Large 1920's Japanese Sumida Gawa Ware Relief Buddhist Monk Vase Marked Sukari Fuji

It is 24.2 inches (61.47 cm) tall.

It has been repaired (replaced and repainted at various areas - with red circles). It also has small chips, rubbing of paint, glaze crazing, glaze cracks, cracks, firing cracks, and surface wears and scratches (as seen in the photos).

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Spectacular Taisho Period Ca.1920 Kamakura-Bori lacquered wood carving with chrysanthemum petals in beautiful relief. Ca. 1920. Good condition ( see Pics.). Ask for shipping quote.

Dry lacquer Noh mask depicting the character of Kokushiki-Jo and designed to represent divine blessings. Inscription at the back of the mask. Japan, early 20th century, maybe earlier. Height: 20.4 cm. Some chips around the rim, partly flaked lacquer, otherwise good condition. NOTE: This mask is used exclusively in "Okina", an ancient dance ritual said to be close to the roots of Noh. Okina is viewed as sacred and therefore accorded a different status from other items in the Noh repertoire...

Height: 38.4 cm (15.4 in)
Width: 18.5 cm (7.3 in)

Japanese large Satsuma square section vase; shows heavily-gilt polychrome Geisha and children surrounding the piece with details of the clothing picked out in colourful moriage diaper work; a flock of cranes are on the wing under the rim; signed to the base; good condition

An antique Japanese 2 section Nagoya Mizuya Tansu (kitchen chest) made of Hinoki (Cypress) wood. Cast iron hardware including the Warabite handles. Upper half features 2 pairs of sliding doors and a set of three side by side drawers. Lower half has 2 sliding doors with 2 side by side drawers. The shallow design would accommodate the narrowest of hallways.

Age: Taisho Era (1912-1920)

Dimensions: 35 5/8" Wide by 63 1/8" High by 14 1/2" Deep.

An antique Japanese Funa Tansu (captain's chest) made of Keyaki (Zelkova) and Kiri (Paulownia) woods. Original hand forged iron hardware including the Kakute style drawer pulls and the Warabite style carrying handle. Iron strapping over the exterior of the chest. Front security door opens to reveal 4 drawers. A secret hiding area is accessible when the lower drawer is fully removed...

BUNDLE OF PAPER

Somebody's accounts. Edo period, 19th century, Japan. 33 x 12 x 10cm (12.99 x 4.72 x 3.93in). Aged deterioration and rips.


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STATUE OF BUDDHA

Buddhist wood carving image, Edo-Meiji period, late 19th century, Japan. H 23 x W 8.5 x D 5cm (9.05 x 3.34 x 1.96in). Been more aesthetic and attractive with such defective but refined withered condition...

SHRINE AND MONKEY

Well-matched assortment of a naturally soot-colored wooden zushi (household shinto altar) with such blackened depth and a votive seated stone monkey sculpture in the ‘gassho’ praying pose with folded hands in such mountain-like well-abstracted silhouette due to aging.

Shrine: H 29.7 x W 19.3 x D 13.5cm (11.69 x 7.59 x 5.31in), Edo period, 19th century, Japan
Monkey: H 10.7 x W 8.4 x D 7.4cm (4.21 x 3.30 x 2.91in), Meiji period...

Antique Japanese silver baluster form vase decorated with a scene of a pair of doves among branches and wild flowers. Finely chiseled and with mixed metal details in copper. Signed by Miyamoto Kinsei and with stamp on the bottom.

Age: Meiji/Taisho Period (early 20th century)

Dimensions: 12 1/4" high x 5 1/2" wide

TO MIYOSHI SHRINE FROM YAMATO SUE

The letters made of copper plates originally attached to a votive wooden tablet dedicated from its worshipper named Yamato Sue to the Miyoshi-jinja shrine in Akita prefecture. Meiji period (1868-1912). Letter of Kami (God): approx. 11 x 13cm (4.33 x 5.11in). Besides, as seen the last three photos, changeable to "God of Clay", "Eros", and "Excellent luck" by free anagram arrangement...

Antique Japanese tall stone sekitō (pagoda) with five tiers. Made of granite and carved in 9 stacking pieces. The central square section is carved with a seated Buddha on four sides. The top spire is carved with 9 tiers between lotus petals. The surface has a beautiful patina and is covered with areas lichen and moss.

Age: Meiji Period (1868-1912)

Dimensions: 101 1/2" (8ft, 5in) high x 26" wide x 26" deep

Antique solitary Awara-yaki chawan by great artist Kuze Tensei 久世天声 (1878 - 1933) around 1915 (Meiji Period).

He studied art under Yamada Kei while working as a teacher at Ishikawa Technical Senior High School. In 1914, he moved to Awara Onsen in Fukui Prefecture (a classic hot spring town) where he set up a studio and kiln and created Awara-yaki using clay from the area to produce Kyo-ware style ceramics, which often won prizes in exhibitions...

An impressive Kuro Raku Chawan made by the legendary 12th generation Kichizaemon Kônyû (1857-1932). The name of the Chawan is „Akebono“ - Sunrise.

His childhood name was Kozaburo, later became Kicho (or, Yoshinaga). He was the eldest son of Keinyu, the eleventh generation master. In 1871, he succeeded the family business and became the generation master. In 1919 he retired and took the name as Kônyû. He enjoyed his retirement in practicing tea ceremony and writing haiku...

An amazing small wooden figure covered in with glass eyes made in the hyper-real likeness of a Rakugo-shi Comic storyteller, dressed I traditional Hakama trousers and seated on a large cushion clutching a fan in his right hand. It is 19 cm (7-1/2 inches) tall, while the cushion upon which he sits is 19.5 x 15.5 cm (just under 8 x 6 inches) and the figure is in excellent condition. There is what appears to be a signature on the bottom; Ta?Saku...

A carved lacquer box which pays homage to Chinese literary taste while presenting itself clearly in a modern, Japanese way (for turn of the century lacquerware at least) by 2nd generation lacquer artist Ishii Yusuke enclosed in the original signed wooden box. The tsuishu lacquer technique requires applying layer upon layer of lacquer which is then carved through and polished, a painstaking process...

A sage, strikes a forever pose as he stares into the distance, robes billowing in the wind, contemplating the troubles of lesser beings, a fan clutched behind. This is a beautiful bronze sculpture dating from early 20th century Japan paying homage to the literati and Confucian traditions which formed the basis of Japanese ideology at the time. It is signed Kiyoshi with an engraved signature on the hem of his robes...

A beautifully turned bowl lacquered burnt orange-red over a black foot dating from the late 19th to early 20th century enclosed in an old kiri wood box titled Negoro-nuri Kashiki followed by a signature. The faintest brush strokes in perfect lines swirl around the outside, and cross the bowl inside. The bowl itself is also signed in red on the base. It is 18 cm (7 inches) diameter and in excellent condition.