Fine earthenware vase of satsuma decorated with excellently drawn dancers. The positions of the bodies, the volumes and the perfect impression of movement announce a very good painter. Unfortunately it is anonymous because there is no signature. Good condition. Height about 40cm.

Vase in fine Satsuma earthenware enamelled in Osaka in Yabu Meizan's workshop at the end of the 19th century around 1890. The decoration is compartmentalized in 4 cartouches and represents the 4 seasons. The landscapes are meticulously painted, the details are surprisingly elegant and realistic. For winter, a snow-covered port is represented, the trees are heavy with snow, everything is motionless, padded. The cartouches are surrounded by a beautifully painted thousand-flower background...

Satzuma fine earthenware tea bowl by Nakamura Baikei (1868-1912). Decor of a palace or a temple rising in a snow-covered lake landscape and animated by numerous characters. Drawings very finely executed by Baikei who was one of the best artists in Satzuma. His works were widely copied. Its production was of irregular quality, sometimes weak, rarely excellent. The bowl presented here is one of his best creations, if not the best, because it is perfect...

A voluminous Chawan Tea bowl by Sawada Hayato enclosed in the original signed wooden box titled Kakusai Chawan. The hand built angular form is slip glazed with black clay inlayed creating paleolithic pattens tinged with red. It is roughly 15 cm (6 inches) wide, 9.5 cm (just under 4 inches) tall and in new condition...

A large Tsubo with ruptured rim burnt to a mellow orange with a dusting of natural ash glaze on the shoulder by important Shigaraki artist Sawa Kiyotsugu enclosed in the original signed wooden box titled Shigaraki Tsuboi. Comb marks sweep the surface like rake marks in a Zen garden, a meandering trail scored into the side like a mountain path. Slightly misshapen, it is roughly 30 x 31 x 33 cm (12-1/4 x 12 x 13 inches) and is in excellent condition.
Sawa Kiyotsugu (b...

A most exciting find, a scroll by five of the greatest scholar-painters of the Meiji period, Tanomura Chokunyu, Suzuki Hyakunen, Tomioka Tessai, Nyoi Sanjin and Yamanaka Shinten-o; all of whom resided in Kyoto during the Meiji period. Ink on paper in a brown cloth border befitting the Daoist figures. It comes in an annotated by by Tessai from 1911. The scroll is 29-1/4 x 75-1/2 inches (74 x 192 cm) and is in excellent condition...

Japanese scholar's bronze water dropper in teapot form decorated with shishi dogs. In excellent condition with a wonderful warm patina that is sure to please, it measures 1.75" in diameter (2.25" across including spout) x 1.5" high (2" high with handle up).
Note: there is paper residue on the bottom from an old tag or label.

A set of scholars desk items, including a Chinese Qing dynasty crystal brush rest in the form of two mountains, Chinese crystal stamp carved with four characters between dragons, and an unusual obelisk written with the Nichiren Buddhist epitaph Na-mu Myoho-ren-ge-kyo in radical script over textured surface, glass or crystal. We have been unable to find a single inclusion in the obelisk, making it either a perfect crystal, suiting a religious object, or glass...

Honda Tenjo enclosed in the original signed wooden box titled Seven Great Men. Ink on paper in a superlative silk mounting with ivory rollers (they will be changed if exporting). It is 26 x 85-1/2 inches (66.5 x 217 cm) and is in excellent condition. Honda Tenjo (1867-1946), born in Tokyo, initially studied western painting for five years under Kondo Katsumi before moving to Nihonga under Kano Hogai. Along with Okakura Shusui and Oka Fuho was to be called the four pillars of the Hogai Studio...

Unique handworn / polished natural burl wood brush rest in the shape of a mink okimono. The low long shape makes for an ideal brush rest for an calligrapher...

A dry ink on paper image of mushrooms growing up along a garden stone dated 1874 by Tani Nyoi (1822-1905). The scene is signed Nyoisanjin, and dated the second month of 1874 hemmed in by origami cranes on cream satin in a field of rough pale green silk and features dark rosewood rollers. The style is very much in the literati tradition predominant during the early Meiji. The dry vigorous strokes evoke a sense of fleeting solidity, as if wind were about to blow the light paper away...

SCROLL OF SUMO WRESTLERS

Pictures of various sumo wrestlers and kanji words of 'hono' (dedication), titled "Untiring nerve" as its contents is like mental direction. Kaei 6 (1853), Edo period, Japan. 105 x 13.6 cm (41.33 x 5.35in)...

SCROLL OF YOSHIO

Very easy and simple drawing (fish, kanji character as fish, and this artist's name) by a Japanese child named Yoshio, mounted to very serious hanging scroll though don't know why. Showa period, 20th century, Japan, approx...

A row of begging monks with bowls, hossu and ruyi scepters, emaciated into skeletons. At the end walks a cat skeleton. Black ink and some color on paper. Signed and sealed. Unidentified artist. Japan, early 20th century.
Image 50 ¾ x 19 in. Total length 75 ½ in.
Excellent condition.

Comes with wooden storage box (not inscribed).

Hanging scroll. The eight-armed deity, bearing arms and jewels, and a coiled snake (the deity Ugajin) on her head, sits on a lotus-leaf-seat, flanked by Daikoku. Before her are the 15 disciples, or jugo doji. Ink, mineral colors, gold and gofun on silk. Japan, Edo period, 18th century.
Painted area: H 37 in. x W 15 in.
Mounting severely damaged. Painting with few horizontal crack in middle section and short one at the upper left, gofun rubbed, all in all very good original condition (...

Hanging scroll. A circle on a black background, divided into ten sections around a white central circle that holds the character ‘shin’, meaning heart or soul. The ten sections represent the ten realms that are the ten possibilities of rebirth. On top the four realms of enlightened beings: Buddhas, Boshisattvas, arhats and pratyeka Buddhas. Underneath, the six realms (rokudo): Heavenly beings, humans, Bellicose demons (Ashura), animals, hungry ghosts and hell. Ink, mineral colors, gofun and ...

Half portrait of Daruma in bold strokes of gray and black. Lower right signature Isshin hitsu and two seals. Black and gray ink on paper. Painted area 36 ½ x 8 ½ inches. Toned, some horizontal creases, repaired missing area at lower middle. Celluloid scroll ends.

Feel free to ask for more pictures.

Hanging scroll. A dragon shoots upwards through the clouds. Its head clearly visible, pointing straight up, the tail faintly disappearing in the darkness of the sky. Black ink on silk. Very skillful use of many shades of black and gray. Signed and dated in the lower left: Bunka year of the dog (1814), Fuyu and artist’s red seal Rintai.
Japan

Image: H 52.5 x W 20 in. Mounting: H 81.5 x W 25 in. (lower roller 27.25 in. wide)

Mounting in excellent condition, painting too.