This is a very fine set of Japanese Imari Nesting Bowls. It is rare to get a set of this quality in this fine of condition. These bowls are old and they are antiques. The largest bowl measures 10 inches across and 4 1/4 tall. The condition is excellent on all three.

This magnificent Shino-yaki chawan, done in a rediscovered Momoyama period style, came from the kilns of one of Japan’s most celebrated and talented potters.

Arakawa Toyozo (1894 - 1985), designated in 1955 as one of but a handful of National Living Treasures, is best known for rediscovering lost techniques of pottery from the Momoyama and early Edo periods...

A high quality cloisonne vase dating from the Meiji period. Design of ho-o birds among clouds on a green speckled ground. The shoulder with flowers on a black spiral ground. Bottom, rim and wires are gilt. With wood stand. Condition: rim with a small dent (see picture No. 6). Small area with only under the magnifying glass visible imperfections. Dimension: 12.1 cm high. Same shape and close design to item# 1174589.

Japanese Hai Hai Gosho Ningyô. This extremely rare form of Japanese Doll is one of the most sought after of Gosho (Palace Doll). They were presented to royalty and upper class at the birth of a baby, and placed in the baby's chamber to protect from bad spirits. This is a very large example of this type of Gosho. It is covered with many layers of Gofun (Oyster Shell Lacquer) over papier mache. The hair is made entirely of silk...

Stunning Japanese golden Tenmoku Chawan of Kyo Yaki. The brown pottery is covered with a gorgeous gold glaze and shows a wonderful crazing. It dates back to the later Meiji Period (1868-1912) and is in greatest antique condition with no chips or cracks.

Kyo-yaki is a type of Japanese pottery. It is a generic name given to pottery made in Kyoto, such as Awataguchi-yaki (Awataguchi pottery) and Omuro-yaki (Omuro pottery)...

Know more for his works of powdery-blue celadon, on occasion Sozan also produced fine white porcelains as well. This delicately-crafted porcelain kashibachi (sweets bowl) is one such example. Displaying a wonderful low-relief vine and leaf pattern on a backdrop of nearly eggshell thin ivory-white porcelain—this is a rare and interesting composition by Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture...

A wonderful translucent blue celadon dish decorated with a low-relief floral motif. This piece was made by one of the few great female Japanese potters of the 20th century—Suwa Sozan II, daughter of Meiji Imperial Court Artist Sozan I.

Suwa Sozan I (1852—1922) was born in an area of what is known today as Ishikawa prefecture. After a short stint in the military he took up pottery design and painting under Touda Tokuji in 1873...

The size of Cuff Link: 7/8" L x 9/16" W on Kutani Sometsuke Porcelain
The size of Tie Clip: 5/8" Square Kutani Sometsuke Porcelain, 2 1/8" L Clip
This is handsome Japanese Kutani Sometsuke(B/W) porcelain
w/ design of Rose handpainted on cuff links and Tie Clip.
The set came in Kiri wood box. It has marking of Kutani Yaki (Kutani Ware).
Tie clip has spring holding so tie does not slop away.
The set never been used. Original fine condition...

A very finely carved OKINOMO Pot-Belly Pig, high-grade exotic wood, Meiji Period (1886-1912). This Okinomo is of course ideal for those born in the year of the Pig. The Pig symbolizes "Good Fortune & Prosperity". Excellent condition, size: L. 5.5 cm. (2 1/4")

FIREWORK MOLD 1890

Old wooden ball mold for making 'hanabi' (traditional Japanese firework), with aesthetically many random cutting tracks for peeling the papers off, signed as Meiji 23 (1890), D 10 cm (3.93in)


selected by Pottari




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First edition Japanese Meiji Period woodblock print titled "Pubic Reading (Yomitate)" from the series "The Calendar of Events in Edo Theater" co-designed by Adachi Ginko (1874-1897) and Torii Kiyosada (1844-1901). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 4th month in the left margin. Kiyosada's signature can be found on the billboard at the upper left...

First edition Japanese Meiji Period woodblock print titled "The Curtain and the Announcements" from the series "The Calendar of Events in Edo Theater" co-designed by Adachi Ginko (1874-1897) and Torii Kiyosada (1844-1901). Three editions of this series are known. This print is from the first edition and contains the publisher's information and date of Meiji 30 (1897) 1st month 11th day in the left margin. Ginko's red seal is on the bottom of the curtain...

First edition Japanese shin hanga woodblock print by Shiro Kasamatsu (1898-1991) titled "Tea Ceremony" (Chanoyu) dated " Showa 29" (1954). The seal of the publisher Unsodo, and the seals of the carver Nagashima, and printer Shinmi are in the left margin. The artist's black ink signature and red seal are at the upper right corner of the image. The Unsodo (“Un”) watermark is faintly visible at the lower left margin corner. The paper measures 15 7/8” x 10 3/4” (image: 14 5/16" x 9 1/2")...

First edition pencil-signed Japanese shin hanga woodblock print by Takeji Asano (1900-2002) titled "Rain in Shinnyodo" in the lower margin and dated Showa 28 (1953) in the lower left margin. The artist's black ink signature is at the lower left corner of the image and the artist's name/signature is in pencil at the lower right...

Japanese two panel painted byobu (screen) depicting a winters evening with resting pair of mandarin ducks siting amongst the late blooming roses at waters edge. A pair of song birds sitting within the white hydrangeas. A banana tree is shown with Painted on silk with flecked fold paper, silk brocade, and black lacquered frame.

Mandarin ducks are regarded as symbols of love, happiness, and marital fidelity because they are believed to be monogamous.
Birds have long been a ...

FIRST NIGHT

'Shunga' (Japanese pornographic painting) of bride hand-drawn on thin silk with natural mineral pigments, 1930s, 46 x 41 cm (18.11 x 16.14in). Fold in the lower right corner. Roll it up into a tube for the shipment.


selected by Jinta




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Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846. From left to right and top to bottom, the images depict Araki Matayemon Standing and Examining his Sword, Sasaki Ganryu Standing in Profile with a Clenched Fist, Miyamoto Musashi Dressed for Traveling on his way to see Bukoden, Minamoto no Ushiwaka Maru Knocking D...