An antique Japanese Kyodai (mirror stand) made of beautiful Toneriko (Ash) wood. Articulated swivel mirror opens to a compartment of drawers, shelves and a removable tray where make-up and beauty supplies were stored. Hand mirror slides into its holding slot along the side wall. Original bronze hardware. Side carrying handles were hand carved to depict seashells...

Impressive antique Kuro Raku Chawan, over 100 years old, by great artist Rintaro Ohashi with family crest. The bowl was made in Taishō era 8 (1919), its also written on the inside of the lid. I comes with the originally signed and sealed wooden box.

No chips or cracks.

Size: 8,2 cm high x 11,8 cm in diameter.

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This is additional photos of Exhibitions items at
The Cleveland Museum of Art.
Exihibition is now open and thru 3/10/2024 (Sun).
I hope you enjoy the photos of wonderful items.
We were very excited to see all of these items gifted
to Cleveland Museum of Art by Mr. James and Mrs. Christina Heusinger.
Please note, all items showing are not for sale.

There are many items in one room with a lot of focus needed as the name
of this Gallery. You really have to spend the time with individually when visit Gallery.
My photos are showing only partial collection. So the best way to study
individual item will be obtaining exhibition catalog "Colors of Kyoto" written by
Dr. Shinya Maezaki and Dr. Sinead Vilbar. It will give you great insight of
Seifu Yohei’s process of their creation in Kyoto during those years...

Two(2) Japanese Kiri Wood Storage Boxes, old meiji period, larger box(9 3/8" x 7 3/8", 3" high), smaller(7 1/2" x 4 1/2", 2" high, both boxes are in good used condition.

Japanese Kiri Wood Old Storage Box, divided 2 sections inside, outside box(8 3/4" x 4 1/4", 7" high, inside each size(3 3/4" x 4 1/8", 6 1/4" high), in good condition.

Futonji (bedding) with tsutsugaki phoenix and paulownia tree design which is made of hand-spun cotton and vegetable indigo dye and colored with pigments. Phoenix is an imaginary and sacred bird by Chinese lore which perches on paulownia tree and eats fruits of bamboo. Tsutsugaki technique is excellent with fine freehand line. In excellent condition. Meiji period. 134cm x 162cm

The title does not lie, this is one against which all others might be measured. A celebratory sake set consisting of three cups and a stand enclosed in their original lacquered wooden boxes. The cups are over the top, decorated with plum pine and bamboo in taka-maki-e gold over red replete with bits of kirigane gold and ke-uchi details. The cups are equally gorgeous on top and bottom, the design extending even inside the foot ring...

A splendid set of five Chataku Tea Cup Saucers of turned wood decorated in ridiculously thick lacquer floral decoration by Ikkokusai enclosed in a fine wooden box signed by the artist and dated Meiji 39 (1906). Accompanying is a note stating the set was received as a gift upon visiting the Naganuma Ryokan during a trip to Hiroshima in the fifth month of Meiji 43, accompanied by the name Kayanomiyasama. Kaya-no-miya were a collateral branch of the Japanese Imperial family...

A sample book of wa-sarasa (Japanese sarasa) with 106 fragments on 43 sheets of paper board, mostly made in Meiji period (1869～1912) and some from early Taisho period (1910s). Originally it has 45 sheets, but 2 (3rd and 20th) are lost. The dye techniques are katazome (stencil-resist-dye) and print. The book is published by Kyoto Shoin in Showa 42 (1967). The 4th among limited 60 issues. 27cm x 35cm x 5cm.

Japanese ivory netsuke depicting the Buddha's Hand or Fingered cedar among the leaves, a scented ornamental citrus fruit, a very important symbol in Buddhism, in the shape of a hand, originating from China and Japan where it is grown for religious purposes. The surface of the netsuke precisely reproduces the natural texture of the fruit, which is not smooth but characterized by roughness and pores. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.2×2.3×2.5 cm. Stat...

Bronze okimono with excellent color and dark brown patina depicting a geisha signed Seiya sei. The scene depicts her walking on her geta dressed in an elegant kimono while she holds her fan aloft as a gesture of greeting. The kimono is embellished with a large obi that wraps around her pelvis and holds the pillow tightly behind her back...

A Taisho period Lacquer writing box of superb quality decorated with a design of a stone lantern under broad leaves enclosed in an age darkened kiri-wood box. The scene is performed with Thick slices of shell and lead inlay on black Ro-iro ground with Taka-maki-e and Hira-maki-e designs. Inside is finished in Kin-gin (gold and silver) Nashiji...

A rare Seto Chawan with wonderful glaze made by one of the best potters of the early 20th century - the 1st Shuntei Kato (1885 - 1961). This tea bowl was made over 100 years ago and it comes with the originally signed wooden box of the artist.

His real name is Kanae KATO. He was born 1885 as the third son of Shunsen KATO.

In 1907 he established a branch family, named himself Shuntei and became the first generation...

This is a japanese antique 1920-1940 cotton Buddhist Shugensha hanten coat worn by Shugen practitioners who practiced Shugendo. Shugendo is a unique Japanese religion that combines Buddhism, Shinto and the worship of nature (mountains). It has some light stains , but is in very good condition. Size::Length :80 cm (31.4 inch) / Sleeve to sleeve :130cm (51.1 inch) / Back width :65cm (25.5inch)

Hemp furoshiki with tsutsugaki tai (sea bream) and bamboo design, whose wefts and warps are hand plied. The family crest is Maruni-Katabami-Mon. Katabami is perennial plant, named oxalis. Hand-sewn but both hems are machine sewn. The sewing machine was already imported in late Edo period and probably it was used widely in Meiji period (1868∼1912). In good condition except for a few spots. Meiji period. Made in Kyushu. W:95cm, L:110cm

Wood urushi plate with kin-makie (gold lacquer) of "Yajirobeh"", a balancing toy motif. In good condition except for a mending, however, it is done by a professional and no serious problem. Meiji period (1868~1912) Diameter:16.5cm, Depth:2.7cm

Length: 30 cm (12 in)
Height: 14.5 cm (5.9 in)
Depth: 11 cm (4.4 in)
Weight: 1.5 kg

Extraordinary statement piece; fine Japanese carved okimono of a resting elephant; the skin and bone structure and modelling of the piece is anatomically perfect throughout; the tusks are also wooden; a fine piece indeed; good condition