Important Kuro Raku Chawan by 4th-generation master Ichinyû Kichizaemon (1640-1696). The chawan was named Kou Un (parting clouds). It comes with an authentication box with Raku seal. It has a Urasenke hakogaki by Sen Soshitsu and a certificate of its provenance.

Born the eldest son of Dônyû. His work varies from those made in his youth influenced by his father Dônyû to later work stylistically closer to that of Chôjirô...

Small porcelain ko-sometsuke plate made in China for the 17th century Japanese market. Blue and white design of three running rabbits. A bird, possibly a phoenix flies in the sky. Around the rim of the plate are four galloping horses. The underside of the plate is decorated with three thin blue rings and a simple dot pattern. The edges of the plate and the many small irregularities in the firing are especially prized in this type of ware...

What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').

Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

Japanese russet lacquered leather zunari jingasa with riveted plating. Finely disguised as metal which is completely constructed of lightweight materials strengthened by lacquer. The interior helmet is lacquered in red. The front features a large gilt mon of the Ashikaga crest. The finial form takes shape of a chrysanthemum flower. Mounted on custom display stand.

19th Century Edo Period (1603-1868)

Dimensions: 13: x 12" x 6" H

Unusual circular russet iron jingasa, with 16 triangular riveted plates. The iron is flattened to a thin gauge for lightweight comfort. It sports a finial top and a hand mount ring to a silk cord decoration...

Hard to find Japanese red lacquer Chochin Kabuto. This example of munition has the ability to fold for compact storage. The front 2 prongs are made for the meadate ornament. The underside of the shikoro (neck guard) in black lacquer, and the lames plates are secured with blue silk cords. Mounted on custom steel stand.

Red lacquer menpo may be purchased separately. (#1371484)

Edo Period 19th Century

Dimensions: 13" x 12.5" x 10.5" H (18" H on stand)

The menpo features the gentle countenance of a deep vermillion red lacquer. It is composed of three parts; The removable nose armor with white horse hair mustache and its Nara style gilt teeth and open mouth, the cheeks and lower jaw with strap holder posts and its central vent hole for perspiration to escape out. The ears are pierced with both plum blossom design, and finally the four attached yodare with pale ocher silk. The reverse backing is lacquered in black and red...

The russet iron menpo depicts an older man's face with wrinkles and a long hair mustache (missing). The removable nose plate has small perforated holes for the insertion of horse hair for the mustache. The rivets are rendered in a plum blossom configuration, and the strap posts holder is in the form of petals and stems. The ears are pierced with plum blossoms. The yodare has four plates laced with blue, calico, and pale orange silk cords...

Storage jar with tapering body, broad shoulder and slightly everted lip. Used for storing tea leaves.
Stoneware with some inclusions, pitted surface and natural ash glaze patches.

Iga ware, Mie Prefecture, Japan, Edo period, 17th or possibly a little later (early 18th century).

Comes with wooden storage box of a later date.

H 10-1/2 inches

Excellent condition

From the Collection of Osborne and Victor Hauge and their wives

A rare 17th century Japanese Lacquer table performed in the Nanban style exhibited in 1972 at the Kyoto National Museum (including paperwork from the museum). Overall it is in excellent condition, enclosed in an older wooden storage box. It is 12 x 17 x 14 inches (31 x 43 x 36 cm)...

A finely painted Kakiemon dish of scalloped form painted in under-glaze blue with a pair of auspicious Hoo birds amongst clouds, harbingers of good fortune, with stylised Peony branches. The reverse painted with a classic lotus scroll and a square fuku seal. Dating circa 1680-1700 and a product of the Kama-no Tsuji (Kakiemon) kiln in the Nangawara valley, note the fine pin point spurs and carefully trimmed footrim. The dish measures approximately 21.5cm in diameter, seven suns...

A bizarre pottery mass of two tea bowls and a stand fused together after collapsing in the kiln some four hundred years ago. It is 17 x 13 x 11 cm (6-1/2 x 5 x 4-1/2 inches). There is something to be said here about best laid plans. All the potters craft and experience and yet nature intervenes, creating this vitrified sculpture for later generations to contemplate.

A misshapen bowl excavated and assembled from several pieces using the kintsugi gold technique. Originally a kiln flaw, it was likely destroyed after creation, later to be excavated and assembled as was popular in the later Edo period. Misshapen,and with a large kutsuki on one side, it is 4 x 5 x 3 inches (10 x 12.5 x 8 cm) and comes in a wooden box.

One of a kind, a treasure with a special cultural and historical significance.: Kuro Raku Chawan, named 'Departing Geese', by legendary Tamamizu Ichigen (Ichigen I) with perfect kintsugi.

Ichigen was an illegitimate son of Kichizaemon Ichinyu (Ichinyu IV). He was raised in the Raku family until he was in late teens...

We continue to offer you the most important chawans and present you this wonderful Tsutsui-Iga Chawan, dating back to the Momoyama period or even the Muromachi Era.

Cylindrical shape - hanzutsu - built up from clay coils and squeezen into shape, the foot roughly cut on a hand wheel. This technique is usually affiliated with the Muromachi period, but was used in Iga well into the Momoyama period.

The bowl was fired in an anagama (single chamber tunnel kiln), where it was ...

Another historical masterpiece in the development of Japanese culture: grey Shino Chawan, distorted cylindrical shape - hanzutsu, covered with a whitish Shino glaze over an iron oxide engobe, resulting in a beautiful grey shino glaze, which partly turns to red shino (aka shino).

A decoration of a branch with a leaf and berries on the front and a criss cross grass pattern on the back has been incised into the engobe resulting in white shino colored lines. The regularly cut double fe...

Antique Japanese scrol painting of a landscape with boat. The water is very still and the moon is high over a mountain in the distance. A flock of geese swoops down from the sky on the right. On the far left, an outcropping of rocks partially obscures some rural houses. A willow tree drapes itself outward over the water. With signed tomobako. Signed Tan'yu and with the seal of his given name Moninobu. Certified by Eitoku, his grandfather. Kano Tan'yu (1602-1674) was one of the foremost...