Top Quality Bizen Hidasuki Chawan of Living National Treasure Toshu Yamamoto (1906-1994)
The mark of the potter is carved on the bottom.

Size
Height 7.2cm
Width 13.1cm

Excellent condition with no damage and no repair. Supplied with signed wooden box.

After completing his elementary education, Toshu Yamamoto embarked on his pottery journey in 1921 as an apprentice specializing in Bizen-ware. By 1933, he had established his own independent kiln...

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide...

A single strand of gold lightning streaks down the darkness of this deep chawan by Tsujimura Shiro enclosed in the original signed wooden box titled Kuro Oribe Chawan on the lid, and named Raimei (Thunder Clap) inside the lid. Dating circa 2015, it is 11 x 9.5 x 10.5 cm (4-1/2 x 4 x 4-1/4 inches) and in excellent condition. The gold repair is artist made.
Tsujimura Shiro was born in Nara in 1947, and began his steps into the art world as an oil painter in 1965...

Ash flows through and fills the deeply crevassed surface of this closed bottle form by Furutani Hirofumi (Churoku II) enclosed in the original signed wooden box titled Shigaraki Shizen-yu Kuchi Jime Yohen Hanaire. All one must do is turn it a few degrees to get a new aspect or a new point of contemplation. Shinshoku, blasted green, olive fingering, and charcoal black all studded with the famous Shiseki of Shigaraki...

Rustic round platter, called ishizara in Japanese, used in kitchens and commoners’ households. Pale yellow glaze that typically leaves the foot free. The plate is slightly warped, as is common with ishizara. Seto ware, Edo period.

In the Meiji era this plate was additionally decorated in moriage technique with overglaze enamels that required lower kiln temperatures...

A Japanese boxwood netsuke depicting a scene from Japanese mythology of a warrior called Nitta No Shiro riding a wild boar. Nitta No shiro holds firmly in his hand a tanto, a traditional Japanese sword, with a sure and determined grip...

A cylinder has been removed from this cylindrical vase, quite a striking shape by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Ohen Ichirin Hanaire. The hollow created has filled with a heavy deposit of ash with fingers of color reaching out from the dark interior wrapping around the vessel to the red eyelets. The top too is heavily coated in glistening molten ash in grays and greens, olives and ochers...

Kobako box decorated with stylized foliage in black and gold hiramaki-e lacquer. The motif is karakusa, a growing plant extending in all directions. It symbols prosperity and longevity. Interior is lined with a floral fabric and topped with a pewter border.

Japan – Meiji era (1868-1912)
Height: 2.5 in / 6.5 cm – width: 3.5 in / 9 cm – depth: 3 in / 7.5 cm

Netsuke – A lovely model of boxwood group of chestnuts, one of which reveals the passage of a small worm, in carved bone. The natural chestnut color and wear to the wood provides a very naturalistic depiction. Wide himotoshi at the back. Beautiful natural patina. Nice finesse of sculpture. Probably former Carlo Monzino collection, n°191 sold at Sothebys London in 1995. Dimensions: 5 cm Edo period late 18th century

Square-shaped ivory netsuke manju depicting various objects, among which some fans stand out. The sculpture depicts kitchen tools, work tools and everyday objects. This netsuke features a silver bronze hook in the center. Origin: Japan Period: Edo 19th century Dimensions: 4 x 4 x 1cm. State of conservation: Very good

Ryusa Manju type ivory netsuke with openwork decoration and in the center a shishi, a Japanese mythological creature representing a lion or a lion dog, looking backwards. The frame around the Shishi features an accurate karakusa 唐草 decoration, a motif of stylized branches and leaves of Chinese origin. Origin: Japan Period: Edo 19th century Dimensions: 4.5 x 4.5 x 1.5cm. State of conservation: Very good

An antique Japanese Jingasa with gradual domed top with black Urushi and a raised lacquer design of a flying dragon surrounding the top. Underside is red Urushi. Family crest in gold on top and bottom of helmet. Bronze ring Tama Buchi. Worn by the samurai class in feudal Japan, as well as their retainers and foot soldiers.

Age: Edo Period (1603-1867)

Dimensions: Jingasa only 17" diameter by 3 1/2" high. Jingasa on stand 21" high by 17" wide by 7" deep.

Ivory manju netsuke depicting Chok'aro, a character from Japanese tradition, trying to catch a miniature horse that is running away from its gourd. This netsuke shows Chok'aro in a dynamic pose, his eyes intent on catching the fleeing horse...

An exquisite Edo period incense burner, the fine red clay covered in running bamboo glaze from the kilns of Takatori on the southern Island of Kyushu wrapped in a silk pouch and enclosed in a period Kiri-wood box. The lid is solid silver pierced with roiling fronds. It is 7.5 cm diameter, 7 cm tall excluding the silver lid, and in excellent condition.
Takatori-yaki, is a traditional style of Japanese pottery that originated in the early 17th century...

Simple, elegant, and functional, this Meiji period kyūsu (teapot) was crafted with precision and care by one of the periods most accomplished ceramicists. Showcasing refined beauty and delicate craftsmanship for which Japanese porcelain is renowned, its smooth and lustrous white glaze exudes an air of purity and simplicity...

An original painting by Mayumi Oda depicting a goddess holding an infant in one harm and a branch with pomegranates in the other. On her knee is a sleeping child. Painted in black ink on paper and signed in pencil along with a title "Hariti" and "for Yvonn and Bill". Hārītī (in Japanese, Kishi-mojin) was once an ogress but was shown a better path by the Buddha. She is known as a protector of children and women in childbirth.

Dimensions: paper size: 17 1/8" high x 11" wide...

A small Pure Land Buddhist shrine -zushi- containing a figure of the 11-headed Kannon on a lotus, holding a flask in his left hand, standing before a full-size mandorla.
Painted in mineral colors and gold onto the gilded doors are Jizo bosatsu to his right and Kokuzo bosatsu to his left.

Carved wood (probably boxwood), decorated with gold. Jewelry gilded metal (now black).
Red lacquered shrine with fine gilded hardware. Japan, Edo period, 18th century.
Case: ca...

A rare large Ainu artisan carved Hokkaido black bear (Higuma) made from one solid piece of Japanese hardwood. Intricate carving to the fur including the underside of the bear. Eyes made of Obsidian. Minor wear.

Age: Mid Century 1950's

Dimensions: 24" Long by 16 1/2" Deep by 14" High