An exquisite vessel by Seifu Yohei IV decorated in slight relief under pale green glaze. It is 8-1/4 inches (21 cm) tall and in excellent condition.
Seifū Yohei IV (Seizan: 1872-1946), the second son of Seifū Yohei III (1851-1914). He studied literati-style painting under Tanomura Shōsai (1845-1909), a son of Tanomura Chokunyū, in Osaka for three years. In 1914, he succeeded to the head of the family and produced works mostly in his father’s style...

Breathtakingly beautiful Japanese silk wedding kimono gown, Meiji/Taisho period, lined with the contrasting color red, very soft silk. It has a beautiful, rich texture woven in a mixture of flat, diagonal and shusu satin ori (weave). Under the sun, you can see the diagonal lines of woven gold threads crossing inside (photo #5). Gowns made in the early Meiji period are not only shorter but the colors are darker with a combination of earth tones (Shibui) comparing to brighter modern gowns...

A fine openwork Bamboo Flower Basket, Hanakago by Suzuki Gengesai (1891–1950) Kanto region ( influenced by Chikuunsai II). Made with lacquered madake bamboo strips. Original bamboo water container Otoshi, with red lacquer in the inside. Signed: made by Suzuki Gengesai (zo). Size:　H. 41.8cm W 18.3cm　L 19.2cm. Very good condition.

A lovely work reflecting the simplicity of Art Deco predominant from the 1920s and 30s by master of the genre Ito Suito enclosed in the original signed wooden box The vase is 29 cm (11-1/2 inches) tall and in excellent condition.
Ito Suito (Yoshiharu, 1894-1980) was born in Kyoto and apprenticed under Ito Tozan in 1911. In 1918 he married his daughter, and took the family name and at the same time assumed the name Suito...

Festive red paper lanterns parade in a sea of mist across this elegant 20th century scroll by Hayashi Bunto (1886-1966) enclosed in the original signed and stamped wooden box. A wonderful summer-time scene reminding one of all the matsuri-festivals dominating the nights of this season. The silk scene is bordered in blue ending with bone rollers trimmed with gold. The scroll is 22 by 52 inches (56 x 132 cm) and is in fine condition...

A humble crackled white bowl by Koie Ryoji enclosed in the original signed wooden box titled simply Chawan. Inside drops of spilled ink and a bit of blank canvas (raw earth) like a minimalist painting from the 1950s. It is 14.5 cm (5-5/8 inches) diameter, 8 cm (3-1/4 inches) tall and in excellent condition...

An incredibly elegant form by Ikegami Eichi enclosed in the original signed wooden box titled Seiji HIsago Kaki (Gourd Shaped vessel). It is 30.5 cm (12 inches) tall and in excellent condition.
Ikegami Eichi was born in Kanazawa City, home of Kutani porcelain, in 1931, and during his time at the Kanazawa University of Art he submitted sculptures and was awarded at the Hokuriku Art Exhibitoin and Ishikawa Modern Art Exhibitions, graduating university in 1953...

A fabulous vase in the form of a rice pestle by Bizen Living National Treasure Kaneshige Toyo enclosed in the original signed wooden box titled Bizen Kine-gata Hanaire (Vase in the Shape of a Pestle). A fabulous range of colors plays across the surface, all natural kiln effects resulting from heat, cold, clay content and placement. The vase is 26 cm (10 inches) tall and in excellent condition. It comes with a custom made black lacquered wooden outer box to protect the original box...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. It has a peaceful, ordinary outside view seen through an elegant blind (shown at the top) and a silk room divider (left side) which are both remainders of the Heian Court (794-1160). Cranes and plums represent longevity, harmony and women’s beauty along with their strength...

Elegant, new 4-strand white Japanese cultured Pearl Necklace (3.5-4 mm. diameter) set with 18K Gold and 1 genuine Yellow Ceylon Sapphire @ 7.05 ct. and 2 genuine square cut Blue Ceylon Sapphires @ 0.59 ct. total weight as well as 94 Diamonds @ 1.75 ct. total weight. Our own design and a stunning one-of-a-kind necklace!

A very elegant and mature tsutsu style chawan created by Ito Tozan III (1900-1970), third generation of the Ito Tozan line of potters. Tozan, who at one time worked in the kiln of Hamada Shoji, learned pottery from his father Ito Tozan II (1871-1937) and his grandfather Ito Tozan I (1846-1920) from a very young age...

A fine and elegant globular shaped porcelain vase with a long, thin neck with a twisted pattern made by Tokuda Yasokichi III (1933–2009) . It is covered in his typical in saiyu technique glazes: gradations of Prussian blue/greenish, light & dark blue and deep purple. Fully signed & impressed mark: Kutani Masahiko on the bottom. It comes with original signed storage box (kiri tomobako) and with documentation paper. H. 22 cm x Diam 12 cm...

Delicate white “Mountain Priest Flowers”, called Yamaboshi in Japanese (Kousa Dogwood) decorate this vase by Shimada Fumio enclosed in the original signed wooden box titled Saiji Yamaboshi-mon Hishigata Bin. It is 25 x 9.5 x 35 cm (10 x 4 x 14 inches) and is in excellent condition. br> Shimada Fumio is undoubtedly one of the greatest artists working in porcelain in Japan today...

Old Hakoseko (Japanese tissue holder) for times when women wear formal kimono. They are placed in the chest area with the chains of the kanzashi hair ornaments hanging from the obi belt. The colors of the embroidery are soft and shinier (silk threads) than shown in the photos. The background is in a soft creamy color (shioze silk). The color of interior is reddish orange. Kanzashi is gold plated, thick and heavy (approx. 1", 2.5cm in diameter) with an interesting butterfly design chiseled i...

A superb elephant shaped incense burner by Miyanaga Tozan enclosed in the original signed wooden box titled Seiji Zo Koro. Extreme clarity in the fine details, I will let the photos speak for themselves. It is 6 x 4 x 6 inches (15 x 10 x 15 cm) and in excellent condition. It comes with a pamphlet dated Showa 16 (1941) the last year of the artists life.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated fr...

The elephant is made of hard enameled porcelain, the artist modeled it with care, it is very likely that it was created using several molds. It carries on its back a vase which serves as a receptacle for incense. The statuette is hollow, vents to evacuate gases during cooking were discreetly made under the ears. Examining the underside we can see the shrinkage slots in the porcelain, which could have broken during firing. In the 19th century it was difficult to fire porcelain with this complex...

The flattened surface of this elevated dish is scored by the artist fingers and covered in a smattering of green ash glaze by Murakoshi Takuma enclosed in the original signed wooden box titeld Hai-yu Yubi-mon Sara. It is 23 x 20 x 5 cm (10 x 8 x 2 inches) and in perfect condition, directly from the artist.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a living through pottery, but through his primal approach has earned a following w...

Elizabeth Keith (1887-1956)
Chinese Matriarch, Soochow
Date: 1934.
Sheet size: 17.625 x 13.625 inches. Image size: 13.25 x 11.75 inches.
Publisher: Watanabe Shozaburo.
Signed and titled in pencil by the artist.
Medium: Colored etching.
Provenance: Henry McBride collection.
Condition: Upper right corner margin crease. Tape at top back margin.
Notes: Richard Miles opined that this is one of Keith's greatest images and noted that the etching was produced...