This charming Japanese netsuke has the face of Noh theatre character surrounded with intricate basket weave pattern. It is signed under the chin dimensions 2.5 x 2 x 1 inch

Japanese antique 4 section butsudan (Buddhist shrine for household use). The exterior is lacquered all black with double cabinet doors to the shrine area. The interior of the butsudan is lacquered gold and black and has ornate carved details of phoenixes and a dragon just below the shrine roof area. Details of birds and waves are carved in the area below. The interior shrine compartment has a slide out tray as well as a small compartment with gold lacquer sliding panels...

Japanese scholar's bronze water dropper in teapot form decorated with shishi dogs. In excellent condition with a wonderful warm patina that is sure to please, it measures 1.75" in diameter (2.25" across including spout) x 1.5" high (2" high with handle up).
Note: there is paper residue on the bottom from an old tag or label.

A very rare painting of a skull and scattered bones lost to autumns dead grasses by important 20th century Zen priest Takeda Mokurai. Ink on paper bordered in brown cloth with gray extensions; dark wood rollers. The scroll is 16 by 68 cm (40.5 x 172.5 cm) in fine condition.
Mokurai began his journey down the Buddhist path at the age of 7 under the priest Ryodo...

Fantastic antique Japanese Kutani ware sculpture of one of the fortune deities known as Hotei. The figure is carrying a child who is trying to clean the ears of Hotei. Hotei is interestingly dressed with motifs of dragons and scrolling clouds, inspired by Chinese brocades. The different symbols used on the figure are associated with the auspicious character of the deity. Age: Taisho Period c1912 Size: Length 5" Width 4" Height 10.5"

A beautiful antique Japanese Imari ware bowl. The bowl is decorated with motifs of phoenixes, plum flowers, scrolling vines, peony like patterns, and other geometric patterns. The bowl contains a pomegranate symbol on the bottom. Age: Taisho-Showa Period Size: Diameter 10.25" Height 4.2"

Lacquer covers the natural curves of this wood tray for use in the service of Sencha leaf Green Tea. It is 10 x 14-1/2 x 1 inches (25.5 x 37 x 2.5 cm). The bottom shows wear typical of use.
The importance of Sencha in the late Edo and Meiji periods cannot be overlooked, and has been studied in depth in the book Tea of the Sages, the Art of Sencha by Patricia Jane Graham.

Hinagata (sample book of hanten (short jacket) design which is wood-block print. Hinagata is a sample design book and it was for customers when they make orders. The designs are stencil-dyed in the back of hantens which were worn by workers such as shop clerks, fish market workers, firemen and so on. This book is a remake of the original book as the ground paper had many damages so that the original design hantens were cut out and pasted on Japanese paper and newly bound...

A elegant and luxurious cigarette set by Ikkakusai, Nagata Tomijiro. The work is a combination of silver, woven strips of wood, and lacquer. The exterior section of the lid has two fan shaped silver plates insets with traditional motifs of bamboo, lingzhi (reishi), and the sage jurojin. The box has a metal and glass ash tray, a compartment for a lighter, and below a drawer for extra cigarettes. Cigarettes became popular in Japan during the Taisho and early Showa Periods...

Gazing at the back of the traditional Maiko apprentice, pins and combs hold her coiffure perfect, our eyes travel down to the neck revealed as it joins the white painted shoulders, the luxurious kimono with its signature high and draping sash: She has the two of hearts! A very unusual painting reflecting the oddities of western influence at the opening of the 20th century by Matsumoto Ichiyo (1893-1952)...

Pair small Japanese blue and white porcelain dishes. Hawthorne style decoration of prunus branches in bloom. Verso with three prunus branches. Blue underglaze mark centered within the foot rim. Fair to decent condition with a few frit like flea bites to the glaze along the rims. No cracks and no hairlines. Diameter each about 7 1/8 inches (18.1 cm)

This adorable antique Japanese Sumida Gawa vase has turned iron-red body, neck covered with a glaze of various shades of grey, green and black dripping down the shoulder and into the mouth. With children carrying a Buddhist drum and seated on the side of the vase. This piece is signed on a glazed plaque on side.

Condition: The vase is in good overall condition. As the photos show there is minor old damage; one of child's hand is missing and there is a crack on the body...

Antique big porcelain bowl of Kutani ware made by greatest Eiraku Kutani at the end of the Meiji Era, around 1910.

All overglaze images and patterns are tastefully hand-painted in great colours.

The signature of the potter is written on the bottom.

We sell it with its original signed woodbox. Very good condition, no chips, no cracks.

Size: 10 cm height x 20,4 cm diameter.

Shipping included

A Japanese iron garden lantern often referred to as a toro. Often these lanterns are placed within a garden setting to guide guests towards a tea house or an entrance to a building. The iron lantern contains a short inscription with the date when the piece was made (first year of Taisho, 1912) and that the lantern was made by Yojiro. Age: Taisho Period Size: Height 19" Diameter: 18.5"

Japanese red lacquer on wood and brocaded Silk Obi Fabric top Folding Stand, 17 1/2" high, 18" wide, 14 1/2" deep-maximum(when opened), and 24" high, 14 1/2" deep(when closed), later part of Meiji period early 1900's, silk fabric has no open seam, all one(1) piece of silk Obi fabric, woven for this stand when it was made. The eight(8) metal caps have impressed design. There are some dull lacquer area from the usage but no damage.

Lovely black lacquer Japanese vase with 2 crickets. On the back side is a red dot (2 gold dots are on the front), a very interesting and subtle design element. Note in the photos, there is some minor chipping around base. Measures: 8.5" high, 4.25" across shoulder.

Something I have never seen before, a set of pillows for one couple from Shimabara, one of the oldest pleasure districts of Kyoto, enclosed in the original Kiri-wood storage box. The man’s pillow is a simple roundel of soft leather. The woman’s, made for a geisha and her elaborate coiffure, is a small tapering black lacquered box with a drawer for a hair pin, to the top of which is secured a brocade pillow with a silk chord...

An early snow covers the branches of a ragged pine, the clutches of autumn still evident in the red tinged leaves of ivy clinging tremulously to the limbs. This is a spectacular large Kyo-yaki work signed on the base Seifu and enclosed in a period wooden box. Dating from the late 19th to early 20th century, it is nearly 10 inches (25 cm) diameter, 5-1/2 inches (14 cm) to the top of the lid and in excellent condition. This is the work of Seifu Yohei I.