Antique Japanese woodblock print by the artist Utagawa Kuniyoshi. This print from his famous Suikoden Series depicts one of "One Hundred and Eight Heroes of the Popular Suikoden". Based on the Chinese semi-historical novel, the Suikoken prints depict the adventures of the 108 rebels who sought refuge in the area of Liangshan Marsh. These rebel heroes, also brigands and bandits, were compelled to protect the poor and downtrodden...

Rectangular and flat lacquer Kobako (small box) representing a furoshiki knot seen from above. Fundame background, furoshiki in takamaki-e with floral pattern, inside the folds of the fabric with black and gold sayagata pattern with togidashi maki-e technique. The saya (or sayagata) pattern is composed of Chinese swastikas. This symbol, linked to Buddhism, represents qualities of intelligence, strength and peace...

Polychrome lacquered wood sculpture of a tanuki dressed as a pilgrim, carrying its baby on its back. Their eyes are in horn.

The tanuki is a kind of racoon dog which is part of the yôkai (spirits) of Japanese folklore. It is endowed with magical powers: it can metamorphose and take many different forms. This spirit is a symbol of luck and prosperity...

An example of some of the finest porcelain modern Japan has to offer. According to the Wakao Kei, the artist who crafted this piece, it took him years of trial and error to perfect these stunning translucent glazes and associated techniques such as getting the right flowing consistency and pooling effect around the base...

Antique Chinese celadon bowl. The rim is flared and accented with incised concentric rings which repeat several times closer to the center of the bowl. The widest band and the reserve at the bottom of the bowl are incised with subtle designs possibly floral. The outside of the bowl is thickly glazed with lovely drips and overall crackle. The foot has been left unglazed.

Age: Song Dynasty (960–1279)

Dimensions: 10 1/2" wide x 3 1/4" high

A masterpiece by Otani Shiro enclosed in the original signed wooden box titled Shigaraki Hai-Kaburi Tsubo (Ash blanketed Jar). Breathtaking, it appears straight from the inferno. With so much going on, the thick textured embers almost purple in color, encrustations covering the surface with a blast of molten ocher glaze on one side rivulets of color dripping down. It would wow the crowds in any museum exhibition and is the best piece I have ever owned by this legendary potter...

A massive tsubo with fissured shoulder in earth tones by Sugitani Keizo accompanied by the artists signed placard. It is 45 cm diameter and in excellent condition. This is absolutely spectacular for large flower arrangements.
Sugitani Keizo was born in Osaka in 1959. In 1982 he graduated the Ceramic Art Institute of the Tekisui Museum of Art...

Gold shatters on the blue surface of this large vase by legendary female potter Ono Hakuko enclosed in the original signed wooden box titled Yuri Kinsai Hana Tsubo. It is 29 cm (11-1/2 inches) diameter, 31.5 cm (12-1/2 inches) tall and in excellent condition.
From Aichi prefecture, Ono Hakuko was trained by her father initially in the ceramic arts. However, she was most strongly influenced by the great experimentive artist Kato Hajime (1901-1968) and his work with gold...

Namiamidabutsu sho (Praise to the name of Amiddha Buddha) is scrawled in faint verse down the upper right, while on the left is a warning, kono tori, minasama goyojin goyojin (all those on this path, be wary be wary…) The two scripts are separated by a grave marker at the base of which lies a skull and scattered bones among the unkempt dried grasses. A very unusual seal in the shape of a Buddhist ewer hugs the right edge. Early to mid Edo period in the style of Hakuin Eikaku (1686-1768)...

Were one to describe THE piece which epitomizes the vase aesthetic of Suwa Sozan I, it would be this epochal Red Fish design flaring celadon bottle. This is a superlative example, exquisite detail and come enclosed in the original signed wooden box. It is 29.5 cm (11-1/2 inches) tall and in excellent condition.
Suwa Sozan I (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875...

An antique Japanese Todana Tansu (cabinet chest) made of Keyaki (Zelkova) and Sugi (Cryptomeria) woods. All original hand forged iron handles including the Warabite handles. Two sliding doors behind which lies a large storage area, a lift-out door where additional storage was used and 6 drawers of varying sizes used to organize ones belongings. Side slates added strength and support. Constructed using both single and double through mortise and tenon Japanese joinery...

Antique Japanese small, round, lidded box. Made with metal body covered with lacquer and decorated with a gold lacquer scene of a bridge and a weeping willow tree. Intricate raised machi-e details of waves and willow leaves. Delicate nashiji on the ground around the tree.

Age: Meiji Period (1868-1912)

Dimensions: 3 1/4" wide x 7/8" high

Japanese antique kusuri tansu, chest with many drawers for storing medicinal herbs for an apothecary. Made of kiri (paulownia) wood with sugi (cryptomeria) wood frame. Small hand holds cut in the sides for convenience. Each of the 49 small drawers is labeled with a paper label. Older labeling in ink can be seen on some drawers. The lower portion of the chest has three medium sized drawers. Hardware is made of iron and includes rings pulls, warabite shaped handles on the larger drawers and...

Antique Japanese single section mizuya (kitchen tansu). Made with sugi (cryptomeria) wood and hinoki (Japanese cypress) wood refinished to reveal the beauty of the natural wood grain. Iron hardware with round lock plates and warabite shaped drawer pulls. The tansu has three large drawers on the right and a compartment with sliding panels over two smaller drawers on the left.

Age: Meiji Period (1868-1912)

Dimensions: 33 1/4" high x 65" long x 18 1/2" deep

Antique Japanese gray porcelain tea cup with crackle glaze. Decorated with delicate floral design in iron-rich dark brown/black glaze. Kyoto Ware.

Age: 18th century

Dimensions: 2 1/2" high x 2 5/8" wide

Provenance: From the personal collection of Frederic Cheever Torrey (1864-1935), partner of Vickery, Atkins & Torrey, interior design firm and art gallery founded in San Francisco in 1888.
The gallery, most famous for its role in helping to introduce Californ...

Undoubtedly one of the stars of the show, this dynamic work is a one of a kind, a deeply sculpted vessel by Furutani Taketoshi in austere fire color enclosed in the original signed wooden box titled Shigaraki Hi-iro Chokoku Maru-Tsubo.
Furutani Taketoshi was born the son of master craftsman Furutani Hirofumi in 1974, graduating the Shigaraki Industrial High School Ceramics department in 1992 before entering the Shiga prefectural Ceramics Research Facility where he learned first Small Rokur...

The spider crosses a glimmering golden web wet with dewdrops of solid gold Hirame and inlayed mother of pearl, a stellar work by Okada Yuji enclosed in the original signed wooden box. The interior and base are glittering with gold Nashiji. Known for his depictions of small creatures, this is a perfect example of his work. It is 8 cm (just over 3 inches) diameter and in excellent condition.
Okada Yuji was born in Kyoto in 1948 and graduated with honors from the Kyoto Hiyoshi-ga-oka High S...

First presented at the Ishikawa Traditional Crafts Exhibition, this fine mizusashi crafted with extraordinary precision is a testament to the generational knowledge, skill, and dedication of one of Japan’s top traditional craftsman. Its tapered polished sides have a beautiful texture and luster that compliment perfectly with the hand-crafted custom lid adorning the top. Truly an exceptional artwork fused with the aesthetics of tea culture that gives it a sense of stability, calm, a...