KAKEBOTOKE OF TODAY

Japanesse bronze 'Kakebotoke' (lit. 'Hanging Buddha' / Ref. https://www.aisf.or.jp/~jaanus/deta/k/kakebotoke.htm) with such a lovely face. Showa-Heisei period, late 20th century. 13.7 x 7.5 x 2.7 cm (5.39 x 2.95 x 1.06in)...

Winter peonies. Painted with ink and pigments on paper. Signed Bungyo and sealed...

Beautiful Autumn Landscape with maple leaves. Painted with ink and pigments on paper. Signed Tetsuzan and sealed.

Some light marks are present on the painting itself, otherwise the painting is in very good antique/vintage condition. Some insignificant light marks are present on the scroll mounting, otherwise the piece is diplayed well and in very good condition...

Japanese chestnut. Painted with ink on paper. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). When his father died, Tsunenobu became a pupil of his uncle, and derived elements from the style of both men...

A pair of scroll painting depicted landscape. Painted with ink and light pigments on silk. Signed and sealed.

Takebe Hakuho(1871-1927)was a Osaka born Japanese painter of shijo school paintings active Meiji(1868-1912) and showa period (1926-1989).

Some insignificant light crease and light marks are present on the painting and scroll mounting, otherwise the piece is in very good antique/vintage condition...

Contemporary netsuke of a bee sitting on a honeycomb with grubs and honey cells. Walrus tusk, honey cells are inlaid with Baltic amber. Excellent carving, great realistic depiction of the insect, wonderful patina. Signed on the bottom by the artist Sergey Chernyavskiy. Length 1.87 inches.

Japanese limited edition copperplate etching titled “Lake Landscape” by Tanaka Ryohei (1933-2019). Pencil-signed, dated '99, and numbered 37/150 in the lower margin. The title in kanji and the number 630 is at the bottom left margin. Paper: 10 3/16" x 11 7/8" (image: 6 1/2" x 8"). Very good overall condition with only a tiny bend in the very edge of the upper left margin. Never framed.

Japanese limited edition copperplate etching titled “Kyoto #7: Kozan-ji” by Tanaka Ryohei (1933-2019). Pencil-signed, dated '96, and numbered 141/150 in the lower margin. The title in kanji is at the bottom left margin. Paper: 11 5/8" x 10 1/4" (image: 6 3/8" x 8"). Very good overall condition with a possible faintly visible smudge in the upper left margin corner. There are a few distressed fibers on the back, but the print does not appear to have been previously framed.

Landscape. Painted with ink and pigments on silk. Signed Suiu and sealed.

Some insignificant light marks are present on the painting and the scroll mounting, otherwise the piece is in fine condition with the age. It is accompanied by a paulownia wood storage box.

Painting: W19 5/8” x H50 3/4” (W50cm x H129cm)
Scroll: W25 3/4"x H79 1/2” (W65.5cm x H202cm)

Eggplant. Painted with ink and pigments on silk. Signed and sealed.

Some insignificant light marks and light foxing are present on the painting itself, otherwise the painting is in very good condition. The scroll mounting is in very good condition with the age. It is accompanied by a paulownia wood storage box.

Painting: W6 1/8” x H31 1/4” (W15.5cm x H79.5cm)
Scroll: W10 5/8"x H63” (W27cm x H160cm)

FLASK OF OCTOPUS-ARABESQUE DESIGN

Still life painting of traditional blue and white porcelain flask with Tako-Karakusa (Octopus-Arabesque) pattern, by a Japanese painter, Shibayama Toshihiko. Oil, canvas. Showa-Heisei period, late 20th - early 21st century. 31.8 x 41 x 1.8 cm (12.51 x 16.14 x 0.70in)...

Ripples cover the archaic surface of this flattened vessel by Sakata Jinnai enclosed in the original signed wooden box titled Hakudeisai Hajomon Henko (White Clay Wave Patterned Henko) It is 11 x 23 x 32 cm (4 x 9 x 13 inches) and is in excellent condition.
Sakata Jinnai was born in Tokyo in 1943, and began as an apprentice under the legendary Kamoda Shoji in 1964, establishing his first kiln in 1966...

A simple blue flower on pure white porcelain by Kondo Takahiro showing his roots in Sometsuke mounted in a cloth lined wooden frame. The frame is 32.4 × 32.4 × 4.5 cm (roughly 13 x 13 x 2 inches). The dish is 15.5cm (6 inches) diameter and both frame and dish are in excellent condition.
Kondo Takahiro (b. 1958) was born the grandson of Living National Treasure Kondo Yuzo. However, he graduated Hosei University not with a degree in sculpture or crafts, but in Literature...

A cylindrical vessel dressed in blue reminiscent of bamboo by Kumakura Junkichi enclosed in the original signed wooden box titled Namako-yu Hanaire. It is 24.5 cm (9-1/2 inches) tall, roughly 10 cm (4 inches) diameter and in excellent condition...

A dimpled set of small white glazed bowls enclosed in the original signed wooden box by Sodeisha artist Yamada Hikaru enclosed in the original signed wooden box. They are 9 x 10 x 6.5 cm (3-1/2 x 4 x 2-1/2 inches) and are all in excellent condition...

A quintessential work by Sodeisha founding member Yamada Hikaru enclosed in the original signed wooden box titled Shirogesho Tetsu-e Tsubo (Tsubo with Iron Decoration on White Glaze). It is 214 cm (8 inches) tall and in excellent condition.
Yamada Hikaru (1924-2001), was born into the family of layman potter and priest Yamada Tetsu, and raised in Gifu after the family home was destroyed in the Great Kanto Earthquake. At the age of 20 he entered the Kyoto ceramics research facility, 15 year...

A set of five deep plates by Living National Treasure Kondo Yuzo decorated with pomegranates in blue on snow white porcelain. The are 20.5 cm (8 inches) diameter and in excellent condition, each signed on back. They come in a custom made contemporary box. Kondo Yuzo (1902-1985) was born in the Gojozaka district of Kyoto and studied alongside Kawai Kanjiro and Hamada Shoji at the Kyoto Ceramics Research facility, where he studied kiln technique directly under Shoji. He then apprenticed under r...

A mokko-shaped porcelain kogo incense burner, which is a square with each corner indented. The corners are so strongly indented that the shape becomes an octagonal. All sides are slightly bulging out and the cover is slightly domed, giving the whole a soft, rounded feel.

From the center of the cover, the surface has been divided into eight ‘cake slices’. The decoration in underglaze blue (sometsuke) runs continuously the center of the cover, with a small flower in the middle, to the bo...