Japanese Meiji period cylindrical pawlonia (kiri) wood domaru (tree-trunk) hibachi with a relief design of flowering grasses in gold maki-e lacquer and shell inlay. A gold lacquered bird flies on the back. Original copper liner. Late 19th to early 20th century. 8” high x 11 1/2" wide. Very good overall condition with only minor losses to the shell inlay.

Title: Rainbow hair. Silkscreen print. Year: 1973 Edition no 49 / 200 Picture size: L 56 x 38 cm; Frame size: 65 x 50 cm. Very good condition, fresh and vibrant colours! ***** Ay-O (b. 1931) is the artist name of Takao Iijima, born 1931 in in Ibaraki prefecture Ay-O has become famous in and outside of Japan as "Rainbow Man" for his serigraphs and etchings in strong rainbow colors, used in all kinds of shapes and with an abundance of creative imagery - sometimes with a subtle humour...

1900's Japanese Satsuma Vase with Silver Cover By Kagayama

It is 7.7 inches (19.5 cm) tall by 5.7 inches (14.5 cm) wide. It is 2.1 Lb.

It has rubbing of gold and paint, minor stains, hairline cracks at the bottom and surface wears and scratches (as seen in the photos).

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The purity and perfection of this takes your breath away. It is a gorgeous piece by Hattori Tatsuya and comes enclosed in the original signed wooden box titled Ginsai Wan. The bowl is 12 x 13.5 x 8 cm (4-1/2 x 5-1/4 x 3 inches) and is in perfect condition, from the artist late 2020. He is a master of silver/platinum/titanium glazes, and his forms, especially his tea pots, are very popular and generally sell out quickly...

Highly unusual ovoid flower vase with an art deco decoration of four pairs of Native Americans standing face to face in war dress. Above and below decorative bands of repeating plant motives. Inside cream colored glaze.

Light colored stoneware with pastel colored sgrafitto clay inly. Excellent craftsmanship. Kyoto ware.

Signed on the bottom Gyozan

Japan, late Meiji/Taisho era, 1910s-1920s

H ca 9.25 inches

The Gyozan studio and kiln were in Kyoto...

Japanese Meiji period well rendered Kutani porcelain figure of Kannon, decorated in polychrome enamel and gilt highlight. She sits holding a scroll in her left hand and her face is well modeled with a serene, downcast expression. A gold jeweled necklace hangs from her neck and she wears a white hooded robe permeated with tiny white raised moriage dots and decorated with green dragon roundels. Flat unglazed base. 10 1/2” high. Late 19th century. Heavily potted. Weighs 3 lbs...

Width: 5.5 cm (2.2 in)
Height: 5.5 cm (2.2 in)
Weight: 205 gm

Japanese Komai box; decorated with chrysanthemums and other florals; gilt interior; Fuji mark on the base; good condition

Ohara Koson
A Bird on Mokuren (Matsumoto catalog name)
Size: Approximately 14.2 x 9.0 cm. 5.625 x 3.65 inches.
Date: ca. 1910.
Sealed "Yamagishi," which may be the carver Kazue Yamagishi (1891-1984).
Publisher: Matsumoto (no. 423)
Medium: Japanese woodblock print.
Condition: Excellent. Small wave in paper near orignal publisher's tag at back.
An early and rarely seen design...

Sparrow on Hortensia (Blue Hydrangea) (aka. A Songbird Among Hydrangea)
Size: Kotanzaku. Approximately 19.4 x 9.6 cm. 7.75 x 3.75 inches.
Date: ca. 1910.
Publisher: Matsumoto (no. 106).
Kono Bairei seal at lower left. Bairei died in 1895, which, curiously, was before Matsumoto was in business. Matsumoto has also issued this print with a proper Koson seal. Please see an example in our last photo.
Medium: Japanese woodblock print.
Condition: Excellent...

It is an item from the Taisho era when feminine beauty was praised by the Taisho Roman movement. Under the influence of "romanticism", a spiritual movement that developed in Europe mainly in the 19th century, it came to be called in this way because of the liberation of individuals in the Taisho era and the idealistic climate for a new era. .. It is Jyuban made at this time. It is an item of the era when I longed for Western culture...

Bizen ware has been made from 16th century for 500 years and well known as one of 6 old kilns in Japan. At the Bizen kilns, no artificial glaze is used and expressions are by just effects of burning fire woods. The effects are by flame and clay and by ashes. The color of clay is grey before firing and changes to red, white and brown after burning. This piece was made by expert artist Satoshi Watanabe and burned in the Samukaze big kiln 52m long. Size D:10.0cm H:13.9cm Accessary /wooden bo...

Bizen ware has been made from 16th century for 500 years and well known as one of 6 old kilns in Japan. At the Bizen kilns, no artificial glaze is used and expressions are by just effects of burning fire woods. The effects are by flame and clay and by ashes. The color of clay is grey before firing and changes to red, white and brown after burning. This piece was made by expert artist Satoshi Watanabe and burned in the Samukaze big kiln 52m long. Size D:10.0cm H:14.0cm Accessary /wooden bo...

The vase has interesting rugged and leathery texture to it, reminding of elephant skin. H 18 cm. Signed with impressed mark. It comes with inscribed and signed storage box and information paper. Perfect condition. ***** Morimoto Kei was born in Akaiwa City ( Okayama ) in 1948. In 1978 he came under the influence of Master Fujiwara Kei and was taught by him. 1982 became a student of Oi Itsugo 1986 built his first climbing kiln. 1989 opens his studio. Many awards and exhibitions to his n...

An antique Japanese Sakata Kasane (stacking chest on chest) Tansu in 2 sections made of Kiri (Paulownia) wood. All original hand forged Iron hardware. Using Japanese joinery including straight dovetails and age consistent hardened wood nails. Originates from the famous tansu making town of Sakata in Yamagata Prefecture, Japan. Secret box is well hidden behind bottom drawer hidden behind small hinged door.

Formerly used for kimono storage, its contemporary function includes using it for ...

Minsa obi (sashi) made in Taketomi Island in Okinawa. The features of Taketomi Minsa obi are: both wefts and warps are machine-spun cotton and handwoven. It has four and five block warp kasuri pattern and both selvedges have uneven horizontal stripes which symbolize mukade (centipede). Minsa obi was a gift from a woman to a man meaning acceptance of engagement in old days. In excellent condition. 20th century. 8cm x 2m4cm u

Ochanomizu in the Eastern Capital (Tōto ochanomizu) in 36 Views of Mount Fuji (Fuji Sanjū-Rokkei) by Hiroshige Ando (1797-1858). Serie 1858, n°5, Published by Tsutaya Kichizō. Format ōban (34,3 x 23 cm) Framed

Ohara Koson
Birds in flight in snow
Size: Approximately 15.8 x 9.8 cm. 6.75 x 4.75 inches.
Date: ca. 1930s.
Koson signature at lower right. Unsealed.
Uncatalogued. Does not appear in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A small hole below the lower bird. Corner bends and creases. Please see photos 3 and 4.
This design is a curiosity as it is very similar to our Hiroshi...

Very large pot covered in cloisonné enamel on copper. Silver wires.Dragons Hoho and butterfly of curious design. I seem to remember the association dragon butterfly to a symbolic but I don't remember which one A slight accident really insignificant at the base of the lid catch that can be seen on photo and a lack of thickness of enamel that could not be polished being too thin, however at this place there the enamel completely covers the base metal. After firing this should not be visible and...