Bursting with life, this vessel by avant-garde Shinkai Kanzan was exhibited at the Nitten National Art Exhibition in 1982. Titled Kitsune to Minori no Monogatari, Kabin (Vase, The Tale of Fox and Fruition), the sly creature slinks through fruit laden vines in a path of dark through the light gray glaze covering the simple open form. It comes enclosed in the original signed wooden. It is quite large, measuring 30 cm (12 inches) diameter, roughly the same height and is in excellent condition...

Going back over 1,300 years, Seto-ware has the distinction of being Japan’s oldest pottery tradition still active today. Made from the rich clay and silica of the region of production, Seto porcelain in particular has been highly prized throughout the history of Japan. The piece shown here can be described as Seto-guro (Black Seto) and is an excellent example of this type of pottery. The writing on the box describes it as being from Muromachi, so well over 400 years old...

An incredible universe is born in the center of this masterpiece by Tenmoku legend Kimura Moriyasu enclosed in the original signed wooden box titled simply Tenmoku Chawan. It is 14 cm (5-3/4 inches) diameter, 7 cm tall and in excellent condition.
Born into the Kimura family in Kyoto in 1935 the youngest of four children, it was only natural for Moriyasu to move into ceramics, following and training under his brother Morikazu and learning decorating techniques from his father...

In the tranquil pond, a solitary turtle finds repose upon a weathered rock. With its ancient shell glistening under the gentle sunlight, it sits in serene contemplation. The stillness of the water mirrors the turtle's quiet presence, as it basks in the harmony of its surroundings...

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu...

The large characters in the center of this scroll "南無妙法蓮華経" are pronounced as "Namu Myōho Renge Kyō” in English — a phrase associated with Nichiren Buddhism that is often recited as a mantra, expressing devotion to the Lotus Sutra. This sutra is one of the main tenants of Nichiren and is thought by devotees to be the ultimate law and truth of the universe...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted...

A fine embroidery depicting a group of chickens. Embroideries, known as shishu in Japanese, were done on various fabrics and clothing. It was only later during the late 19th century that embroideries were appreciated for their artistic quality and were often framed or mounted on scrolls. The embroidery on the back contains an inscription which reads: Present ( or gift) September of the tenth year of Taisho (1921) (Presented by) the Imperial government of Japan...

19th Century Meiji Period Japanese Bronze Sculpture of a Falcon with open wings landing on a rock with waves. This is an exciting work, featuring one of the most revered birds of Japan. The falcon's deep gaze pulls you in. 19h x 20.5w inches, 48h x 52w cm. Excellent Condition.

19th Century Meiji Period Japanese Black Lacquered Box with River, Bamboo, Flowers, and Fireflies. A gem of high quality with gorgeous fine details. 9.25 x 6.75 x 1.5 inches, 23.5 x 17 x 4 cm. Excellent Condition.

This beautiful contemporary Ningyo is by an important artist, Nishikitsuka Moeharu. His Kimikomi style of work has been exhibited in many galleries and museums, including the Homma Museum in Japan. She is holding peach sprays. Carved of wood with applied silks brocades. She has a sensitively rendered face with carved lacquered hair adorned with a gold hair ornament. 9 inches (23cm) high. Base: 10.5 x 8.25 inches, 27 x 21 cm.

Japanese woodblock print by Paul Jacoulet. Beautifully done and sought after in this market. Great condition, framed behind glass. Circa late 1940's Dimensions: 20 1/2" High X 16 1/2" Wide

Japanese antique tansu chest for storage of paper, made of kiri (paulownia) wood, nine drawers of different sizes (3 long, 3 medium, and 3 small), iron hardware with warabite shaped drawer pulls, two of the smaller drawers have lock plates, wonderful side hardware with handles for carrying, kiri wood has nice grain and beautiful natural over all patina, Late Edo Period (c1850) Size: 28 1/4" high x 44 1/4" wide x 16 3/4" deep.

Ohara Koson
Mallards in Flight
Size: O-tanzaku. Approximately 14.5 x 7.5 inches.
Date: ca. 1900s-1923.
Bears Koson signature and seal.
Publisher: Daikokuya (36)
Reference: A variation of K7.4 and plate 108 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent. Pencil number on back.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin...

Long a symbol of longevity, good luck, and support in many parts of Asia; in Japan the turtle has the added symbolism of being one of the cardinal protectors of Heian, the ancient capital city of Kyoto. This rendition of a turtle basking on a sunny riverbank was done by one of the most renowned and loved Waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875)...

A very attractive and rare Pair of Mandarin Ducks OSHIDORI made of slightly modified and patinated root wood. The male wIth raised head and the female looking at the ground after food. Meiji, c. 1880/1900. H 16 cm, L 25 cm. Mandarine ducks are symbol of long life fidelity as they stay together forever. It comes with inscribed Storage Box Tomobako. Condition: Excellent

Kimikomi Ningyo by Jinku-ru. 9.25 inches, 23.5 cm.

This is a wonderful Meiji Era or Japanese golden age cloisonne box. The designs and form on this piece are very attractive and quite rare. Even the bottom has the fan shaped decorative designs. This box is in excellent condition but not perfect because the bottom enamel edges show some table wear. The box measures 4 3/4 inches by 4 inches and is2 1/4 inches tall. It is not signed.