Yuki-boshi (snow hat) made of weed and from Shonai region in Yamagata prefecture in Tohoku district. It is said it was worn by "matagi", a hunter. It has fragments of washi dyed with kakishibu (persimmon tannin) for waterproof. The second half of the 19th to early 20th century. In good condition. 45cm x 50cm

Arai Yoshimune
Pine Beach By Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s.
An early edition removed from its original matted presentation folder. Size: Chuban. Approximately 9.875 x 7.0 inches.
Publisher: Hasegawa
Condition: Faint matte line from original folder.
- A rarely encountered night scene design.

A pair of red lacquered sake cups with chrysanthemum and pampas grass (respectively) on ornate stands decorated with golden landscapes enclosed in the original compartmentalized wooden box titled Sansui Maki-e Hai-ki ittsui (One Set of Sake Stands with Lacquer Landscapes). They are 4-1/4 inches (11 cm) square at the feet, and in excellent condition dating from the early 20th century.

A sheer cascade of silver mist drops into the darkness beyond a golden outcrop harboring an ancient pine laden with blossoming wisteria vines. Togidashi, taka-maki-e and kirigane, this is a breathtaking box dating from the 19th to opening of the 20th century. Inside is elegantly decorated with drifting clouds of golden mist. Overall in excellent condition, enclosed in a period wooden box. It is 23 x 21.5 x 4.3 cm (9 x 8-1/2 x 1-3/4 inches).

A Japanese erotic ebony netsuke of Okame with ivory-eyed holding a large mushroom. Engraved Tomotsugu signature on the mushroom. Edo period 18-19th century Sizes: 4,5 x 3 x 2 cm Condition report: Good condition

Five matching boxes covered in black lacquer decorated with togidashi feathers in silver and gold enclosed in the original wooden box signed Shunji (active Meiji-Taisho period) and titled Hane-no-zu Maki-tabaco Shoshi (Feather decorated tabaco chest). Each faceted wood box has been covered in polished ink-black ro-iro lacquer, the diaphanous feathers then created on the surface with powdered gold and silver; then all is covered again in lacquer and polished through to reveal the design...

A Japanese cloisonnè vase of unusual shape worked with ginbari technique using transparent enamel with floral motifs. Meiji period late 19th century Sizes: 15 x 10 cm Condition report: Good condition

A Japanese paulownia wood Kashi-ki “sweet box” with leaves and flowers motifs, decorate with kijimakie lacquer design and gold parts, mother of pearl inlays and lead foil. Edo period 19th century Sizes: 13 x 10 x 6,5cm. Condition report: Good condition

Shotei Takahashi (Hiroaki) (1871-1945)
Shotei catalog title: Plum Tree Takes a Boat Ride
Japanese title: Sakigake Bune
Date: Pre-1923.
Size: Approximately 25.9 x 12.8 cm. 10.25 x 5 inches.
Shotei seal at upper right.
Publisher: Watanabe Shozaburo.
Reference: S-135 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Excellent...

Antique Japanese ceramic bizen ware sculpture of Ebisu and Daikoku, two of the most popular of the Lucky Gods. Diakoku, who is usually pictured standing on top of bales of rice, instead stands on top of a large ball. He is shown carrying a lucky mallet (Uchide no Kozuchi) and a bag of treasure which is thrown over his shoulder. He is the protector of agriculture, farmers, and rice merchants...

A pair Japanese porcelain plates decorated with a mountain hermitage and some roundels one containing a rabbit in the Ko-Kutani palette. Base with "fuku" mark, the rim with brown dressing and the underside with pine needles. Condition: fine, base with partial brownish stains and dull glaze. Dimension: diameter: 18.8 cm x 3 cm high.

A set of five dishes with twin fish design based on Song dynasty examples from the 13th century Longquan kilns in Southern China by Miyanaga Tozan I enclosed in the original signed wooden box. Inside the box is a dedication by the important turn of the century artist, scholar and sinophile Tomioka Tessai. Each is 13.5 cm diameter, 4 cm tall (5-1/4 x 1-5/8 inches) and all are in excellent condition.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics...

An incredibly large vase showing a blend of art-nouveau and traditional design motifs by Miyanaga Tozan I enclosed in the original signed wooden box. It is 46 cm (18-1/4 inches) tall and in excellent condition. This is perhaps one of the great examples of this artists work, blending elements of traditional Chinese, Japanese and European concepts into one breathtaking work...

A very rare colored figurine of a egret standing, foot raised, by Miyanaga Tozan I enclosed in the original signed wooden box. Known best for his celadon and sometsuke porcelains and tea ware, this figurine is a scarce example of his talent with figuration. Beautifully rendered in life-like detail, it is 21 cm (8 inches) tall and in excellent condition.
Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics...

Japanese bronze brown patinated representing a hare laying on a crescent moon.

Japan – Showa (1912-1926)
Height: 11 cm – 4,3 inches

The Hare is a very beloved animal in Japan. Each year, on the 15th day of the 8th month of the moon calendar, Japanese are celebrating “Tskukumi”, a party paying tribute to the hare of a tale.
A God decided to get down on earth as a starved man...

Antique Japanese bandori, peasant's woven back pad for carrying heavy loads. Woven of re purposed cotton cloth, this bandori is outfitted with shoulder straps and is folded on the bottom for extra padding. The back pad is made of cotton from two different textile: a brown striped cotton and light blue and white pattern on cotton. A bandori is made specially for the person carrying the load so it is beautifully unique in it's materials and construction...

A vintage Japanese Geta Bako (chest for shoe storage) made of Tochinoki (Horse Chestnut) and Hinoki (Cypress) woods. Two sliding doors hide a storage area separated by 2 removable wood shelves. Bottom drawers provide additional storage. The Geta Bako was traditionally used at the entrance to a Japanese home to allow family members to remove and store their shoes before entering the home. Age: Taisho/Showa Era (1920-1930) Dimensions: 22 1/2" wide x 38" high x 15 1/2" deep

Japanese Zenga scroll painting of a staff by the Zen master Nakahara Nantenbō (Toju Zenchu) (1839–1925). Born into the Shioda samurai clan in Saga Prefecture, Nantenbō lost his mother when he was 7 years old and was sent to Yukoji monastery to study as a novice when he was 11 where he became a monk of the the Rinzai sect of Zen Buddhism...