A large vase in earthen colors by Kasama legend Wada Morihiro enclosed in the original signed wooden box titled Sounka-mon Utsuwa. It is 15.5 × 9 x 47cm (6 x 3-1/2 x 18-1/2 inches) and is in excellent condition.
Wada Morihiro (1944-2008) was born in Hyogo prefecture and apprenticed under Kyotos Tomimoto Kenkichi before moving to Kasama in 1976...

Quality dark patina bronze sculpture depicting the study of a powerful tiger in an unusual position. The animal's posture is engaging with the paw raised and the tail curled upwards along the end. The streaks of the fur are depicted in a masterly way and highlighted with a strong engraving. Signed under the belly with the mark of the Maruki company (in the square) and the engraver Atsuyoshi. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 26 x 49 x 14 cm...

Rare 18th Century Japanese Tea Ceremony Screen Painting of a Pine Tree. Exquisite painting on gold leaf. Set in a wood frame with a sumptuous silk brocade border. Featuring two poems on the back. The Japanese tea ceremony, also called the Way of Tea, is a Japanese cultural activity involving the ceremonial preparation and presentation of matcha, powdered green tea. Frame: 26 x 19 inches, 66 x 48.25 cm; Painting: 21 x 13 inches, 52.25 x 33 cm.

A Fine Bronze Seated Buddha Sakyamuni Figure, U'Thong Style, Early 16th Century. Seated in Sattvasana, his hands in Bhumisparsa and Dhyana mudra. Wearing a sanghati with long sash. His face with meditative expression, downcast eyes under incised arched eyebrows, broad triangular nose and outlined lips, elongated earlobes. His hair arranged in rows of small curls...

In the style of the floral school (rimpa) the decoration represents white and red chrysanthemum (kiku) flowers, treated in gofun, near a fence, on a background of white clouds and gold and silver dust. Period: Meiji. Late 19th century. Dimensions: 367 x H 172 cm.

This piece is styled "uzukumaru" pot, it means "squat", Uzukumaru pot is originally made for storing seeds. Since tea masters like as Rikyu used them for vase in the tea room, it has been called "uzukumaru" and loved by them for tea　goods...

From our Japanese Collection, a truly spectacular, massive, and published pair of imari double gourd vases, late Edo to early Meiji Period circa 1855 -1875, executed in the typical imari palette of iron-red, blue, orange, and gilt, with birds and dragons set against the "Three Friends of Winter" design of pine, prunus, and bamboo.

The double gourd shape is a very desirable form for imari collectors, but rarely is it encountered in such monumental proportions like this massive pair...

Rare Mid Edo Period choba, merchant's chest, from the Sakata area, made of kiri (paulownia) wood with original patina (not refinished), nice iron hardware, interior (behind sliding panels) contains set of five drawers (three on the right, 2 on the left) and one hidden drawer. Incredibly rare Large oversized iron handles flanking each side of the chest.

Edo (1603 - 1868)

H 35-3/4", W 38", D 16-3/4".

Antique Japanese netsuke of a boy monk fast asleep on a temple bell, carved of boxwood with painted details, signed: Kyusai (1879-1938). He carved this netsuke between the ages of 36-49, well-known for carving mokugyo, temple bells, in various themes.

Meiji Period (1868-1912)

Dimensions: 2 1/8"

Antique Japanese choba tansu (merchant's chest), made of keyaki (elm) wood with beautiful strong grain and burl wood on especially on the sliding panels and the drawer panels, sliders open to compartment with one shelf, right side has 3 small drawers, 2 medium sized drawers on bottom and one large drawer on top, heavy iron hardware and original reddish orange translucent lacquer finish, from the Shinshu area of Nagano Prefecture, Meiji Period (1868-1912). Size: 38" high x 36" wide x 14 1...

Wonderful large Japanese Gosho-ningyo baby doll, standing with arms outstretched, charming expression and stance, baby tunic made of silk with gold embroidery, 19th century. Size: 14 1/2" high x 16" wide

Rare and beautiful Japanese antique kura tansu (storage chest), all keyaki (elm) wood front and framing, iron hardware, top portion has 3 drawers and lower portion has sliding panels with horizontal slats, bottom right interior has two small drawers also made of keyaki wood, deep brown translucent lacquer finish with wonderful patina, Edo Period. Size: 41 3/4" high x 38 3/4" wide x 21 1/4"deep.

A rare Kotou ware vase with meticulous painting done on the surface with an image of herons and reeds on one side, and a late spring flower bouquet still life. The Koto ware was established in 1829 by Kinuya Hanbei who invited an artisan trained in producing imari wares. The kilns continued production until 1842 where the Hikone clan took over and made the kilns part of the clan. The kilns declined after the assassination of Ii Naosuke in 1860 and the last existing kiln closed in 1895...

Antique Japanese tsuba done in the finest craftsmanship. Made of iron with extensive shakudo nanako plate overall and with many gold blossoms. A motif of very detailed chrysanthemums densely covers both sides of the tsuba. The view in general would be titled, "Kikka Senpi zu" or Chrysanthemums in full bloom. Age: Possibly Momoyama Period. Size: Diameter: 2.75"

Japanese Satsuma ware footed vase with lobed mouth and squat lobed form, elaborately decorated all over with textile-like patterns in raised gold and colorful over glaze, five reserves with alternating scenes depicting Buddhist saints and samurai, exquisite details down to the individual features of each figure, Meiji Period c1900, a cartouche inscription on the bottom written Satsuma. The style of the calligraphy and the decoration appears similar to ones produced by Hotoda...

A fine porcelain vase with two carps painted by Makuzu Kozan, also known as Miyagawa Kozan (1842-1916). The vase comes with a tomobako inscribed, signed, and sealed by the artist. Kozan's family originally produced fine tea ceramics for the imperial court during the end of the Edo period. During the Meiji period, Kozan moved his kiln from Kyoto to Yokohama to produce export ware. In 1876, Kozan exhibited his work at the Philadelphia World Exposition and his name was known internationally...

Antique Japanese carved burlwood round container decorated with blooming hibiscus flowers and a canary perched on a branch. The carvings are finely incisised details with relief ridges defining leaf veins, stamen, and petal edges. A central round medallion decorates the bttom of the inner chamber. The carvings on the lid of the box match up with the base. It measures 7" in diameter, 5.75" tall. Late Meiji, 1868-1912, or early Taisho period, 1912-1926.

A large standing esoteric protector deity known as Gozanze Myoo. The piece has darkened from the smoke of the goma offerings done for the image. The statue is posed doing the Gozanze mudra, which is the mudra of subjugation. Gozanze Myoo's name literally means the vanquisher of the three realms, where this myoo destroys foolishness and anger. Age: Edo Period (c1800). Size: height 38.5" width 12.25" length 18.5"