Japanese Ginbari Cloisonne Vase from the Showa Period, circa 1930-1950s. Red body with plum blossoms on a branch. The red color used on the vase is known as, akasuke and is thought to be the most difficult color to produce and only the most skilled artisans can successfully produce its ruby red color. To create its color, gold is mixed with a glass like substance and is applied to the object and fired at a low temperature. It measures 5" tall, 1.25" opening, 2" base...

Green cloisonne vase with scrolling leaf pattern. Circular mark and signed SATO on the base. Excellent condition no scratches or dents. Taisho/Showa Period, circa 1930-1950. It measures 1.75" opening, 2.5" base 7.25".

Japanese beautifully decorated small long-necked pewer with handle, porcelain with raised design of painted butterflies and chrysanthemums, on a ground of tiny raised dots of yellow, gold painted details, printed mark of crossed flags on bottom, early 20th century. Size: 6 1/4" high

Set of 8 beautiful vintage Japanese scalloped porcelain plates from the mid 20th century. The plates are decorated with flowers and other patterns. The outside of the plates are decorate with a blue scrolling pattern. The base is marked with 6 characters. They measure 8" wide.

This is a very attractive Cloisonne jewelry chest from Inaba. It is a vintage piece, but still there a lot of work that went into this jewelry chest. It is decorated all over. There are two working drawers and both sides of the doors are also decorated. In the bottom area is a wind-up musical mechanism, that does work. The Phoenix Bird decoration on the top is very nicely done. The box is very heavy and it measures 7 1/4 inches tall, 6 inches wide and 3 1/4 inches deep...

A massive celebratory image of Tai (sea bream) by important 20th century artist Imai Keiju in superb mounting enclosed in a wooden box signed Gorei. These fish have attitude! Sea Bream are an auspicious image in Japan due to their name (Tai) which is a homonym with medetai (celebration). The pigment on silk image is framed in patterned brocades and features bone rollers. The scroll is 51-1/2 x 78 inches (130 x 199 cm)...

Shapely vintage Japanese wood crane, bending with fish in beak, naturalistic. Artist signature reads "Taro". Showa Period c. 1950 Size: 20.75" height x 10.5" length x 6.75" deep.

DESCRIPTION: This vintage eight-sided Japanese platter is raised on a square foot with blue underglazed geometric designs covering the flat interior and with chrysanthemums scattered over diagonal cross hatching around the raised edges. Perfect condition with no chips, cracks or repairs, and dating to the first half of the 1900’s; maker’s mark and collector’s stickers are on the back. DIMENSIONS: 10 ¾” square (27.4 cm) x 1 5/8” high (4.1 cm).

Kawase Hasui
Late Autumn at Lake Yamanaka
Size: Oban. Approximately 15.25 x 10.5 inches.
Date: 1947
Publisher: Watanabe Shozaburo. Bears the Watanabe 6 mm seal, consistent with a lifetime strike and first edition.
Condition: Excellent. Light tone at margin.
A breathtaking view of Mount Fuji with sunlit foreground in a rarely seen Hasui design.

Beautiful Japanese small cloisonne jewelry box with three drawers, the entire box is decorated with intricate cloisonne scenes of birds and flowers; the front with the three little drawers has a peacock standing on a rock with peonies and blossoming plum tree, the right side has peonies and blossoming cherry branch, the left side has a maple tree with a bird in flight, on the back is a lovely scene of a pair of pheasants on a rock with a profusion of cherry, peony and yellow iris blossoms;...

The size of Kogai with Metal end: 5 7/16" Long, The size of Lacquer Kogai: 5 1/4" L x 5/8" W. Metal ends Kogai, Hair pin made by buffalo bone I think. It is removable as photo showing. Each end has Kinbari(gld filled) finish. It has "Kinbari" marking on each end as last photo showing. Kinbari(gold filled) is heavier than Kin-mekki(gold plated). Other is lacquer finish over some king bone. It is pretty light but not plastic. The condition of metal ends Kogai is excellent condition...

Paul Jacoulet
L'Attente, Celebes Menado
Size: Dai-oban.
Date: September 15, 1947.
Edition: 175/350.
Carver: Maeda, Printer: Fujii.
Condition: Excellent.
"The pink background is sprinkled with bits of silver leaf… The curl of smoke from the lady's cigarette is gauffrage." - Richard Miles, The Prints of Paul Jacoulet.

Paul Jacoulet
Les Perles, Mandchoukuo
Size: Dai-oban.
Date: December 28, 1950.
Edition: 297/350.
Carver: Maeda, Printer: Ogawa.
Medium: Japanese woodblock print.
Condition: Very good color and condition. Toning at back.
"More than 300 individual impressions of nearly 60 blocks were needed to create this ultimate technical tour de force of twentieth century art." - Richard Miles, The Prints of Paul Jacoulet.

Paul Jacoulet
Le Mandarin Aux Lunettes, Mandchoukuo (The Mandarin with Glasses, Manchuria).
Date: May 22, 1950.
Size: Dai-oban. Approximately 19 x 14 inches.
Edition: 231/250.
Carver: Maeda, Printer: Uchikawa.
"Note the mica of the lenses, made by using crushed pink pearls." - Richard Miles, The Prints of Paul Jacoulet.
Medium: Japanese woodblock print.
Condition: Slight fading. Toning on verso.

Paul Jacoulet
Le Nid, Coree (The Nest, Korea).
Date: December 14, 1941.
Size: Dai-oban.
Edition: 120/150. Prints from this original edition of 150, which has more muted colors, are exceedingly rare.
Carver: Maeda.
Condition: Very good...

A beautifully decorated lacquer box dating from the 1930s or 1940s enclosed in a signed wooden box. Inside silver flake on shiny black, outside what appears almost a matt finish, of dark soft orange-peel texture with brilliant designs in raised gold and silver maki-e wrapping around the edges. The artists signature can be discerned in the nashiji beneath...

Charming Japanese fan painting depicting a small bird on a branch, painted in ink and light color on paper, attributed to Kawabata Gyokusho (1842-1913), Meiji period circa 1900. Size: 17" long x 6" wide.

A superb Sajigawa stone of deep olive patina, completely natural, on a carved rosewood base and enclosed in a fine old straight grain wood box. Notice the entirely natural arch growing between the two spires. This is incredibly rare and a fine prize. This would be considered a house shaped stone, reminiscent of a farm-house and its adjoining out-building, a covered passage between. Saji stones come from the Saji river in Tottori prefecture...