Bidoro rain down like a glass bead curtain over the terracotta clay of this Shigaraki Tsubo by Takahashi Shunsai enclosed in the original signed wooden box. It is 8-1/4 inches (20.5 cm) tall and in fine condition...

A traditional shape called Kinuta (fulling block) draped with ochre glaze over charred blacks by Tsukigata Nahiko wrapped in a brocade bag and enclosed in the original signed wooden box titled Oni Shino Kinuta Hana-Ike which is in turn enclosed in a black lacquered wooden double-wood storage box. A Kinuta (fulling block) is a small wooden mallet used to beat silk into a soft texture. It is a very traditional shape in Japanese pottery. This is 9 inches (23 cm) tall and in excellent condition...

Very large pear-shaped chaire. Very dark brown stoneware, thin walls, with thin glaze of oily colors and fiery brown-red running down. Ofuke ware, Owari Province (Nagoya), Japan, late 18th century.

H 4 ½ inches

Fine condition, old handwritten label, identifying the piece as Ofuke, dating it to 1780s.

Provenance: Private collection of chaire (collection no. 37); bought from E & J Frankel, New York, May 17, 1984; ex Vassar College collection; ex Pratt Institute collection (1906)

Tall and slender, almost cylindrical chaire. Brown fine stoneware with spiraling engraving on top, covered with olive green translucent glaze with fine crackle, and with a white and blue triangular patch dripping down. Seto region, Japan, 18th century.
Comes with wooden storage box.

H 6-1/8 inches

Fine condition

Provenance: Private collection of chaire (collection no...

This is indigo dyeing cotton Tsutsugaki Futon- cover used in a rich merchant's family for the Meiji period. As for this, cotton is spun by hand precisely. As for this, a pattern is Tabanenosi and a family coat of arms. As for this, Tabanenosi is expressed like Kuwagata Maedate of Samurai Kabuto. And Kuwagata Maedate of Samurai surrounds a family coat of arms. This seems to express a family in succession to a pride of Samurai...

Antique Japanese bronze temple bell, or "bonsho", with a handle of dragon heads called a ryuzu, protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, and the "mei-bun" inscription of the bell's history...

Antique Japanese bronze temple bell known as a "bonsho", with a handle of dragon heads called a ryuzu. Protrusions called "chi chi" or "nyu" to improve resonance of sound, the "tsuki-za" striking panels, with lotus shaped "tsukiza"...

Japanese 20th-21st century ceramic vase by HAYASHI SHOTARO. The large vase has a bamboo design on each side. A member of the prestigious DENTOKOGEIKAI for years, Hayashi has exhibited at major exhibitions throughout Japan. Comes with TOMOBAKO, original artist signed wooden storage box. The vase measures 13 1/4" tall, 12" wide and 8 1/4" deep. (kunesu)

Irregularly shaped cylindrical chaire. Tea caddy used in the tea ceremony during the colder months. Dark brown or black glaze with one thick splash of yellow and green glaze. Footring. Raku style...

A set of 8 sake cups by members of Sodeisha enclosed in a singular compartmentalized wooden box titled Yose-hai and signed Sodeisha followed by the Sodeisha stamp. Sodeisha (Crawling Through Mud Association) is a group of revolutionary post war ceramic artists whose influence remains strong today. Artists in this set include: Suzuki Osamu, Toba Yoshimasa, Kanaegae Kazutaka, Kawamura Sachiko, Yoshitake Hiromu, Inoue Midori, Nakanishi Kosuke and Tsuji Kanji...

Antique Japanese cha tansu (tea display cabinet), fully carved all from boxwood, with motifs of various flowers such as peony and chrysanthemum, cranes, phoenixes, sparrows, and other small birds with clouds, carved branch "pillar" with cascades cherry blossoms, a highly ornate export furniture piece.

Meiji period (1868-1912)

Size: 37" L x 14.5" W x 57.25" H

This is Tsutsugaki Yogi having the biggest lobster for Edo period. The bold lobster pattern of Edo period has three-dimensional movement of Edo period. As for this, the lobster which was greatly drawn on the good-quality Hanada-colored basic center is impressive at all. You can know the characteristic of three-dimensional movement of Tsutsugaki immediately for Edo period by watching this item. As for this, cotton is spun by hand and has a good texture...

Antique Japanese golden bamboo usubata (flower arranging vase) shaped and grown naturally into its wonderful twisting form, with a short bamboo insert.

Taisho period (1912-1926)

Size: 7" x 4" x 11" H

Japanese 4-panel byobu folding screen, with a shochikubai or "Three Friends of Winter" motif (plum, pine, and bamboo), the image of a pheasant seated upon a jagged rock formation, with a small singing bird on the twisting trunk of the plum tree. The image was taken directly from a commemorative stamp which is affixed to the corner of the frame.

20th century

Size: 65.6" L x 36" H

Japanese cylindrical blue and white porcelain brushpot in three-section bamboo form decorated at the center with birds in flight among tree tops. The top section is covered in a key fret pattern and the bottom section with a myriad of small white circular medallions containing foliage set against a blue ground. A band of scrolling foliate decorates the flat interior rim, which is dressed brown...

Japanese framed print by Shigeru Izumi (born 1922), titled "New House", number 9/20 of its series, and signed in pencil.

Size: 30.5" L x 22.25" H (entire frame)

Very large Japanese Taisho to early Showa period cloisonné enamel wide shouldered vase tapering to a narrow base decorated with a dense assorted floral spray on the front and a single flower to the back all set against a dark blue ground. Copper substrate, base and rims. Circa 1915-1930. 14 5/8” high x about 8 1/2” wide. Very good overall condition...

A whimsical koro by Takauchi Shugo enclosed in the original signed wooden box titled oribe Koro. It appears to dance, two arms up in the air with the music, a slight jaunt in its three legged step. It is 11 inches (28 cm) tall and in excellent condition.
Takauchi Shugo was born in Tokyo in 1937. He opened his kiln in Mashiko at the age of 31. He has exhibited at the Nihon Dento Kogeiten National Traditional Crafts Exhibition, Nihon Togeiten National Ceramics Exhibition and as well as Gen...