Perfectly shaped Kuro Kyo-Yaki Chawan from the Showa Period by great artist Rikobei Kiyomizu the 6th, made 50 years ago. It comes with his originally signed and sealed wooden box.

Rokubei VI (1901-1980) the eldest son of Rokubei V, graduated from the Kyoto City School of Art and Craft and Kyoto Municipal College of Painting before apprenticing with his father from 1925. That same year, he entered his first competition...

An antique Japanese Ryo Biraki Tansu made of Suginoki (Cryptomeria) wood. All original hand forged iron hardware including the Warabite handles and the natural Urushi lacquer. The two hinged doors hide 6 drawers of varying sizes. Constructed using straight dovetail Japanese joinery and hardened wooden nails.

Age: Meiji Period (1868-1912)

Dimensions: 36 1/2 Wide by 21 1/4" High by 17" Deep.

An incredible Flambe glazed vase by Kiyomizu Rokubei V on a black-wood stand enclosed in a massive red lacquered storage box heavily inscribed and signed by the artist. I rarely use the term, but this is Museum Quality, or perhaps I should more rightly say this unprecedented piece should be in a Museum! It is 55 cm tall (22 inches), 41 cm (16 inches) diameter. There is a firing flaw in one side (see close-up pictures)...

This is a Japanese antique kasuri ikat cotton child kimono.It is in very good condition with no stains or damage. I would recommend it to your collection. Size:Length:98cm /38.58inch Cuff to cuff, across the back: 100cm / 39.3inch

Wow, this Iga Shinogi Mizusashi by Atarashi Manabu is as good as it gets. The torn and slabbed surface is rough, accentuating the particular grains of Iga clay, covered in a smattering of smokey charring and spattered ash. The vessel comes enclosed in the original signed wooden box titled Iga Shinogi Mizusashi. It is 17.5 cm (7 inches) diameter, 20 cm (8 inches) tall and in perfect condition, directly from the artist this summer. It compliments perfectly the Chawan from the same firing...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. His new challenging work, celadon with copper glaze under glass glaze. Size: 9.9cm(D)/12.8cm(H) Accessories: wooden boxes(signed by the artist)

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. Size: 11.0cm(D)/13.2cm(H) Accessories: wooden boxes(signed by the artist)

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. Size: 10.1cm(D)/12.6cm(H) Accessories: wooden boxes(signed by the artist)

Two pieces of urumi-zome cloth which are made of hand-spun cotton and vegetable indigo dye. Urumi-zome is katazome (stencil-resist-dye) imitating shibori-zome (tie-dye) and it requires more process than common katazome to make blurring like shibori. Both have rips but other part of the cloth is not weak. The right one has a patch in the back. The second half of the 19th century. Right one:75cm x 126cm, Left one:65cm x 126cm

This is a very unusual design. All the pigeons that fly under the gallan are Hand-painted dyeing and very accurately and boldly drawn, just like a Buddhist painting. There is light dirt, but there is no damage. Size: Length: 78 cm (30.7 inches) From cuffs to cuffs, entire back :: 80 cm (31.4 inches) garan (Complex of temple buildings) Meaning of a clean, clean and quiet place where monks practice Buddhism. Box.A

Going back over 1,300 years, Seto-ware has the distinction of being Japan’s oldest pottery tradition still active today. Made from the rich clay and silica of the region of production, Seto porcelain in particular has been highly prized throughout the history of Japan. The piece shown here can be described as Seto-guro (Black Seto) and is an excellent example of this type of pottery. The writing on the box describes it as being from Muromachi, so well over 400 years old...

A large Japanese Ko-Tamba (Tanba) Vase/Tsubo decorated with a splashed and dripped deep-green glaze pooling towards the foot on a dark-brownish body.

It was made in the Momoyama Period 16th century or earlier. This impressive vase is a wonderful example of a so called Shiji-ko vase, which means 'vase with four ears'.

Great antique condition.

Tanbayaki has been produced in the village of Tachikui, Hyogo pref. for over 800 years...

One of a kind! Very rare and unique Seto Chawan from the Meiji Period (1868-1912) which combines a unique mosaic pattern glaze on the outside with an artistic Neriage/Nerikomi technique on the inside. There is a signature of the potter inside the foot.

Nerikomi (練り込み , lit. "kneading") is an artistic technique for creating Japanese pottery in multiple colors of clay...

Antique Japanese ikebana basket for flower arranging. Round body with wide split bamboo and twisted rope bamboo foot and neck. The dramatic, arching handle is made of gnarled wisteria branches. Beautiful deep reddish finish and dark patina.

Age: Meiji Period (1868-1912)

Dimensions: 17 3/8" high x 11 1/2" wide x 9 1/2" wide.

Antique Japanese large fruit basket. Wide and flat body woven with very fine, narrow sections of split bamboo. The handle is made of two bamboo branches, joined with intricate knot-work. Beautiful dark color and patina.

Age: Meiji Period (1868-1912)

Dimensions: 15" high x 14 1/2" wide x 14 1/2" wide

A breathtaking Taireiji pottery vase by Kiyomizu Rokubei V enclosed in the original signed wooden box. Chrysantheum in raised relief grow ghosly white on the soft pink surface. It is 32 cm 12-1/2 inches) tall and in excellent condition. Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare...

Polychrome Sumida-gawa ceramic bowl made from sandstone, also called Sumida-yaki. Some parts are glazed. Original decoration of an old man trying to climb the bowl.

Mark of Ishiguro Koko (石黒香香): 香二, Koko. The 二 marks the repetition of a character in traditional Chinese. His name can also be written 香々 or 香二). His real name was Ishiga Gôzô (石田郷三). He is a potter of the early Meiji era...

Okimono sculpture in bronze of a crow perched on a tree stump in varnished wood. Its eyes are in shakudo.
In Japan, the crow (karasu) is a symbol of gratitude and family love. It is also considered as the divine messenger of good omen. The Kojiki (713) relates that the crow Yatagarasu guided the mythical founder of Japan, Emperor Jinmu (660-585 BC), on a military campaign to Yamato.

Signed under the crow within an oval cartouche 義光, Yoshimitsu...