A very important find and a great day for the serious Satsuma collector who acquires this exceedingly rare pair of plates of breathtaking beauty, detail and color by the renowned Satsuma Master, Ryozan, depicting the two Goddesses of the Seven Lucky Gods, Benzai-ten and Kichijo-ten (Kichijo-ten sometimes replaces Fukurokuju in portrayals of the Seven Lucky Gods)...

19th century Japanese single-section lacquered wood merchant tansu with black iron hardware and locks with floriate buttons, bronze hirute handles, and featuring fourteen drawers of assorted sizes. Each side has one iron side lift carrying handle. 36" wide x 30 3/4" high x 16" deep. Very good overall condition with the original lacquer finish and intact hardware...

This pair of Japanese handmade long square cut nails are 5" long and appear to have never been used. The nail heads are solid and shaped into a hemisphere. The silver colored decorative metal escutcheons have scalloped edges and markings to represent a flower. The escutcheons are just under 1" in diameter and have a squared center hole which exactly fits the nail shank.

Beautiful and rare Japanese antique choba tansu (merchant's chest), made all of heavy keyaki (elm) wood, keyaki wood bracing on sides and back, original deep reddish brown translucent lacquer finish with wonderful patina, heavy iron hardware, interior has 2 drawers, Edo Period c1800. Size; 36 1/2" high x 40" wide x 23 1/4" deep.

Antique Japanese Futon Tansu Section with vertical slats on panel doors. Meiji Period, circa 1860s. Excellent condition. Size: 73" Long 31.5" Deep 39" High.

“Kinokuni Hill and Distant View of Akasaka Tameike” from the series “One Hundred Views of Famous Places of Edo” by Ando Hiroshige (1797-1858) dated 9/1857. The print depicts the forward guards of a daimyo procession with the houses of Akasaka district in the background. The print measures 13 5/8”V x 9 3/8”H (image: 13 ¼”V x 8 5/8”H). Signed within a red cartouche at the left. The title and subtitle cartouches are at the upper right...

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting the actor Iwai Hanshirô VII in the role of Koman from the series "Actors at the Fifty-three Stations of the Tokaido." This image is Station 48: "Seki" published by Sumiyoshiya Masagoro in 1852/3. Very good color and impression quality, with fine delineation of the hair not apparent in the images...

White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map. Banko Yaki had previously been made in the early Edo Period in Kyoto...

Japanese antique 2-section mizuya (kitchen tansu), from the Niigata area of Japan, made with keyaki wood on front and side bracing, deep orange / red original translucent lacquer finish with wonderful deep pantina, iron side hardware, unusual lacquered wood carved drawer knobs, each compartment with one long original shelf, Edo Period (18th/19th century). Size: 68" high x 68" wide x 20 1/2" deep.

Unique old Japanese yogi (kimono-shaped futon bed cover) from Kaga, a weeping willow tree with a butterfly family crest, 57" x 72", Meiji Period (1868-1912).

Kaga, located in today's Kanazawa prefecture area, was known as "Kaga One-million Koku", the wealthiest domain next to the Tokugawa Shogun family during the Edo period (1603-1868). Each domain was assessed its wealth measured by "koku." Most samurai received stipends in koku...

Huge (36 inches, 91.5 cm across!) Japanese Meiji Period (1868-1912) Cloisonné Charger with Flower and Bird motif. This is one of the most fantastic 19th Century Japanese Cloisonné works we have ever seen. The colors are magnificent and most vivid on a Robin Egg Blue field framed with a gorgeous pattern. The size is amazing and with the stunningly rendered flowers and birds, it makes for a rare, breathtaking exhibitor work of art that will be a spectacular center piece for any home or office...

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting an actor portraying a samurai sitting on a veranda overlooking a garden with a beauty in the center panel. Published by Joshuya Kinzo prior to 1842. Each panel bears the signature "Gototei Kunisada ga", a publisher's seal, and the kiwame censor's seal used from 1790-1842 (see enlargement 5). Each panel measures about 14 1/2"V x 9 1/2"H. Very good overall condition...

Japanese woodblock print titled "Poem #68" from an untitled set of women compared to the one hundred poets by Toyokuni III (also known as Kunisada). Signed "Kochoro Kunisada ga" at the lower right. This series was published by Sanoya Kihei (Kikakudo) circa 1844-1848. The print depicts a beauty in a kimono kneeling and holding a lacquer tray of snacks. Above her is a book-form cartouche containing the poet with whom she is being compared...

Japanese woodblock print depicting an actor portraying a seated samurai. The image is signed at the left side "Ichiyusai Kuniyoshi ga" (1797-1861). The red Yoshi Kiri seal is beneath the signature. The print was published by Ibaya Senzaburo between 1847-1848. The paper measures 14 1/2"V x 9 7/8"H. It is most likely a panel from a triptych. Very good overall condition with excellent color. The print is not backed...

Edo Period Japanese woodblock print triptych by Kunisada II (1823-1880) titled "Moon" from the series "Snow, Moon and Flowers" published by Yamamotoya Heikichi in 1852. Each panel bears the signature "Kunisada ga", a publisher's seal, date and censor's seals (see enlargement 7). Each panel measures nearly 14 1/4"V x 9 7/8"H. Very good overall condition. The triptych is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains. There is an ink spot on the b...

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting actors portraying a scene from the kabuki theater. Published by Yamazakiya Seishichi in 1855. Each panel bears the signature "Toyokuni ga" in a red cartouche with yellow snow, a publisher's seal, date seal, and censor's seal (see enlargement 5). Each panel measures about 14 1/2"V x 9 3/4" - 10"H. Very good overall condition with margins. The triptych is not backed and the baren marks and image are cle...

Japanese Edo period woodblock print from a small series featuring bust portraits of actors portraying two opposite charactors in old and current plays set against calligraphy by Toyokuni III (also known as Kunisada) collaborating with Torii Kiyomitsu II (1788-1868) dated 1852. The lower right corner bears the signature cartouches of both artists, censor and date seals, and the seal of the publisher Joshuya Juzo. The paper measures 14 3/4"V x 9 7/8"H. Very good impression quality with lacquer hi...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...