...

Chinese antique celadon vase, carved with flowers and scrolling leaves. Lovely traditional celadon color glaze. Later addition of decorative silver overlay around mouth and shoulders and also a silver ring around the foot of the vase.

Age: Republic period (with early 20th century silver work)

Dimensions: 5 1/2" high x 3" wide diameter

DESCRIPTION: Long acknowledged as masters of porcelain, the Chinese also excelled at pottery making. Qing Dynasty domestic pottery used regional clays and showed distinctive regional styles. This pottery, used for the storage of oil and other household goods, exhibited tremendous, quiet beauty as well as utility...

An antique Chobako (merchant storage box) made of Hinoki (Cypress) and Kirinoki (Paulownia) woods. All original hand forged iron hardware and Urushi lacquer finish. Hinged door when opened reveals 6 drawers of varying sizes. In particular is one small drawer with ink stains that stored the inkstone...

An antique Japanese Chonin Kobako (merchant storage box) made entirely of Kirinoki (Paulownia) wood. Original hand forged iron hardware with construction using straight dovetail Japanese joinery and hardened wooden nails. The drawer handles are of the Kakute style comprising six drawers to organize and secure its contents...

A crow at rest upon a rock raises its head in a gruff cry by Suwa Sozan I enclosed in the original signed wooden box titled Karasu Okimono. It is pierced in the back, allowing it to be an oki-koro incense burner. It is 34 cm (13-1/2 inches) tall and in excellent condition. A nearly identical piece was published in the 1923 book Sozan Toko, attributed to his late period...

A set of 7 fluted plates decorated with various plants symbolic to Japanese culture and motifs often seen in Japanese porcelains known as Imari ware. The plates contain an inscription, kigyoukuhoutei no chin, that often is associated with a specific type of Imari ware known as Daiseiji Imari ware. The motifs, designs, and at times the inscriptions take inspiration from Chinese Qing dynasty porcelain wares. Age: 19th century. Size: height 1.25" diameter 8"

An antique Japanese Daruma wooden mold used for making paper mâché dolls. Retired from duty and lacquered to preserve its years of production and service. The worn lacquer is a testament to its display and use that extended beyond its useful life and paid tribute to the former artisans that supported the craft. The original removable base was made with a concave divot to allow ease of rotation of the mold when in use...

An antique Japanese Daruma wooden mold used for making paper mâché dolls. Likely retired from duty and lacquered to preserve its years of production and service. The worn lacquer is a testament to its display and use that extended beyond its useful life and paid tribute to the former artisans that supported the craft. The bottom reveals the three holes used to connect the mold to a turning wheel for ease of applying the paper mache...

A pair of hanging scrolls by Kano Dohaku Chikanobu (1772-1821), a famous Edo period painter, 5th head of the Surugadai branch of the Kano School. In 1813 he received the honorary title of "Okurakyo-Hogen" (law of the eye).The pair contains an image of three geese set near a marshland with reeds. Scroll comes with box that woud be of the period. Age: Mid-Edo Period( 1800-1820). Size per scroll: Height: 70.25" Width: 14.25" (with ends) 16.25".

Antique Edo age Japanese 100% kiri wood tansu. Beautiful example of an Early Edo age small tansu. Original condition and finish. Unique Iron hardware and locks complement the light color kiri wood. Locking drawers and swing out hinged door revealing three more small drawers. From the Kansai area in Japan near Kyoto. Original keys Edo Period (circa 1845) Dimensions: 27 1/2" Wide X 14" Deep X 20 1/4" High

A unique Ko-sumetsuke tea ceremony plate with an unusual motif of a raging bull. The center of the plate is divided into 5 sections with scrolling vines and chrysanthemums. The central figure is a raging bull in a pine forest with rounded fronds. The perimeter of the dish is ringed with a classic cloud image. Ko-sometsuke (old blue and white) porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644). The bottom of the plate has a marker...