An original color woodblock print in the oban size by the Japanese Sosaku Hanga artist Kiyoshi Saito (1907 - 1997). Unlimited, dating from the 1960's. Hand signed in black ink and sealed. Condition: fine, very good impression and color. Dimension: image: 26 cm x 38.7 cm, paper: 29.3 cm x 43.7 cm.

Japanese Musha Ningyo of Shoki the Demon Queller, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 21 inches (53.25cm) high.

Japanese Musha Ningyo of Jimmu, the First Emperor of Japan, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 20 inches (51cm) high.

This is a beautiful Japanese obi. The style of obi is maru obi which is the most formal obi in recent years. It is made out of one long fabric that is folded in half. The dimensions of the obi are 12 3/4" wide and 13'3" (159") long. It is a large obi but very soft and light for its size – it weighs 3.5 pounds. The colors are all gentle including the gold threads. The design includes flowers (chrysanthemums and others), bamboo and a palace wagon over the multi layers of fans...

A magnificent and detailed noh mask known as Shojo, which is used specifically for the play that contains the same name as the mask. Shojo originated in China as a mythical beast and was imported to Japan as a sake loving creature. In Noh theater, the play is performed for festive and auspicious occassions where the character is dressed in a colorful noh costume and wearing a red wig. Depending on the school of Noh, a jar with a ladle at times are used for the performance...

Solidly potted Japanese Mashiko stoneware teardrop form vase covered overall in a green drip glaze over a brown ground that ends at the unglazed base. The base holds an unidentified impressed potter’s seal. Mid-20th century. 7 3/8” high by about 7” diameter; weighs about 3 lbs. Very good overall condition with no chips, cracks, or repairs. This vase is from the collection of a Green Valley, Arizona couple who were expatriates to Japan in the 1960s and 1970s...

Solidly potted Japanese Mashiko stoneware rounded square form vase with wide shoulders tapering to the base decorated with abstract brown drips over a whitened kaki brown background. The flat foot rim is unglazed. The base holds an unidentified “Y” form impressed potter’s seal. Mid-20th century. About 9” high by 7 1/2” diameter; weighs about 4 lbs. Very good overall condition with no chips, cracks, or repairs...

A four panel shoji screen decorated with carvings of cranes, pine, and bamboo framed in a black lacquered frame. The screen is often seen on the side of a Japanese alcove so that the light during the day can shine in and illuminate the alcove while protecting the piece decorating the alcove. Age: Late Showa Era:1970-1980. Size: Height: 39.5" Length: 69.75" Width: 1"

A Japanese gilt copper hanging lantern decorated with engraved motifs of scrolling clouds, waves, and vines. The bottom contains a six petaled flower like design. The feet of the lantern is known as neko ashi, or cat legs, which is often seen in Japanese designs.Age: 20th century. Size: Height: 17.5" Diameter: 14.5"

A traditional oribe ware handled dish decorated with geometric patterns and the signature green glaze that oribe wares are known for. The green glaze used for oribe is thought be difficult to produce and only the most skilled potters can produce the green color by knowing the temperature and timing when fired. The dish was produced by the Gensui kiln in Seto city Aichi prefecture. The studio specializes in producing oribe wares. Age: Showa Period. Size: height 10" diameter 14.5"

A round studio ware vase done on a black base glaze with white covering areas of the vase with a bit swirled with black. The vase contains a signature that appears to read: Kotaro. Age: Late 20th century. Size: height 6.5" diameter 7"

Vintage summer hitoe kimono made of a silk and hemp(asa) weave. It has a beautiful print pattern of orange blossoms and paulowni blossoms in blue/green, yellow, and silver. It would have been worn over the juban, the under robe, which would have been white to bring out the colors of the robe. It measures 61" long 51" wide. Showa period, 1950-1970.

A fine, modern footed dish with red, green and yellow overglaze and with cobalt blue and manganese underglaze decoration. The hexagonal, everted rim with red border defining a cloud band around conforming hexagonal cavetto with chidori (sparrows) alternating with polychrome squares - borders of decoration all picked out with manganese (giving an iron effect but fading nicely into the blue decoration rather than spoiling it with fade to brown...

Japanese porcelain Kakiemon saucer dish. Overglaze red, green, yellow and blue enamel decoration with black outline. Signed by a later generation Kakiemon descendant. Very good condition. Diameter 6 1/8 inches (15.5 cm)

Tsuchiya Koitsu
Miyajima in the Rain
Date: 1941.
Size: Oban. Approximately 16.75 x 11.0 inches.
Publisher: Doi Hangaten. Doi watermark.
Carver: Harada: Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-066
Medium: Japanese woodblock print.
Condition: Very good. Margins and margin corners toned.

Splendid Japanese incense container, also known as kogo, used for tea ceremony. The persimmon has a small lady bug sitting near the head of the persimmon. The incense container contains an inscription reading: Rakushisha, which is a small hut in the Sagano district of Kyoto. The hut was the summer home of Matsuo Basho's disciple, Mukai Kyorai. The hut was given the name when a hurricane blew all the persimmons off the trees planted in the estate...

A fine Japanese lid rest or futaoki as it is known in the tea ceremony. The lid rest is done in a technique known as karakane or bronze and has been hammered. The tachizuru or motif of standing cranes is often seen in various tea accessories representing the rise of auspiciousness. The lid rest comes with a tomobako with the name of the lid rest and the artist, Seishu. Age: Late Showa Period Size: diameter 2.1" height 2.1"

A splendid Japanese woodblock print portraying the view of the noted Sino-Japanese temple, Obakusan Manpukuji in Uji, South of Kyoto city. The woodblock was done by Saito Kiyoshi (1907-1997) known for producing prints of Buddhist subjects and views of the traditional buildings of Kyoto. Age: Late Showa, c. 1968. Size: length: 29.25" width 1.25" height 23.25"