Oversized Japanese limited edition sosaku hanga “kappa-ban” (stencil print) of a tengu mask titled “Mayoke Tengu” (also known as "Tengu-shaped Amulet") by Yoshitoshi Mori (1898-1992). The print is pencil-signed “Yoshitoshi Mori,” dated ’87, and numbered 10/50. The artist’s red seal is above the signature. The known paper size is about 17”V x 27 1/4”H. The framed size is 19"V x 28 1/2"H...

Antique Japanese gilt lacquer three-case inro, in the shape of a large sake jar decorated with two karako (children) surprised by their companion tumbling in a cascade of sake to the opposite side, expertly rendered in gold and silver hiramakie, takamakie, togidashi and usu-nashiji on a kinji ground, the interior's fundame and nashiji (silver oxidized), signed Koryu-saku, Edo Period. together with a lacquered wood bead ojime fashioned as a brocade ball with minute inlay...

Japanese gilt lacquer three-case inro, Edo period, 19th century, the flattened body decorated overall with fluttering butterflies, finely rendered in gold, silver and iro-e hiramakie, takamakie and togidashi on a kinji ground with gold foil, aogai and raden inlaid accents, signed Yoyusai followed by a kakihan, the interiors fundame and nashiji (silver oxidized), 3.5''l; together with a copper ojime with bat and floral design in gold, silver and shakudo overlay.

Provenance: Property...

This is Indigo dye cotton dotyugi coat of the Edo era(1800-1868). It is made of hand-spun and hand-woven and natural indigo dyed cotton. It is katazome, and, as for the lining, the motif of the plover is very beautiful. It has a few thin stains. However, as a whole it is in very good condition. size:111cm x 126cm (43.7" x 49.6")

A set of five Meiji period dishes hand painted by Suzuki Hyakunen in commemoration of the Gosho-Nai Dai-Hakurankai (Exposition in the Imperial Palace, Kyoto) stamped on the underside with the event name and each individually signed by the artist. The literati scenes include a scholar contemplating a waterfall, Mountain retreat lost in rugged hills, sails on the lake, traveler in the hills and horses on the lakeshore under weeping willows...

A large Mimitsuki Vase covered in deeply fissured celadon glaze by Suzuki Sansei (b. 1936) enclosed in the original signed wooden box. The translucent glaze is like that of an agate, shattered with heat, the crackling wide in the thick pale bluish green fog. The vase is 11 inches (28 cm) tall, 5-1/2 inches (13.5 cm) diameter and in perfect condition.
Mitsunari began with a six year apprenticeship under Kawamura Seizan and has received innumerable awards over his 40 year career...

Heavy pigment on thickly veined gold creates a powerful collection of scenes from the Taiheiki, the 11th century story of the fall of the courtiers and usurpation of power by two military families, the Taira and the Genji. The screen dates to the 18th century, or middle Edo period. Many old repairs attest to age. We have had it completely remounted, with no painting restoration performed. On the left the famous scene of shooting a fan from horseback from the battle of Yajima...

Japanese Makuzu Kozan Celadon Shishi, Meiji (1868-1912)

It is 3.75 inches (9.5 cm) tall by 8.25 inches (21 cm) wide. It is 4 Lb.

It is in good condition with no repairs, chips, or cracks.

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Charred ash deposits are baked into the side of this large Tsubo by Shigaraki Representative Otani Shiro enclosed in the original signed wooden box. Rivulets strike out from the heat blasted face, the coloring pleasing on all sides. The Tsubo is 10-1/2 inches (26 cm) diameter, 9 inches (23 cm) tall and in perfect condition.
Shiro (born 1936), of Shigaraki, was a student of Living National Treasure Shimizu Uichi and Kiyomizu Kyubei...

A superb bronze vase with silver plate design enclosed in the original wooden box and stamped on the base by the artsit. The vessel is 11-1/2 inches (30 cm) tall and in excellent condition

A flamboyant vase by Kawai Toru enclosed in the original signed wooden box titled: Gosu Mentori Ashitsuki Tsubo. Outside the vase is covered in Gosu blue, inside contrasted with iron red. The shape is all Toru, an artist who took the work of Kanjiro and moved beyond, as represented in this large tri-legged tsubo. The vase is 14 inches (35 cm) tall, roughly 12 inches (30 cm) diameter and in perfect condition.
Toru was born in 1941, the son of Kawai Takeichi...

Steam coils about the petit young woman at the public bath, a fine Taisho era painting signed Ikuho. The color blends into the silk, leaving a soft edge enhancing the sense she is being viewed through the steam and heat of the bath. Pigment on silk, mounted later in green patterned cloth extended with grey and featuring wooden rollers. As pictures of nudes were forbidden, Ikuho is likely a pen-name, possibly taken from Ikuho Street in Northern Kyoto city where the artist may have resided...

A fox and cubs under the crescent moon and falling leaves by Hotta Shuso (b. 1894) in a style representative of the Taisho era. Light color on silk in a pale green silk border with bone rollers. The scroll is 21-1/2 x 86 inches (55 x 219 cm) and in fine condition but for a faint discoloration in border top and bottom...

The tanuki rests, energy spent, among fallen bamboo leaves lit by the crescent moon, only those yellow eyes alert and watchful. A beautiful pigment on silk painting signed Seiei enclosed in the original signed wooden box. It is bordered in patterned green silk and features bone rollers. The scroll is 21-1/2 x 76-1/2 inches (55 x 194 cm) and in overall fine condition.

Japanese Noh performance mask of Ko-omote the youthful beauty, made of carved wood with painted features. Size: 8 1/4" high x 5 1/4" wide.

Superb Kenzan ware decorated with designs of overlapping fans depicting an early winter scene with a house gate by pine trees covered with a rice straw mat as well as Japanese old poems on the interior and with stylized Japanese pampas grass design on the four sides. Edo period. In the interior decoration dated "gen-bun ni-sai" means 1737. The winter scene depicted here shows a great ancestral wisdom has been performed since 17th century, where the rice straw mat called “komo-maki’ is used t...

A large Shinshoku Ware-tsubo eroded through natural processes during firing with a shattered rim attached to the body at the shoulder. This piece is a virtual textbook on Yohen firing effects. Tamadare, Shinshoku, koge and other effects are supplanted by a large white kutsuki on the front, all under the shadow of the shattered rim fused to the shoulder. It is roughly 10 inches (25 cm) tall, the same diameter enclosed in a fine kiri-wood box. To quote from Japanese Wood fired Ceramics, Cerami...

Birds chatter, perhaps excited by the promise of Spring from the plum blossoms peeking out of a bamboo grove, winters snow melts and trickles through the stones in the stream belwo. A two panel screen, ink and light color on gold by Mizuta Chikuho (1883-1958). An excellent example of this artists Nanga style, the subject and rich wet lines of the bamboo crisp and direct, fading to washes of gray in the shadows. The screen measures 68 x 68 inches (172 x 173 cm) and is in fine condition.
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