a ghostly bowl in the shape of a curled leaf, a wash of thin black accentuating the folds in the hadn formed clay by Shigemori Yoko enclosed in a wooden box titled Happa-bachi (Leaf Bowl). It is slab formed, one of her favorite methods, covered in black then washed down revealing the clay under a thin fog of black, which has remained in the crevices...

An exquisite vessel in white with elegant stripes of soft color by hard to find Niwa Ryochi enclosed in the original signed wooden box titled Senmon Tsubo. There is a palpable grace to the piece which seems to reflect the Japanese appreciation of silence and shadows. It is 27.5 cm (11 inches) diameter, 33 cm (13 inches) tall and in excellent condition...

A ghostly white crackle-glazed chawan by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Hakuyu Chawan (White Glazed Tea Bowl). It is 12.5 cm (5 inches) diameter10 cm (4 inches) tall and in excellent condition. It comes wrapped in a silk crepe pouch and retains the original artists shiori.
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer...

A set of five exquisite bowls covered entirely in silver glaze enclosed in the original signed wooden box titled Ginsai Kobachi Zen. They have been created in a manner with raw clay outside, glazed within, causing the silver texture to be matt outside, with an earthy feel, while the inside is smooth and glossy. Each is roughly 10 cm (4 inches) diameter, 5 m (2 inches) tall and all are in excellent condition...

This is an antique men's silk juban, an undergarment worn under a kimono. For today’s standards, it is very odd to see such an extravagant hidden personal item.

During the Edo period, which ended in 1868, common people were not allowed to wear silk. The growing economical power of merchants came along with social disorder and corruption. Tokugawa government issued many sumptuary laws to limit the spending of the general people on luxury items...

A late winter scene picturing a majestic white hawk alighting on a plum branch in full bloom. Hawks—which were used for hunting during the Momoyama and Edo periods (takagari)—are considered symbols of nobility, strength, and are thought to embody the samurai spirit...

Big, oval shape bamboo flower basket, Hanakago, with a large mouth for use in important, large flower arrangements. *Material: smoked Madake bamboo, rattan, lacquer...

This is a seminal work by the most legendary figure in Shino today, Hayashi Shotaro, in his signature Manyosai glaze with incredible color patterns enclosed in the original singed wooden box complete with wrapping cloth and name card (Shiori and Shifuku). It is huge at 53.5 x 10 x 24.5 cm (21 x 4 x 9-3/4 inches) and in perfect condition. Very Heavy!
Due to size the cost of shipping will be accrued separately.
Hayashi Shotaro (b...

Shino Yunomi shape tea cup made by the Hayashi Shotaro, one of the top names of contemporary Shino ceramics. The cup is covered in irregular and thick bands of Shino glazes in white, blue, pink, russet iron and lavender colours. Measurements: H 9,5 x 8, 5 cm. Signed at the bottom and inscribed and signed tomobako storage box; the documentation paper and stamped cloth are also included. Perfect condition. Hayashi Shotaro (b...

This is a beautiful cloisonne vase. It is not signed but it appears to be a vintage Hayashi Kodenji piece. The colors are brilliant and the enamel has a high gloss. Besides the top and bottom scroll work there are 7 butterflies that adorn this vase. This stout vase stands 7 1/4 inches tall and is 6 inches wide. The rims are silver and condition is excellent.

A playful sculpture which challenges the viewers perception by Hayashi Yasuo enclosed in the original signed wooden box titled simply Sakuhin (work). It is 12.5 x 9 x 12.5 cm and in perfect condition. According to a description of a similar work in the collection of the Met: Hayashi’s series of black and gray coil-built trompe l’oeil “boxes,” a group that was inspired by his experience flying without lights at night as a kamikaze pilot.....

HEAD OF NINGYO JORURI DOLL

Head part of the wooden male doll actually used for 'Ningyo Joruri' (ref. https://en.wikipedia.org/wiki/Bunraku) as the traditional Japanese puppet theatre, late Edo - early Meiji period, 19th century, Japan, attached with an wooden detachable pedestal arranged for its display in recent years. Head without insertion bar: H 23 x W 14cm (9.05 x 5.51in) / Total with pedestal: H 85 x W 28cm (33.46 x 11.02in)...

A late 16th.century Azushi-Momoyama Period (1573–1600) vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.

The vase is decorated with kanji letters...

An exquisite slightly fluted porcelain bowl with a dragon parading though tendrils of cloud in raised relief by Mokusen enclosed in the original signed wooden box. It is 18.3 cm (7 inches) diameter, 9cm tall (3-1/2 inches) tall and in excellent condition. Mokusen was a prolific porcelain artist in Kyoto well known for his tea ware.

A yobitsugi Jar made up of various excavated kiln shards of central Japan dating from the Heian period (794–1185)...

Tall and slender vase of heishi-shape made of fine, light brown stoneware, covered in a multi color purple flambé glaze. Over this in mostly white enamel a scene is painted of a large, partially deconstructed/built up skeleton, tied to sticks, and a host of small skeletons dancing and running around it between small clouds of gold dots.

The shoulder of the vase decorated in blue, white and greenish enamels and gold with leaf-like shapes, meandering lines and dots.

Unsigned. Japan, ...

A tsubo by Living National Treasure Tokuda Masahiko (Yasokichi III) enclosed in the original signed wooden box. It is 11cm (4 inches) diameter 27cm (11 inches) tall and in excellent condition.
Tokuda Yasokichi III (Masahiko, 1933-2009) was born the first son of Tokuda Yasokichi II who had been adopted as a teenager into the Tokuda family. Masahiko graduated from the Kanazawa school of arts, and took up apprenticeship under his grandfather and father Yasokichi I & II. Well versed in orthod...

Helen Hyde
Day Dreams
Date: 1901
Size: 12.125 inches in circumference.
Signed in pencil by the artist.
Edition of 200.
Reference: Mason catalog #37.
Condition: Trimmed margins and laid to board. Some fading.
Note: If desired, we will ship the scuffed circular frame in which the print was found.