Han-haba (half width) obi for casual kimono. Wefts are silk yarn and warps are also black silk yarn. It has softer texture and thinner than sakiori obi. In excellent condition. 20th century. W:15.5cm x 2m92cm

Japanese scroll painting of a ghostly woman standing in a shoji doorway. Her robes are white, the color of death and her hair falls unkept around her shoulders. Tendrils of flame appear where rays of light shine down at an angle to catch on her sleeve. Painted in mineral colors and ink on silk.
Painted by Obata Chiura (1885-1975), painter and first professor of Japanese painting at University of California, Berkeley. Born in Ibara-cho and raised in Sendai, Japan...

sakiori obi whose wefts are strips from old silk and cotton kimono and warps are brown silk yarn. In excellent condition. 20th century. 9.3cm x 2m34cm

Japanese choba tansu (merchant's chest) from the Sakata area, made of keyaki (elm) wood with kiri (paulownia) wood interior. The upper and lower portions of the chest have drawers of various sizes. In the center is a compartment opened by two hinged doors. To the right of this is a safe box with a door that opens to reveal two small interior drawers...

Wall vase of irregular cylindrical shape. Middle brown stoneware with irregular natural ash glaze dripping decoration. Metal eye at the back for hanging. Marked with 3 dots at bottom, which is the mark of the Karatsu potter Nakazato Toraemon XII Muan. Japan, around 1960s/1970s.

H ca 7 in., W at foot 4 ¼ in.

Mint condition. The piece does not come with a box.

Nakazato Muan (1895-1985) inherited the artist name Taroemon XII, in 1927, following his father who was Taroemon XI...

A lovely small koro decorated with Chinese Bell Flowers by Kiyomizu Rokubei VI enclosed in a signed wooden box titled Kikyo Koro. Inside the box appears to be written Seimei Gama Yakisei (fired in the Seimei kiln) signed Rokubei. It is 10.5 cm (4 inches) tall and in excellent condition. A quintessential piece by Rokubei VI.
The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire...

A silk fukuro obi sash. On a background of woven gold-thread and cream-colored silk is a repeating diamond-shaped pattern of stylized flowers and feathers in gold-thread brocade and brightly colored silk (orange, yellow, green, blue, red and white).

Woven-in manufacture mark turned inside and obscured by the seam.

Japan, Showa era, ca. 1960s-1990s

L 169 x W 11.75 in. (ca...

A silk fukuro obi sash. In jacquard weave with 2 hues of gold-thread and red, green, yellow and brown silk. Clematis meandering upwards against a yellow-golden background, partially obscured by copper-golden stylized flower shapes.

The back of the obi is plain cream-colored silk, as is about 1.5 meters on the front, which would be invisible when wrapped around the body. The last 16.5 inches of the obi seamlessly fit onto the rest of the design.

Japan, Showa era, ca...

Chirimen (crepe) silk kimono imprinted with Okinawa bingata design of irregular bands of flowers and plants of the seasons, in roundels, on waves, on vines etc. The outlines and basic forms are in brown, ochre and brown-red, while the flowers and leaves are colored in the red, yellow, green, and purple. Along the bottom is a band of stylized waves in red and brown.

On the inside white silk or rayon lining in top half...

Brown silk homongi formal kimono with dots in jacquard and with gold threads interwoven, so that the fabric sparkles when the light hits it. The upper part is undecorated, except for three crests of the Sakagami family on the back...

Contemporary Japanese glass obidome (sash ornament) with multiple rods depicting various flowers. Obidome is worn on an obi cord that holds the obi sash together, it is the only type of jewelry worn by Japanese women on formal occasions, and could serve as netsuke as well. Beautiful design, superb quality glasswork, very pleasant finish. Metal fixture with two loops on the back for an obi cord. Diameter 1.07 inches.

Sakiori obi (sash) for a casual kimono which is hand-woven of strips recycled from silk and cotton kimono for weft, and cotton yarn for warp. In excellent condition. 20th century. 18cm x 2m96cm

IRON CREEL

Showa period, 20th century, Japan. D 22 x 10cm (8.66 x 3.93in).


selected by Pottari




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Modern, large roundish bamboo flower basket Hanakago Material: Madake bamboo, rattan, lacquer. It comes with the original lacquered bamboo water receptacle Otoshi. Artist’s inscription to bottom: CHIKUHOUSAI...

KATAKANA

45 pieces of vintage Japanese metal letterpress movable type, 'Katakana' (Angular form of Japanese syllabary, primarily used for words of foreign origin). Showa period, 20th century, Japan. One piece: approx. 1.5 x 1.5 x D 2cm (0.59 x 0.59 x 0.78in)


selected by hotoke




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order wi...

Japanese shin hanga woodblock print titled “Santa Fe” by Toshi Yoshida (1911-1995) dated 1971. The print is titled and dated in Japanese in the left margin. The artist’s block signature and English title are in the bottom margin. This image was printed posthumously by the Yoshida family from the original blocks. On the back in the lower corner is written in Japanese “later printing by Komatsu Heihachi.” Paper: 14 1/2” x 21 1/2" (image: 11 3/4" x 19 1/2"). Very good overall cond...

Winnowing basket called "箕（mi)"which is used by farmers to eliminate or blow out unnecessary stuffs. It is made of bamboo and covered with washi and painted with kakishibu (persimmon tannin). Bamboo mi is made in rather warmer region and bast of trees are made in colder region, however, it is not clear when these ones are made. Generally, in good condition but have some minor breaks or rips. 20th century. W:45cm to 43cm, L:36.5cm to 34cm. Possible to sell one piece for $40.