Rare Large Japanese Meiji Period Nashiji Makie Lacquer Jubako 5-Tiered Stack Box with Base/Stand. Fine Takamakie Gold and Cinnabar/brown/black Lacquer with some Raden/ Mother of Pearl inlay. Beautiful artistic Pine and Crane motif. Good condition overall, some minor mother of pearl inlays missing. The cover shows a restoration (see photograph # 6) and there are 2 inside hairlines not visible from the outside, due to age. Size H. 16" x W. 9.5" x D. 9.5" . Stand/Base: 11.5" x 11.5" x 3"...

This is a genuine theater puppet kashira representing the character Osome. It is not a souvenir. As you can see it is quite clean, however there are three faint vertical cracks in the gofun covering, beside the nose and up the right cheek. The gofun is stable. She wears her hair in an immaculate coiffure held with one unpretentious comb and a ribbon of chirimen silk. Two silver ornaments accent the very simple and attractive figure...

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature...

An especially fine Meiji Period (1868 - 1912) Gilded and Red and Black Lacquered Butsudan (Japanese Buddhist Altar) with an endless variety of luxuriously designed details, hidden drawers within secret compartments behind hidden panels, marvelously rendered images and elaborately carved sculpture. All other butsudan pale in comparison with this rare, museum quality showcase piece. This piece would have taken the maker close to 2 years to complete. 65 x 44 x 27 inches (166 x 112 x 69 cm)...

In keeping with our tradition of bringing you Rare and Fine Japanese Antiques that you can't find elsewhere, we present this 19th Century Elm Wood Japanese Rice Mill, a striking conversation piece for any home or office. 51.5 x 70 x 29 inches (131 x 178 x 74 cm). Excellent Condition.

A warm grained Meiji Period (1868 - 1912) two piece Yonezawa Isho Tansu (clothing chest from Yonezawa) finely constructed of pine (matsu) and highly desirable paulownia (kiri). 42 x 34 x 16 inches (107 x 86 x 41 cm). Very Good Condition. This chest is from Shonai, a region of Yonezawa that makes chests that are highly prized for their combination of understated Japanese design with a sense of tradition.

This striking black and gold Japanese antique shop sign is from a Meiji Era (1868 - 1912) headquarters for a drug store chain. It dramatically declares that this shop carries the best elixirs for vitality, the best remedies for high blood pressure, and the most expedient cures for fever. 17.5 x 41 inches (44.5 x 104 cm). Excellent Condition.

A large Amber glass Mizusashi enclosed in the original signed wooden box titled Mizu Utsuwa by Japans top-rated female glass artists, Iwata Itoko...

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when...

14 Original Woodblock Prints by Ogata Gekko, Japan's First Internationally Acclaimed Artist, beautifully housed in this handsome volume, The Floral Art of Japan, published in 1899. Cover is in Good Condition, but the prints inside are the most pristine, well preserved 19th Century prints we have ever seen. Book prints like these are generally exposed to less light than most prints, thus better preserving their colors, but this copy of this book is quite exceptional even by those standards, makin...

Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 8.25 x 3.5 inches, 21 x 9 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools. Japanese antique carpenter tools are now artifacts with history and bea...

Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 9.25 x 3 inches, 23.5 x 8 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools. Japanese antique carpenter tools are now artifacts with history and bea...

This is an excellent example of an early 20th Century Japanese Hand Woven Bamboo Basket. Very Good Condition. Height: 15.5 inches (39.5cm), Circumference: 42.5 inches (108cm).

Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Rela...