An antique Japanese Nihon Matsu Kasane Tansu made entirely of Kiri (Paulownia) wood. All original hand forged iron hardware and acquired natural patina. Features Warabite style handles with Plum Blossom knockers (called Atari) used as an audible deterrent when thieves try to open a drawer. 4 large drawers for Kimono storage and a hinged door behind which 2 drawers kept valuables safe. Made using Japanese joinery techniques and hardened wooden nails...

Antique Japanese pair of koro (censers) made of bronze. The round, facetted body of each koro stands on 3 small legs in the shape of leaves. The lids are similar to fans with the openings between the ribs made in an open fashion to allow for the escape of incense smoke. Each with a deep black patination.

Age: Meiji Period (1868-1912)

Dimensions: 5" high x 4" wide each

Antique Japanese gunbai, war fan belonging to a high ranking samurai officer. Made of lacquered wood with shell inlay and with 2 large cut outs. This fan would have been used to shade from the sun and to signal troops. Though this shape of fan was not used as a weapon, it could have come in very handy in battle and there are legends of samurai heroes fighting with nothing but their war fans. The art of fighting with a war fan is called tessenjutsu...

An antique Japanese bronze Buddhist temple bell called Bonsho with a carrying handle depicting diverging dragon heads called Ryuzu. The upper protrusions called Chi or Nyu improves the resonance of the sound when struck. Two opposing striking panels called Tsuki-za is the point on the bell where the best and longest sound is achieved. A bell of this size was hung in a neighborhood temple to summon the monks to prayer...

Very large iron tsuba representing a man riding a giant boar. This illustrates the story of a hunter who to defend his lord during a hunting party jumped on a boar, rode it, sat upside down and stabbed it to death. This brave hunter was called Nitan No Shiro and the action took place around Mount Fuji. The tsuba is in hammered iron, the drawings of the hunter and the boar are incised with a chisel, the hat of Nitan is inlaid in sentoku (copper) some details are in gilded bronze or gold...

Rather art deco huge buddhist temple gable. C.1910. Cyprus wood. 4ft. tall by 2ft. wide. see pics for condition. Shipping from CA warehouse.

A haunting Gohon Chawan repaired with a spiderweb of silver and gold enclosed in a box titled Gohon chawan annotated by the later Edo period tea master Kawakami Ihaku II (1789-1857). It is 14 x 12.5 x 8 cm (5-1/2 x 5 x 3-1/2 inches).

A crystal shaped sculpture of dark faceted sides upon which rust and charred colors cloud the surface by Hashimoto Tomonari enclosed in the original wooden box titled “Untitled”. It is 32 x 23.5 x 24 cm and is in excellent condition, directly from the artist.
Hashimoto Tomonari was born the son of a sculptor and has felt comfortable with the processes of creation since childhood...

An exceptional web of gold interspersed with nishiki-cloth patterned designs on gold lacquer fuses this once broken 16th-17th century Koro with ami-me net patterned solid silver lid. This was likely originally made as a tea cup, considering that the entire interior is glazed. Broken and reassembled using the Kintsugi gold technique and placing unusual patterns on the missing portions, this is an exceptional work of art...

A bronze crane in dark almond colored patina of superb craftsmanship dating from the late 19th to early 20th century (Meiji period). It is quite large at 48.5 cm tall (19 inches) and is in excellent condition.

This is a Bakumatsu item. This hemp Tsutsugaki Noren was used by merchants who handled horses, which was an important means of transportation from the end of the Edo period to the Meiji period. This Noren was used in front of the eaves, so it has some discoloration and light stains, but it has been carefully stored. The items are very rare and very valuable. The letters of "Otsu Higashimachi" are the letters of a spell to ward off horse plagues...

An antique Japanese 2 section Nagoya Mizuya Tansu (kitchen chest) made of Hinoki (Cypress) wood. Cast iron hardware including the Warabite handles. Upper half features 2 pairs of sliding doors and a set of three side by side drawers. Lower half has 2 sliding doors with 2 side by side drawers. The shallow design would accommodate the narrowest of hallways.

Age: Taisho Era (1912-1920)

Dimensions: 35 5/8" Wide by 63 1/8" High by 14 1/2" Deep.

Inro 4 cases.Peonies in mother-of-pearl inlaid on a brown lacquered ground and gold dust. Japan earlier Edo 17th century.It is rare to find inros from this period, they are probably the first to have been created. The lacquer is dark red-brown, almost black, it is very solid and despite the shocks and more than three centuries of handling it has not chipped at all. The mother-of-pearl is also well preserved and there is only a tiny lack due to a direct impact...

A starkly traditional tsubo showing off the plethora of effects garnered from the inferno in an Anagam kiln by Furutani Taketoshi titled simply Shigaraki Shizen-yu Tsubo. It is formed in a medieval fashion with small foot growing in stages to a round wide shoulder, which then pinches to a small neck with pinched mouth...

A striking form covered coated in glistening green glass and gnarly clusterd of black ash by Furutani Hirofume enclosed in the original signed wooden box titled Shigaraki Shizen-yu Hen Hanaire. This is an absolute classic vessel by the artist. It is 31 x 10.5 x 34 cm (12 x 4 x 13-1/2 inches) and in excellent condition, directly from the artist.
Furutani Hirofumi (b...

The raw red flesh glows softly under a coating of ash which wraps around in tendrils to the coal blackened base of this voluminous Vase by Furutani Taketoshi enclosed in the original signed wooden box titled Shigaraki Shizen-yu Yohen Tsubo...

Height: 3.4 cm (1.3 in)
Width: 3.9 cm (1.5 in)
Depth: 3.5 cm (1.3 in)

Fine Japanese carved netsuke of a father and child, the child holding a dragon fly; excellent carving throughout; natural material; the stained scrim-work particularly detailed; the extraordinary base work includes an oval panel with the signature, Gyokusai; good condition

Everything we could expect from this innovative artist, striking color combination and gleaming gold by Ichikawa Toru enclosed in the original signed wooden box titled simply Mizusashi. It is 20 cm (8 inches) diameter, 15.5 cm (6 inches) tall and in perfect condition.
Ichikawa Toru was born in Tokyo in 1973. In 2015 he established his current studio in Bizen after 4 years of apprenticeship under another Bizen Outsider, Kakurezaki Ryuichi. He has since developed quite a following, with his ...