Pale crystalized ash covers this igneous form by important artist Atarashi Kanji enclosed in the original signed wooden box titled Iga Guinomi. It is 6.6-7 cm (2-1/2 inches) diameter, 5.5 cm tall and in excellent condition, directly from the artist. I highly recommend this with the Tokkuri following.
Atarashi Kanji was born in Osaka in 1944, and graduated the Osaka College of Craft design...

An iconic playful form, the two lug handles like short little arms extended for the dance by important artist Atarashi Kanji enclosed in the original signed wooden box titled Iga Tokkuri. There is a classic cut in the form, with raw earth visible below, the running green ash.which has pooled in a ringlet around the neckIt is 14.2 cm (5-3/4 inches) tall and in excellent condition, directly from the artist. I highly recommend this with the guinomi previously listed...

Rare lavender tinged glaze covers the rough Iga clay forming this sake flask by important artist Atarashi Kanji enclosed in the original signed wooden box titled Iga Tokkuri. The unusual coloration is punctuated with classic Iga traits, shell marks, undulations in the form, and an emerald drip clinging to the rim. It is 15 cm (6 inches) tall and in excellent condition, directly from the artist. I highly recommend this with the guinomi previously listed...

A rare antique Sado Island Kasane Tansu made of Kiri (Paulownia) wood. All original hand forged iron hardware including the Warabite handles and original Urushi lacquer finish. All hardware was custom made with no two matching parts. The locking plates feature many auspicious symbols including Ebisu, Daikoku, the Lion Dancers, a crane, two turtles, a Fu Dog and an old wise man...

An antique Japanese Okidoko (low display stand) made of Keyaki (Zelkova) wood. Used in a Tokonoma as a portable display stand atop which decorations like scrolls were hung or flower arrangements were displayed. Drawers were used to store items for display and the interior shelves were used to display seasonal items. All original bronze hardware.

Age: Meiji Era (1890-1900). Dimensions: 31 1/4" Wide by 12 1/4" Deep by 14 1/4" Deep

Tsuchiya Koitsu
Snowy Miyajima
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-25 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right. Slight fading.

Eiraku Zengoro XVI Sokuzen (1917-1998) Double Gourd Vase with excellent red glaze...

Tsuchiya Koitsu
Maiko Sea Shore
Date: 1936.
Size: Chuban. Approximately 10.75 x 7.75 inches.
Publisher: Doi Hangaten.
Printer: Yokoi. Carver: Harada. This combination of seals indicates an early postwar edition.
Reference: TK-DH-23 in Koitsu catalogue.
Medium: Japanese woodblock print.
Condition: Back has one tape remnant at top right and a small foxing spot. Slight fading.

A superb example of Karatsu ware by Nakazato Tarouemon enclosed in the original wooden box titled Tataki Chossen Karatsu Mimitsuki Mizusashi signed Jusandai Tarouemon. The pale clay is covered in white with color fingering its way through in permeated drips from the rim. The vessel is 19 cm (7-1/2 inches) diameter, 16 cm (6 inches) tall and in excellent condition...

Lavender tinged crawling pale glaze covers the soft porous clay of this classically inspired Mizusashi by Living National Treasure Miwa Kyusetsu XI enclosed in the original signed wooden box titled Shiro-hagi Mizusashi. It is 20 cm (8 inches) diameter, 18 cm (7-1/4 inches) tall...

A pair of lovely gold lacquered zen temple lotus offering stands Ca. 1930. Very good condition with minor wear. see picture. Height; 11" x Diameter of 5". Ask for shipping quote.

One of a kind art deco Ca. 1935 wood stand for incense burner or object. Thick wood and old Negoro lacquer indicates even an older time period. Condition good with some age wear. see pictures. 12" high by 12" wide with a depth of 7". Very rare. Ask for shipping quote.

Antique Japanese gyosho bako (peddler's chest for a traveling salesman). Made with sugi (cryptomeria - cypress) wood on the outside and kiri (paulownia) wood on the inside, this box would have been light enough to carry. The single door opens to reveal a series of 10 light weight stacking trays which slide out like drawers. Each is marked with a character in light ink for organization. There is also an exterior drawer with a round iron lock and square handle...

Hard porcelain vase covered with a crackle glaze. Decor of two facing dragons enamelled in an exceptionally bright electric blue, their eyes enamelled in yellow. Two friezes enamelled in green and a frieze of stylized flowers molded in relief on a celadon background. The style and quality of the drawings, enamels and technique suggest a creation by Makuzu Kozan...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household...

Every surface of this large tsubo by Furutani Taketoshi has been cut away in ascending and descending chevrons down the fire side of which crystalline glazes form in pools where the descending chevrons meet. On the fringes of the blast of ash are various shades of red while opposite shiseki inclusions bubble out from the raw pale clay...

A secret technique is used to induce the wide cracking which does not penetrate the sides of this Tsubo wrapped in fingers of natural ash glaze by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yabure Tsubo...

A voluminous vessel glowing with hi-iro flame color by Furutani Hirofumi (Churoku II) enclosed in the original signed wooden box titled Shigaraki Hi-iro Tsubo. This piece comes from deep within the kiln, far from the ash deposits in front, and the pale clay is altered by the heat and touch of the inferno as it rushes through the vortex, the path and shadows of other pieces leaving various patterns on the surface...