Japanese 2 section Kiri (paulownia) isho tansu, or clothing chest of drawers. With hand forged iron hardware and pulls with chrysanthemum studs beneath. The top and sides of each section are branded with a medicine gourd bottle signature.

Meiji period (1868-1912)

Dimensions: 33 3/4" x 15 3/4" x 41 3/4" H

An elegant Edo period Mokko-Gata bowl decorated in gosu floral motifs over yellow under a clear glaze from the kiln established by Chinese Ming émigré Chin Genpin (Chen Yuanyun 1587-1671) around 1660 in Nagoya under direction of the Daimyo of Owari Province Tokugawa Mitsutomo. The piece makes use of Seto clay covered in a combination of imported yellow glaze and local glazes mimicking the popular Annan Yaki of Southern China and Vietnam...

Japanese lacquer tray with low relief depiction of a peacock in fine gold maki-e lacquer, with maki-e lacquer chrysanthemums, against a nashiji gold flake ground. The peacock's face and the "eyes" of the feathers are inlaid with finely ground shell. The edges of the tray are of a mokko melon shape and the reverse of the tray is all in nashiji lacquer. With display stand.

Dimensions: 13 1/4" L x 9 3/4" W x 3/4" H (without stand)

Kawase Hasui (1883-1957)
Dusk at Nakaso
Date: 1954.
Publisher: Watanabe Shozaburo. Red 6 mm seal at lower right, indicating a first edition.
Hasui signature and seal at lower right.
Size: Oban. 15.5 x 10.5 inches.
Reference: Hotei #600.
Medium: Japanese woodblock print.
Condition: Faint browning in sky and waves.

A set of figurines depicting a courtly Chinese couple by Miyanaga Tozan enlclosed in the original signed wooden box titled Choan no Haru from the Tang period tales. Each is expertly molded and painstakingly decorated in a Kyo-satsuma style signed in gold on the base of each. They stand roughly 13 inches (33 cm) tall each and are in excellent condition. The title calls to mind any number of ancient Chinese poems...

An exquisite work of micro-calligraphy by young female artist Tamura Seito IV enclosed in the original signed wooden box titled Karakusa moyo koro. It is roughly 4 inches tall and in new condition. Tamura Seito is a fourth-generation potter and chosen to inherit the tradition of Saiji micro-calligraphy for the Tamura family. She graduated Tsukuba University in 2004, then began to study under Tamura Keisei...

A Nihon Matsu tansu with hinoki (cypress) wood drawers. The round lock plates on each drawer feature a bird and bamboo leaf motif. There are 4 large drawers with spacious interiors and on the right lower side is a safe box door with key with two interior drawers.

Date: Meiji c1900

Dimensions: 51" X 45" X 17.5"

Japanese shin hanga woodblock print triptych titled “Pine,” Plum,” and “Bamboo” from the “Friendly Garden Series” commissioned by the Franklin Mint and published by the Yoshida Family Studio in 1980. Each of the three prints is pencil-signed in kanji at the lower right margin and black ink signed and titled at the lower left image. The artist’s red seal is below the black ink signature...

This extraordinary cha-ire (powdered tea container) displays an excellent glaze that appears to have only grown more intricate and rich with time. Contrasting against a reddish brown background are flows and pools of darker glaze along with lighter textured speckles...

This is a beautiful Japanese cloisonne Vase from the 1920's. It was created with a profusion skilled of work. It was made by Hayashi or Ando. It stands 9 3/4 inches tall and is 4 3/4 wide. Rims are silver and stamped. Bottom rim a tiny indentation in the silver but this vase is in outstanding condition.

An antique Korean Vase with a fluted rim and medium long neck. The cream color glossy transparent glaze has small pittings and stains.

Date: 18th/19th Century

Dimensions: 8.5" tall X 6.5" wide

An antique Japanese Mikuni Gyosho Bako (Peddler's Box) that originates from the Chūbu region of Japan. Made of Keyaki (Zelkova), Hinoki (Cypress), and Kiri (Paulownia) woods. Hand made iron fittings and hardened wooden nails complete this unique piece. Behind the hinged door lies 3 drawers and a storage shelf. The carrying handle atop the chest allowed for easy transport from place to place.

Age: Meiji period (1868-1912)

Dimensions: 24" High x 8 3/4" Wide x 11" Deep

Rivulets of green glaze descend all sides of this sublime storage jar, the bottom raw red Tamba clay dating from the Edo period. About the rim are four “mimi” ears for tying down the wooden bung. The base is slightly concave and burnt to a rock like texture. The vessel is 12 inches (30 cm) tall, 11-1/2 inches (29 cm) diameter and in excellent condition. Tamba is considered as one of Japan’s six famous ancient kilns, along with Seto, Tokoname, Echizen, Shigaraki and Bizen...

An antique Japanese 2 section Isho Biraki Tansu (Kimono Chest with hinged doors) made entirely of Kirinoki (Paulownia) wood. The two doors open to a spacious storage area that houses 2 removable shelves with compartment separators. The bronze and iron fittings are original to the chest. Each section has recessed side handles. The ones on the lower section protrude slightly at act as a locking system when connected to the upper half...

An antique Japanese Katana Tansu (sword chest) made entirely of Suginoki (Cryptomeria) wood. All original hand made iron fittings including the Hirute drawer handles. Some loss to the metal commensurate with its age. Large top drawer stored the Katana, medium drawer stored the Wakazashi and the small drawer stored the polishing tools and extra hardware.

Age: Meiji Period (1868-1912)

Dimensions: 44 1/4" Wide x 12" High x 12" Deep

A pair of small Japanese shrine candlesticks. Each would received a long standing candle inserted onto each small spike. Swirring vines and flowers depicted on both half round base and round lipped top. Unusual small size.

Great accent piece for the contemporary home.

Meiji Period C. 19th Century Dimensions: 4" X 4" X 11 1/2" High

An antique architectural Japanese Buddhist temple carving of opposing flying Ryu (dragons) protecting a Hoju (sacred Buddhist jewel) with the eyes made using the reverse glass painting technique. The detailed relief carving shows their coiled bodies circulating amongst the stylized clouds with one dragon open mouth to expel evil spirits and the other closed mouth to keep good spirits in. Their serpentine body reveals 4 appendages with classic three claw anatomy...

Over 400 years ago the first Takatori potter known as “Hachizan” was brought to Japan by the powerful Kuroda clan and was tasked with establishing a kiln in the town of Fukuoka...