This is very cool and contemporary, a fattened sculptural vessel pierced with three platinum spikes erupting from the surface, shattering the barrier between functional form and Objet d’Art. One of the best pieces of art I have ever seen - a perfect eye-catcher in each collection, superb for displaying.

The surface is covered in a textured sea foam glaze, creating a stark contrast to the platinum glazed porcelain spikes...

An artist whose bold creations work well in a Western setting, here is a seminal piece decorated with huge white peony blossoms by Miyake Yoji enclosed in the original signed wooden box titled Nuki-e Kinsai Botan Mon Henko. Here the artist has set the luscious white flowers and leaves outlined in gold on a ground of rusty yellow, an intriguing combination. It is 27 x 15 x 34 cm (10-1/2 x 6 x 13-1/2 inches) and is in excellent condition...

Edo Period (circa 1750) Large Japanese Wood Sculpture of a Shrine Horse, a gift from an upper-class family to a shrine. Images of Horses are highly prized in Japan. It is commissioned and presented to protect a newborn male child. Rising up on its back legs, set to gallop, it strikes an animated, exciting, and beautiful pose that sets it apart from the usual static poses that these horses have...

A spectacular and intricately detailed painted Japanese Satsuma Koro. The painted features display Buddhist monks surrounded by an encircling phoenix on either side, beautifully gilted and accented with flowers and four legs that sport foo dog faces. A large gold gilted foo dog adorns the lid and is one of the most unusual renditions that i have ever encountered, I have not seen another like it...

Incredible attention to detail defines this large Pagoda entirely gilded in gold. It is 32 inches (81.5 cm) tall, 16 inches (41.5 cm) square at the base and in excellent condition. This would have been displayed in a Butsuma as a reliquary container. Both upper and lower doors open to reveal gold lined chambers in which the Buddhist objects could be stored. A couple of the small bells dangling from the eaves have been replaced or re-hung with wire...

A large and stupendous glass vase with a wide mouth decorated with deep, green abstract bands on gold foil by glass artist Tabuchi Koseki (b. 1932). Mouth and bottom with darker bands of deep brownish colour. Signed in the bottom ‘Koseki.’ It comes with fully inscribed, signed and stamped storage box, kiri-tomobako. Japan, late Showa, ca. 1980. H 24 cm, W 24 cm. Condition: Excellent. 

LARGE GOLD BECKONING CAT

Large type retro ceramic ‘Maneki-neko’ (https://en.wikipedia.org/wiki/Maneki-neko) coin bank, 1980s, Japan, approx. H 40 x W 24 x D 20 cm (15.74 x 9.44 x 7.87in)...

A voluminous Tsubo by Yamato Yasuo enclosed in the original wooden box titled Hagi Bisai Kohiki-kake Tsubo and dating circa 1990. It is 14 inches (36 cm) diameter, 12 inches (31 cm) tall and in fine condition. Due to size this piece will require special shipping consideration.
It is likely no collector of Hagi will need an introduction to this innovative artist. Yamato Yasuo was born in 1933 to a long line of Hagi potters. He learned under his father Harunobu and grandfather Shoroku...

This doll is a Hakata clay doll, “Matsukaze” design by the well known Japanese artist, Yoshio Matsuoka.

Matsukaze is a story of two beautiful sisters who met and fell in love with a young courtier in exile at the seashore of Suma Bay. The sisters were “shio kumi”, the saltwater bearers who made their living by ladling seawater (before it was boiled down to salt). Matsukaze is the name of the older sister and literally means “wind through the pine trees”...

Oversized hanging scroll, portraying a beautiful young noble woman in travel dress, looking down and holding a large head. While her orange kimono is decorated with cherry blossoms, her overcoat is decorated with maple leaves in autumn colors. Signed: Tojo. Red seal: Seizan. Ink, mineral colors and gofun on silk. Japan, Taisho era, 1920s.

Image 74 x 32 inches
Mounting 90 x 40 inches. Wooden scroll ends.

Some minor cracks and losses to gofun, otherwise fine condition

Large Japanese Imari charger, 18 3/8” in diameter, with vibrant enameling and excellent facial expressions. The subject matter is 'The Seven Sages of Bamboo Grove'. One hairline at the bottom rim and crazing on the rim. Meiji Period (1868-1912).

A large Hizen-yaki, Arita kilns polychrome enameled charger. Imari, so named for the trade port through which these polychrome wares transited, decoration with namban (a reference to foreign subject or influence) figures, bijin, 'three friends of Winter', cranes, chidori, elephants and more (much going on). Edo period. Good condition. Diameter, varying between 18 5/8 to 18 3/4 inches

A large Imari bowl with a scalloped foliate rim made for the European market decorated to the exterior with a wide diaper brocade band incorporating a cross motif and Karahana. The cross in this context probably represents “sen”, one thousand, and combined with the karahana represents an auspicious wish for a long life...

Japanese Imari charger finely enameled with panels of two phoenixes on stylized floral scrolling grounds - all in green, red, blue and purple enamel with gilding. The reverse side is decorated in underglaze blue with karakusa scroll pattern and with fork shaped factory mark. The phoenix (Ho-o in Japanese) is a mythological bird known to appear in time of peace and prosperity. It symbolizes immortality, resurrection and life after death...

A substantial large Japanese Imari covered bowl with a tear drop finial decorated principally in underglaze blue with a Chrysanthemum vine arabesque overlaid with poem card, shikishi, shaped reserves of peach and rectangular form. The peach shaped reserves containing leaping Karashishi and rock Peonies and the rectangular shaped reserves a red ground with stylised Chrysanthemums. These rather striking bolder designs, which reflect Japanese contemporary taste, date to the period 1720-50...

Large Lidded Imari Bowl and cover decorated in underglazed blue with a scrolling design of leafy camellia, Meiji period. Dimensions: 9 3/4" X 5 1/2".

A good quality large Japanese Imari bowl made for the European market decorated with a cobalt blue ground inset with a scrolling arabesque of Peonies in a highly stylised manner. The stems picked out in yellow enamels and the leaves veins in iron red. The flowers conventionally painted in iron red and gilt. Reserved against this ground are two quite large Ruyi shaped reserves containing a Pine and a Plum tree growing from a conventionalised rocky out-crop. The base of the bowl decorated with ...

Large Imari style hard porcelain dish. Landscape and flower decoration in underglaze grand feu cobalt blue and low-fired irond red enamels, gold details. Japanese work from the end of the 17th century, Arita kiln. Below are traces of typical porcelain shards marks. Good condition, no restoration. Some wear from use visible on photos. Diameter: 36cm.