Small silver vase with flared and hemmed neck. A finely chiseled snake is wrapped around the neck and an enameled chrysanthemum. The lower body is enamelled in polychromy by silver wire partitions. Under a round base there is a signature in a golden cartouche of Mitsu Shige. Period: Meiji. Height: 10cm (4")

The size of Box: 4 1/4" Square x 2 3/8", Medallion size: 2 5/8" Dia x 1/4" High dome shape. The size of Presentation Box: 9 7/8" Long x 7" Wide x 3 1/4" High. The title of work: Now and Then. The design depicted from Saru Suberi (Japanese name flower), English as Crape Myrtle flowers with such a delicately made by very thin/fine silver wires. This fine Japanese Cloisonne, Shippo Medallion was created by Fine Japanese Cloisonne Master Artist, Shinya Okamoto from Chiba Prefecture, Japan...

A vibrant double vase covered in signature naïve designs by Yamashita Moe enclosed in the original signed wooden box titled Morinoyoru (Night in the forest). It is 12 x 24.5 x 27 cm (5 x 10 x 11 inches) and is in excellent condition. Her work is filled with joie de vie, and one cannot escape a smile when viewing it. Even the box is painted with a bright green silhouette of the vase, titled and signed in pink!
Yamashita Moe graduated the Kyoto Zokei University of Art in 2004...

Antique Japanese studio ware porcelain vase, carved all over with a raised design of a dragon in swirling clouds over churning waves. The clouds are covered with a glaze that gradates from a deep blue at the top to a light blue where they meet the waves. Both the dragon and the waves are kept white with a very pale light pink glaze on the dragon's flames. A band of repeating lingzhi pattern in blue underglaze encircles the rim and foot of the vase...

Antique Japanese Buddhist Pilgrim's coat. Buddhist monks associated with the teachings of Kukai (or Kobo Daishi) would embark on a pilgrimage to visit the 88 temples on the island of Shikoku. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here...

Antique Japanese textile decorated with a design of tea ceremony utensils. Small items such as a bamboo ladle for water (hishaku), a container of charcoal, cups, a tea whisk (chasen), a container for water (mizusashi), and other items surround a large central image of a portable iron tea kettle (kama) and brazier (furo). This design in done using a paste resist and indigo dye. A lovely blue color in four panels sewn together...

Antique Japanese wooden temple carving of a fu dog (fu lion, or shishi). Carved of keyaki (zelkova elm) wood with wonderful details including characteristic swirling fur and wide, toothy jaws, this fu dog is a powerful Shinto temple guardian. Wide eyes are made of reverse-painted glass with irises of two different colors and with pupils of varying width, adding an intensity to his expression...

A small bowl in Kaki-yu by important artist Kawai Kanjiro enclosed in a wooden box upon which his friend and equally important artist Munakata Shiko has painted an image of the bowl outside titled Go-Kowan (Honorable small bowl) and inside annotated: Kanjiro Sensei Saku (Made by Kanjiro), signed Munakata Shiko. It is 10 cm (4 inches) diameter and in excellent condition...

1930's Japanese Goldstone Cloisonne Vase with Phoenix & Dragon

It is 4.7 inches (12 cm) tall by 4.5 inches (11.5 cm) wide. It is 0.8 Lb.

It has tarnished metal and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A fabulous bold design of crashing waves wraps about this balluster form by Miyanaga Tozan enclosed in the original signed wooden box. It is 26 cm (10 inches) diameter, 28 cm (11 inches) tall and in excellent condition. An unusual design and superb execution by this important artist. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was born in Ishikawa prefecture, and graduated from the (now) Tokyo University of Art...

A loosely brushed image of a Kingfisher perched on dilapidated lotus stalk decorates the crackled gohon pale glaze of this gourd shaped Mizusashi fresh water jar by Takahashi (Ninnami) Dohachi. It features a black lacquered wooden lid. There are cracks in teh lacquer of the looping handle. The signature is consistent with works by Ninnami Dohachi (Dohachi II) from the mid 19th century...

Dramatic waves are combed into the clay surface of this large Toban Platter by Living National Treasure Suzuki Osamu (Kura) covered in glass-like copper green; unusually signed and dated on bottom 1957 and enclosed in an artist signed wooden box...

Two(2) Japanese Bronze Fukurokuju, Ca. 1900 Meiji, one of the Seven Lucky God, representing "Longevity" and "Wisdom", 3/4" high, 5/8" wide, typical details of holding precious object with both hands in front with very long head, the condition is good.

Japanese Metal Tsuba shape Ojime, Ca. 1900 Meiji, 7/16" high, 7/16" wide, decorated with the raised gilded Birds on the Plum Flowering Trees on the both sides of the two(2) shades of Bronze color of shape of the Tsuba, one side is darker than the other. Cord go through the holes on the top and the bottom and connect with Netsuke.

Japanese late Meiji period cloisonné enamel ovoid form vase attributed to Hayashi Kodenji (1831-1915) or his workshop decorated around the circumference with pheasants among a dense variety of chrysanthemums, daisies, and other flowering plants in a landscape with rockery and flowing water all set against a dark cobalt blue ground...

Japanese Red Lacquer Double Face Ojime, Ca. 1920, 3/4" high, 5/8" wide, 1/2" deep, one side normal pleasant face, the other side is angry yelling face with mouth open, the condition is good.

Japanese green Glass Ojime, 3/4" diameter, large holes on tops and the bottom where cord go through to tightening for Netsuke. There are some indentations on the glass surface.

Japanese Pink Glass Ojime Bead, 11/16" diameter, cord go through the large holes on the top and the bottom, to tightening for the Netsuke. There are some indentation on the surface and the open grains on the surface of the glass.