A fine bronze brush pot decorated with the Rakan Handaka Sonja holding the begging bowl in gilt takazogan, in a combination of high relief and incised landscape with banana leaves and flowers. Gilt top rim. Incised signature on the Kyoto Kumagai zo (made by Kumagai). H. 9,5 x D 6,5 cm. Meiji period (1868-1912) . Very good condition.

Height: 3 cm (1.2 in)
Width: 3.4 cm (1.3 in)
Depth: 2.2 cm (0.8 in)

Japanese wooden netsuke of a seated mask maker; shows a critical expression observing his work; excellent workmanship and form; signed Ryuraku, good condition

Earth tones mix with rivulets of copper green emboldened with flashes of jet black on this vase by Shigemori Yoko enclosed in a signed wooden box titled Oribe Tetsuki Kabin (Oribe Vase with Handle). The green is almost liquid, and gives the impression if you look away it will change. The blacks are solid and brisk, obviously performed spur of the moment and to wondrous effect. The vase is 26 cm (10-1/4 inches) tall and in excellent condition. It comes in a box annotated by her brother...

A masterpiece by Kato Shigetaka, this bowl is very powerful, and I am not one to wax too longingly on individual pieces. In short: he nailed it with this bowl which comes enclosed in the original signed wooden box titled Kuro Chawan. It is 13 cm (5 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition.
Kato Shigetaka (1927-2013) was born the son of legendary revivalist Kato Tokuro, his older brother the legendary rebel Okabe Mineo...

Wooden panel covered with a thick layer of green urushi lacquer decorated with a lake landscape. A pontoon on stilts in light relief brown, ocher and yellow lacquer is surrounded by flowering Irises. The leaves are also in green thick lacquer and the flowers are in mother-of-pearl and eggshell, probably ostrich. The work is particularly neat and very solid. No signature, but certainly an excellent artist...

Kato Takahiko 加藤隆彦 (b...

A beautiful black Raku bowl with golden lightning splitting across the surface like an eruption of light in the night sky. It is roughly 12 cm (4-3/4 inches) diameter and in excellent condition. An exquisite repair.
Kintsugi embodies the spirit of wabi-sabi, a Japanese aesthetic worldview centered around imperfection, transience, and the beauty of the natural cycle of growth and decay...

Toshi Yoshida (1911-1995)
The Friendly Garden Triptych - Pine, Bamboo, and Plum
Date: ca. 1980.
Size: Each panel measures 21.25 x 11.75 inches.
Publisher: The Yoshida Family Studio. Issued by the Franklin Mint.
Signed and sealed by the artist in the image.
Signed in pencil in Japanese in the margin.
Medium: Japanese woodblock print.
Condition: Top back margins have original tape residue. Slight toning.

Bird and flower painting depicted a Japanese bush warbler rests in plum blossom tree. Painted with ink on silk. Signed and sealed.

Matsumura Keibun(1779-1843) was a Japanese painter active during the late Edo period(1603-1868). He was a leading figure in the Shijo school established by his half-brother, Matsumura Goshun (1752-1811). Keibun mastered the techniques of painting taught at Goshun’s studio at Shijo-Sakaimachi in Kyoto...

A quintessential work by Sodeisha founding member Yamada Hikaru enclosed in the original signed wooden box titled Shirogesho Tetsu-e Tsubo (Tsubo with Iron Decoration on White Glaze). It is 214 cm (8 inches) tall and in excellent condition.
Yamada Hikaru (1924-2001), was born into the family of layman potter and priest Yamada Tetsu, and raised in Gifu after the family home was destroyed in the Great Kanto Earthquake...

Amazing boro made of hand-spun and vegetable indigo dye cotton fragments. It used to be the lining of yogi, which is one kind of futon, in the shape of kimono. It is from the Japan Sea side district in Kansai, such as Fukui or Kyoto. It is partly sewn with hemp yarn. Late 19th to early 20th century. W:95cm, L:165cm

A large work of overlapping strips of sheer porcelain by the demanding young female artist Lu Xueyun enclosed in the original signed wooden box. The vessel is made up of overlapping strips of thin porcelain, so thin in fact that light passes easily through it. Her works are truly exquisite, captivating in their frailty...

A long low basin by Lu Xueyen in translucent white porcelain enclosed in the original signed wooden box titled Enfolding II. It is 21.5 x 38 x 15 cm (8-1/2 x 15 x 6 inches) and is in excellent condition, directly from the artist.
I have been following the diaphanous works of Lu Xueyun (known in Japan by the Japanese reading of her name, Ro-san) for nearly 5 years and waiting for the opportunity to introduce her to the outer world...

Inkwash painting depicts a long tailed fowl rests in the plum blossom tree. Painted with ink on silk. Signed Tanyu and sealed. It is a great antique piece of Kano school Paintings.

The Kano school is a group of painters who produced fusuma (sliding doors) and wall paintings as official painters for the shogunate at their castles and houses. It reigned at the center of the art world for about 400 years from the Muromachi(1338-1573) to the Edo period(1603-1868)...

DESCRIPTION: A large and handsome Sumida Gawa vase with ribbed body, high relief figures and pinched neck. A thick, traditional flambe' glaze in dark brown and blue covers the mouth and neck, and flows down the shoulders. Fine attention to detail has been paid to the handmade figures of a boy and girl standing on ledges against the ribbed body. Inoue (Ryosai) maker's mark in pear-shaped appliqué on the back. Early 20th C. (pre WWII) and in perfect condition; no chips or repairs. DIMENSIO...

DESCRIPTION: A rare and quite old Japanese lute, or sanshin, originating from the island of Okinawa. The sanshin (literally meaning "three strings") is an Okinawan musical instrument, and the precursor of the Japanese shamisen. Often likened to a banjo, it consisted of a snakeskin-covered body, neck and three strings, and was known for its calming tune. This sanshin, dating from the late 18th C. to early 19th C, Edo Period, has a rounded wooden body covered with the original snakeskin on both...

DESCRIPTION: A large and delightful carved wood figure of one of the seven Japanese gods of good fortune, Daikoku, the deity of prosperity. Here he is seen in his traditional pose, standing on two bales of rice with his wish-granting mallet in his right hand, and a bag of riches slung over his left shoulder. Daikoku is also venerated as the deity of the kitchen where such carvings were traditionally displayed, sometimes in the ceiling rafters for good luck. A wonderful mingei piece, his happ...

Height: 8.7 cm (3.4 in)
Width: 5.5 cm (2.2 in)

Fine pair of Japanese Satsuma vases, the upper section showing four panels of alternating figural and rural scenes; finely worked and gilded throughout, the base stem is decorated with polychrome millefleur work; the finest of diaper work radiate out from the central throat; signed Kozan on the bases; good condition